Eloise Rose Design Studio

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Eloise Rose Design Studio

Conscious handcrafted homeware combining authentic heritage craftsmanship with contemporary design to encapsulate the joy of adventure.

Our sustainable methods empower our craftspeople and our Cornish community whilst enabling our planet to thrive.

09/09/2026

I like to have my inspiration all around me, paintings, sketches, scraps of colour, patterns, photographs, little bits of history and things I’ve collected along the way (often bones, teeth, feathers).

At any point, I can look up from my desk and find something that catches my eye. A particular blue (of course). A pattern I’d forgotten about. A photo that makes me want to pick up a pencil and start drawing.

I think inspiration is often less about going looking for one great idea, and more about creating a space where lots of little ideas can find you.

07/09/2026

I’m so very excited to be showing at Top Drawer this weekend and next week, a rather exciting occasion, and one I’m feeling incredibly proud to be part of.

I’ll be creating my own little corner of the show, filled with porcelain pieces, sketches, stories and all the things that make up the world of Eloise Rose.

If you’re already a stockist and you’re coming along, please do come and find me, I’d absolutely love to see you.

And if you’re a shop, gallery or independent retailer who I haven’t had the pleasure of working with yet, please come and say hello. I’d love to show you what I’ve been making and have a little chat about bringing Eloise Rose into your world.

It feels rather special to be here. I can’t wait to see where this little adventure leads.

See you at Top Drawer.
El x

27/08/2026

I have always been a bit against the idea that inspiration needs to be sought out. When I go in search of inspiration I often come out feeling lacking somehow. But when I allow myself to enjoy smaller moments in life, and be more curious, and keep observing, that’s when I find it.

This time it was a bridge in Florence with the reflections of buildings in the Arno.
Sometimes it is a very particular patch of ochre on a wall that i can’t quite stop thinking about. (I am very frequently thinking of the faded colours of Italian walls).

I’m endlessly drawn to architecture, light and water, perhaps because they are all constantly changing depending on each other , the weather and where you happen to be standing.

This piece came from that very particular combination of Italian buildings, still water and a sky full of clouds.

A very enjoyable form of research, really.

15/08/2026

Moodboards, sketches, material swatches, initial designs. They all come together to influence a final collection and I love sharing this process and all the inspiration behind each collection.

These are some sketches from my most recent collection - Losing Sight of the Shore

My second drop of Losing Sight of the Shore will be available on Tuesday 18th

11/08/2026

If you’re subscribed to my newsletter or have been keeping a close eye on my stories, you’ll already know the big news…
The Losing Sight of the Shore collection is officially coming back for a second release!
When the first collection sold out in a single day (with many pieces gone in just minutes!), I was completely blown away. Seeing the waitlist grow ever since has been so gorgeous, and I’m beyond grateful for every single one of you who cheered this collection on.
Because so many of you missed out, I headed straight back to the workbench to craft a fresh batch of these ocean swept silver and porcelain treasures.
Because each piece is handmade, quantities are limited once again.

Launch Details:

Date: Tuesday 18th August
Time: 8pm
Where: Link in bio!

Thank you all so much for the love, I can’t wait for these new pieces to find their homes

04/08/2026

The longer I have been designing, the less interested I am in designing for trends.

I’d much rather follow curiosity. And notice what seems to not leave my mind that is unexpected. The museum objects that stay in your mind for weeks afterwards. The paintings you keep returning to. The coastlines that always call me back. Tiny details that most people walk straight past.

I’ve realised that no matter how intentionally I wander off in a different direction, the same themes always seem to wander back to me.

The sea.
Heritage.
Weathered surfaces.
Certain words.
Light.
Travel.
Stories tucked away in ordinary objects.

Not because I’ve decided they’re my thing, but because I don’t think we really get to choose the things that endlessly fascinate us.

As artists, I think we’re at our best when we stop asking what everyone else wants to see, and start paying attention to the things we simply can’t stop thinking about.

Those obsessions have a funny way of weaving themselves into everything we make.and perhaps that’s what gives our work its own voice.

Not chasing what’s fashionable but following the thread of what has always fascinated you, and trusting it knows where it’s going.

I’d love to know what themes seem to find their way back into your own work, however much you try to escape them?

26/07/2026

5 studio habits that make the biggest difference to my life and work

☕ 1. My coffee machine lives in the studio.
This might sound silly, but moving my coffee machine from home to the studio completely changed my mornings. Instead of having a slow start at home, I head straight to the studio with a purpose. It won’t work for everyone, but it’s been a game-changer for me.

🎨 2. I always start with a clean studio.
Before I do anything else, I tidy my space, put some music on and get everything ready for my first task. A clear space gives me a clear mind - and then I spread out and get clay and glaze on everything, then we are back to square one again

🖌️ 3. I separate creative days from admin days.
Of course, there are always the odd urgent emails, but I try not to mix painting with admin. Giving myself uninterrupted creative time helps me get into that flow state where my best work happens.

📊 4. I do my finances at the end of every month.
Keeping on top of my finances monthly makes tax returns so much easier, and also gives me a clear picture of where my money is going and what’s selling well. It’s one of the best business habits I’ve built.

🎶 5. I make my studio feel like a second home.
There’s always music playing, and I’ve created a space I genuinely love spending time in. When you’re somewhere for 10–14 hours a day, your environment matters. The more comfortable and inspired I feel, the more creative I become.

A habit I’ve been trying but keep failing at is making a packed lunch every day, I’m on top of it for a week and then it slips. Maybe one day I’ll get the hang of it.

I’d love to know - what’s one habit that’s made a real difference in your work or daily routine that you think maybe I should implement?

21/07/2026

So much of what I create begins long before I’m working in the studio with clay and silver. It starts with a place, a feeling, a conversation, or a small inspiring moment that stays with me.

This sketch is from Vernazza in Cinque Terre. I was sitting and listening to the gentle sound of the water lapping against the fishing boats, watching the shades of blue and green shift with the light. The brightly coloured boats sat against the cliffs, where vineyards and little farms cling seemingly impossibly to the hillsides. Every so often, a train would emerge from the tunnels carved into the rock before disappearing again around the coastline. It all felt beautifully timeless, and I just sat there for hours absorbing it all.

I always carry scraps of paper and a pencil when I travel. The pressure of a sketchbook often gets to me, so I use scraps of paper, because the sketches are not meant to be perfect, however they help me notice details I might otherwise miss. They become little collections of memories, colours, textures and details that find their way into my work further down the line.

I’d love to share more of these pages with you, the places that inspire me, the stories they hold, and the journey from sketch to finished piece.

14/07/2026

This last week has involved lots of packing up wholesale orders for my lovely new stockists. My jewellery packaging for shops is these gorgeous little tins, like fish tins, with a woodcut design on the inside lid. I love seeing them all lined up and ready to post out.

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http://www.eloiserosedesign.co.uk/

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