āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ āļ•āļīāļ”āļ•āđˆāļ­ āļ˜āļļāļĢāļāļīāļˆāļ‚āļ­āļ‡āđ€āļĢāļē

RES Less is more, more is RES
Aluminum Furniture, Decorative Items with the Finest Craftsmanship
NUMBER 1 METAL EXPERTISE MANUFACTURER FOR OVER 70 YEARS

17/09/2026

CHANEL Culture Fund āļ›āļĢāļ°āļāļēāļĻāļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļš Dib Bangkok āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāļ‚āļ­āļ‡āđ„āļ—āļĒ āđ€āļ›āļīāļ”āļ•āļąāļ§ Chanel Gateway Commission āđ‚āļ„āļĢāļ‡āļāļēāļĢāļĻāļīāļĨāļ›āļ°āļ›āļĢāļ°āļˆāļģāļ›āļĩāļ—āļĩāđˆāļĄ.....

ALUMINUM to Japan...
14/09/2026

ALUMINUM to Japan...

Prism...This handmade table is truly one of a kind.From Triangle cross section profile to Art piece.By Suphat Gallery
12/09/2026

Prism...

This handmade table is truly one of a kind.
From Triangle cross section profile to Art piece.

By Suphat Gallery

RES X japanese designer X corner43
06/09/2026

RES X japanese designer X corner43

03/09/2026

Live talk

(JAPAN) Desigher x Thai Material solution
02/09/2026

(JAPAN) Desigher x Thai Material solution

Soft opening
01/09/2026

Soft opening

An artful collision of elements.The expressive threads of an emerging artist woven into the signature curves of bellve. ...
30/08/2026

An artful collision of elements.

The expressive threads of an emerging artist woven into the signature curves of bellve. Embraced by the unrefined, industrial truth of aluminum, it sparks a beautifully crafted "harmonious contradiction."

​Step into the contrast at One Bangkok, 1st Floor, Storey Zone.

22/08/2026
New sustainable material fot decorative item
10/08/2026

New sustainable material fot decorative item

āļ—āļĩāđˆāļ­āļĒāļđāđˆ

Bangkok
10100

āđ€āļ§āļĨāļēāļ—āļģāļāļēāļĢ

āļˆāļąāļ™āļ—āļĢāđŒ 09:00 - 17:00
āļ­āļąāļ‡āļ„āļēāļĢ 09:00 - 17:00
āļžāļļāļ˜ 09:00 - 17:00
āļžāļĪāļŦāļąāļŠāļšāļ”āļĩ 09:00 - 17:00
āļĻāļļāļāļĢāđŒ 09:00 - 17:00

āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ

āđāļˆāđ‰āļ‡āđ€āļ•āļ·āļ­āļ™

āđ€āļ›āđ‡āļ™āļ„āļ™āđāļĢāļāļ—āļĩāđˆāļĢāļđāđ‰āļ‚āđˆāļēāļ§: āđ€āļĢāļēāļˆāļ°āļŠāđˆāļ‡āļ­āļĩāđ€āļĄāļĨāđāļˆāđ‰āļ‡āđ€āļĄāļ·āđˆāļ­ RES āđ‚āļžāļŠāļ•āđŒāļ‚āđˆāļēāļ§āļŠāļēāļĢāđāļĨāļ°āđ‚āļ›āļĢāđ‚āļĄāļŠāļąāđˆāļ™ āļ­āļĩāđ€āļĄāļĨāļ‚āļ­āļ‡āļ„āļļāļ“āļˆāļ°āđ„āļĄāđˆāļ–āļđāļāļ™āļģāđ„āļ›āđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ­āļ·āđˆāļ™ āđāļĨāļ°āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļĒāļāđ€āļĨāļīāļāļāļēāļĢāļĢāļąāļšāļ‚āđˆāļēāļ§āļŠāļēāļĢāđ„āļ”āđ‰āļ—āļļāļāđ€āļĄāļ·āđˆāļ­

āļ•āļīāļ”āļ•āđˆāļ­ āļ˜āļļāļĢāļāļīāļˆāļ‚āļ­āļ‡āđ€āļĢāļē

āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ‚āļ­āļ‡āļ„āļļāļ“āļ–āļķāļ‡ RES:

āļ—āļēāļ‡āļĨāļąāļ”

āđāļŠāļĢāđŒ