05/06/2026
Tiny details from Cathedral of Light
I created Cathedral of Light during a period of profound gratitude and wonder. Living in Panama, I found myself repeatedly looking upward—through jungle canopies, through tropical foliage, through shafts of light filtering between leaves—and feeling as though I was standing inside a natural cathedral.
The inspiration was deepened by my fascination with Leonardo da Vinci’s extraordinary canopy fresco in Milan, where he transformed a castle chamber into a living arbor open to the sky. What captivated me was not simply the trees themselves, but the feeling of standing beneath them and becoming part of something larger than myself.
As I painted, I wasn’t trying to depict a particular place. I wanted to capture an experience—the sensation of being immersed in nature, surrounded by beauty, and reminded that the world is still filled with wonder. Layer upon layer of greens, golds, and luminous passages emerged, creating a canopy through which light could flow and dance.
The title Cathedral of Light reflects my belief that nature is one of the most sacred spaces we can enter. The branches become arches. The leaves become stained glass. The light becomes a form of prayer.
I am also drawn to the ancient symbolism of the World Tree, the timeless idea that heaven and earth are connected through the living world. Hidden within the painting is my own reverence for the divine feminine, for creation, growth, beauty, and renewal. The floating white forms may be read as petals, butterflies, blossoms, or fragments of light—small reminders that grace often appears in unexpected ways.
For me, this painting is ultimately about trust. Trusting the light. Trusting nature. Trusting that beauty still exists, even in challenging times.
It is an invitation to pause, to look upward, and to remember that we are part of something far greater than ourselves.
This painting is part of my Where Water Holds The Light Series, inspired by the beauty of Panama