Marie Daâge

Marie Daâge La Haute Couture de la Table | Bespoke Tableware | Limoges Porcelain | Painted by Hand | 24 Carat Gold Trimmed | Designed & Made in France

Marie Daâge in one of the very unique brand that offers porcelain tableware that is still 100% painted by hand in line with the heritage of French royal porcelain. Our products are designed, made and painted exclusively in France 🇫🇷, in the historical region of Limoges. Our creations are entirely freehand-painted to order. For each collection personalize your colors from our palette of colors and

decline them on the shapes & sizes of porcelain of your choice. The rim is traditionally outlined with a 24k matt gold filet, polished by hand, although platinum or color filets are also an option

The OG of VENDÔME FLAMBOYANTE.Six monochrome place settings, six mineral shades — like a liturgical nuancier carved dire...
26/05/2026

The OG of VENDÔME FLAMBOYANTE.
Six monochrome place settings, six mineral shades — like a liturgical nuancier carved directly from the stones of France’s sacred architecture.

Cyprès (41), Pierre de Paris (69), Miel (43), Ambre (42), Camel (49), Nuageux (68).

A study in tonal restraint — somewhere between 50 shades of stone and the patina of centuries.

From the pale lutetian limestone of Parisian cathedrals to the chalky tuffeau of Loire abbeys, from the luminous blond stones of Burgundy to the amber glow of Jaumont stone in Lorraine, each monochrome setting evokes a distinct geological memory drawn from France’s sacred monuments.

A table conceived almost like an architectural restoration palette — where porcelain becomes stone, light, memory, and ornament.

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• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

The TRAME goblets become miniature architectural studies:vertical gold lines recalling restoration markings drawn onto s...
26/05/2026

The TRAME goblets become miniature architectural studies:
vertical gold lines recalling restoration markings drawn onto stone façades, softened mineral grounds echoing the chromatic strata of French limestone, tuffeau and Jaumont stone.

Cyprès (41), Pierre de Paris (69), Miel (43), Ambre (42), Camel (49), Nuageux (68) — the same six mineral shades translated onto porcelain volumes that almost resemble fragments of columns, carved architectural details.

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

A good table rarely comes from everything being identical. It comes from tension, rhythm, and a few strong personalities...
25/05/2026

A good table rarely comes from everything being identical. It comes from tension, rhythm, and a few strong personalities agreeing to sit together for dinner...

Here, the colors Pierre de Paris (69), Miel (43), Camel (49) and Ambre (42) shift between mineral neutrality and warm reflection, creating a palette that feels grounded rather than decorative.

What becomes interesting is how naturally this chromatic language moves across collections. VENDÔME FLAMBOYANTE enters into dialogue with RUBAN, MARQUEYSSAC, ALOE, CHARDON, MILLEROUES CIBLE or TIE DYE without trying to imitate them. Each pattern keeps its own structure and identity, yet the ensemble remains coherent.

Part of that coherence comes from the hand-painted finish itself. The brushwork softens transitions, gives depth to the enamels, and allows gold to interact with color in a less fixed, more organic way. Nothing feels mechanically repeated.

Different collections, different periods of inspiration — but a shared material language. Enough consistency to build a table, enough contrast to keep it alive.

📷

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

The hand-painted friezes of VENDÔME FLAMBOYANTE echo the carved, concentric textures of Andrea Salvetti’s Tronchioro Tot...
22/05/2026

The hand-painted friezes of VENDÔME FLAMBOYANTE echo the carved, concentric textures of Andrea Salvetti’s Tronchioro Totem — each surface catching light differently, each relief revealing the trace of the hand that formed it.

Here, the collection is explored through monochromatic mineral tones: Camel (49) and Ambre (42), where ornament becomes almost architectural. Like gilded stonework or weathered bas-reliefs, the pieces oscillate between object and fragment of architecture.

Featuring:
Directoire Cup VENDÔME FLAMBOYANTE | MOUCHETTES in Camel (49)
Directoire Gobelet VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Ambre (42)

Presented on Andrea Salvetti’s Totem “Tronchioro” in natural aluminum and gold leaf at .avantscene.

📷

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

The monochrome version of VENDÔME FLAMBOYANTE remains the closest to the collection’s original intent: ornament treated ...
19/05/2026

The monochrome version of VENDÔME FLAMBOYANTE remains the closest to the collection’s original intent: ornament treated not as surface decoration, but as architecture.

By selecting the same color for both the moldings and the ornamental frieze, the décor reads almost like carved stone or molded plaster. Light moves differently across the hand-painted reliefs, revealing the depth of each brushstroke, the density of the pattern, the tension between matte pigment and luminous glaze.

But unity does not exclude diversity. As in Gothic architecture, coherence emerges through variation.

A table may combine Choux Frisés in Pierre de Paris (69), Cyprès (41), or Nuageux (68), alongside other ornamental registers, creating a composition that feels layered yet continuous — an ensemble built through tonal proximity rather than exact repetition.

Featuring the “Chardon” candlesticks on the “Narcisse” table by and the “Koala” daybed by Garouste & Bonetti with fabric at .avantscene.

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Bread/Side Plate Rim VENDÔME FLAMBOYANTE | ACANTHES in Ambre (42)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Miel (43)
Bread/Side Plate Rim VENDÔME FLAMBOYANTE | MOUCHETTES in Miel (43)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Pierre de Paris (69)
Bread/Side Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Cyprès (41)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Nuageux (68)

📷

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

The VENDÔME FLAMBOYANTE collection was conceived as a modular language of ornament. Much like Flamboyant Gothic architec...
19/05/2026

The VENDÔME FLAMBOYANTE collection was conceived as a modular language of ornament. Much like Flamboyant Gothic architecture itself, its visual force does not rely on a single motif, but on the accumulation of decorative registers, rhythms, and reliefs.

Each frieze — Acanthes, Choux Frisés, Mouchettes, Tores — can exist independently, or enter into dialogue across the table. Here, the collection is explored through monochromatic compositions: each plate painted tone-on-tone, while the overall setting builds contrast through the juxtaposition of mineral shades.

Ambre (42), Miel (43), Pierre de Paris (69), Cyprès (41), and Nuageux (68) unfold like variations of stone, patina, parchment, or oxidized surfaces. The sculptural quality of the ornament becomes more apparent in this approach, where color no longer separates molding from frieze, but reinforces their bas-relief presence.

Rather than mixing two colors within each piece, the harmony emerges through the architecture of the table itself — through layering, repetition, and subtle tonal shifts.

Featuring the “Chardon” candlesticks on the “Narcisse” table by and the “Koala” daybed by Garouste & Bonetti with fabric at .avantscene.

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Bread/Side Plate Rim VENDÔME FLAMBOYANTE | ACANTHES in Ambre (42)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Miel (43)
Bread/Side Plate Rim VENDÔME FLAMBOYANTE | MOUCHETTES in Miel (43)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Pierre de Paris (69)
Bread/Side Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Cyprès (41)
Salad/Dessert Plate Rim VENDÔME FLAMBOYANTE | CHOUX FRISÉS in Nuageux (68)

📷

* 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

13/05/2026

Chapter Seven: The composition

[VENDÔME FLAMBOYANTE — new permanent collection]

The collection is conceived as a modular system.

Like Gothic architecture, its impact comes from the accumulation and diversity of decorative elements. Each frieze can stand alone, or be combined within a single table setting.

The system allows for multiple compositions: different plates can carry different motifs, creating rhythm and variation across the table.

Color is also part of this construction. Two colors can be selected — one for the moldings, one for the frieze — or a monochrome version can be chosen, reinforcing the mineral, bas-relief quality of the design.

Finally, each frieze intentionally stops just past the halfway point, leaving a quiet, empty space. This interruption echoes the passage of time in the abbey itself, where ornament has been worn away — introducing a sense of balance, and a more contemporary reading.

📽️

* 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

10/05/2026

Chapter Four: « Choux Frisés »

[VENDÔME FLAMBOYANTE — new permanent collection]

“Choux Frisés” is inspired by the sculpted voussures of the abbey’s façade.

It features a vegetal scroll composed of stylized leaves, structured within a geometric framework. Tendrils weave through the composition, following the rhythm of the stem.

This is a characteristic Gothic vegetal language — expressive, yet controlled.

It also reveals a continuity across time: this type of ornament almost anticipates Art Nouveau, showing how Gothic forms resonate in later movements.

📽️

* 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

08/05/2026

Chapter Five: « Mouchettes »

[VENDÔME FLAMBOYANTE — new permanent collection]

“Acanthes” introduces the first ornamental layer.

The motif is drawn from a carved portal within the abbey. The acanthus leaf is one of the most enduring elements of Western ornament, inherited from Antiquity.

Here, it is treated as a sculptural volume rather than naturalistic foliage — closer to carved stone than to decorative flourish.

Developed in monochrome, it relies on techniques similar to sgraffito, using controlled pigment removal and transparency to create depth and legibility.

📽️

* 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 Limoges porcelain 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

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