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Walking through the tiny streets of Bologna, I saw a lady in one of the opened windows. She was hiding from the heat of ...
03/11/2025

Walking through the tiny streets of Bologna, I saw a lady in one of the opened windows. She was hiding from the heat of the city stones, ever so slightly catching the reflection of terracotta sun on her body.

I painted this mixed ink etude inspired by my memories of that afternoon in Bologna.
Original etude is in private collection.
Giclée prints A3 size are available to order [email protected]

"Tethered" is a dialogue between the immediate force of nature and the discipline of heritage.The red horse is a surge o...
28/10/2025

"Tethered" is a dialogue between the immediate force of nature and the discipline of heritage.

The red horse is a surge of pure, elemental instinct. Its flame-like hair and blind impulse run toward the viewer expresses a state of immediate becoming.
​The blue horse, with its folk-inspired pattern, represents the connection to personal cultural heritage.

​A study in duality, this work is painted on raw linen from Kazakhstan, treated with self-made levkaz gesso, using self-made egg tempera and natural indigo and earth-red pigments sourced from Morocco.

H90 W90 D3.5 cm
2025
Avalible. Email [email protected]

London studio 2025. Working on my new canvas. Concentrating on the curvy line of my thoughts and trying to perform this ...
18/10/2025

London studio 2025.
Working on my new canvas. Concentrating on the curvy line of my thoughts and trying to perform this line as beautiful as I can on the canvas.
Autumn blues don't bother me in London. Unashamedly old-fashioned, I sip a good cognac that my dad gifts me and quietly think.
Every year, I annoy the TV licence people with a call confirming that I indeed have no Netflix, BBC, or TV. There's no space in me to absorb this information. As boring as flat champagne, I happily work in my studio

I can't quite tell how I do my technique, but I can show it. Here's a portion of soothing videos to relax
14/09/2025

I can't quite tell how I do my technique, but I can show it.
Here's a portion of soothing videos to relax

My art and technique are deeply inspired by Orthodox iconography. So much so I switched into using egg tempera and now f...
05/09/2025

My art and technique are deeply inspired by Orthodox iconography. So much so I switched into using egg tempera and now finally visited an icon painting studio in Tbilisi.
Im currently working on my own gesso, learned from the traditional masters that would give my already bright egg tempera, even brighter colours.

The sun doesn't burn her as it was in the afternoon. Hidden behind the tree, she no longer needs its protection.  The tr...
22/08/2025

The sun doesn't burn her as it was in the afternoon. Hidden behind the tree, she no longer needs its protection. The tree gifts her with the fruit that she either is oblivious about or chooses to ignore. Lost in her thoughts of the day that went by.

Fruits behind the back. 2025
Egg tempera and acrylic on canvas.
120×90cm

📩email enquiries [email protected]

Fruits behind the back. 2025.Natural pigments egg tempera + acrylic.I started this painting during French residency. It'...
17/08/2025

Fruits behind the back. 2025.
Natural pigments egg tempera + acrylic.

I started this painting during French residency. It's my first experiment with making my egg tempera. This type of paint is ancient but is still industry standard for orthodox iconography artists.
My technique was born from murging together the obsession with orthodox iconic symbols, this special paint layering process, and eastern calligraphy (yes, I know, weird mix), therefore it was very important for me to try this ancient paint.

It turned out to be an interesting but not easy media to work with.
Would I use it again? Absolutely, yes. It's natural, ecological, and great consistency paint. Expensive? Oh yes! Very! Natural dyes come from Morocco, and egg tempera only lasts 3 days, so I need to be quick and precise with what I'm doing. Obviously, count in the time it takes to prepare the paint, to match the new batch to the one I run out of, to preserve this very fragile paint with a specific technique of glazing.
The ideal surface for it should be rigid, so count in rough linen from Kazakhstan and 3 days that it takes to cure it.
It is costly media. But I know it's a rare craft that I learned for a reason. I want to preserve this knowledge no matter the financial crisis. This is way more important for me. I feel like it's my mission to preserve and popularise this knowledge.

Yes, I do events! In fact, my most memorable live drawing performance was in Liberty Shop window. Hiring an artist for a...
17/07/2025

Yes, I do events! In fact, my most memorable live drawing performance was in Liberty Shop window.

Hiring an artist for an event is not just about art. It's also about experience.
Watching art come to life is captivating.
My technique of painting large pieces was called *quote* hypnotic to watch. Hence I worked hard on exercising it in miniature size. You still get to see those fluid lines.

Booking through [email protected] 🎨

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London

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