DDubbs Wicked Creations and More

DDubbs Wicked Creations and More Multi-Award-Winning Screenwriter | Pretty Little Lucy — 110X Festival Award-Winning Breakout | Psychological Thriller, Multimedia Systems Architect

🏆 BLOCKBUSTED — TRIPLE AWARD WINNER• Best Screenplay/Script • Best Experimental Film • Best WebseriesAnd the timing of t...
09/05/2026

🏆 BLOCKBUSTED — TRIPLE AWARD WINNER
• Best Screenplay/Script • Best Experimental Film • Best Webseries
And the timing of the Experimental Film award is almost suspicious.
Yesterday, Mohammad Asakere asked me which award would mean the most if I could keep only one.
My answer was Experimental Film.
I’ve always been the person who wants to break things apart just to see what they’re made of—and then figure out whether they can be put back together differently.
That philosophy is pretty much how Pretty Little Lucy was written.
Reality breaks apart. Fantasy leaks into it. Digital conversations become emotional spaces. A fictional character becomes a coping mechanism. And eventually even David doesn’t completely know where the boundary is anymore.
Then, approximately one day after publicly explaining why the experimental recognition means so much to me…
BLOCKBUSTED gives it Best Experimental Film. 😂
Oh—and Best Screenplay/Script.
And Best Webseries.
Because apparently Lucy doesn’t believe in moderation.
Even more absurd:
September 1 — double win. September 2 — triple win. September 3 — another screenplay win. September 4 — triple win.
Nine awards. Four festivals. Four days.
Meanwhile, somewhere in the metaphysical universe, the Emerald Elephant is sitting behind a tiny desk wearing sunglasses, refreshing FilmFreeway and saying:
“You’re welcome.” 🐘😎
I’m still not superstitious.
But I have also made the executive decision that nobody touches the elephant.
😂😂😂
Thank you to BLOCKBUSTED for recognizing not only the screenplay, but the weird little experimental machine underneath it.
Honest storytelling takes risks—not only with the story, but with yourself.
Sometimes you break the thing apart.
Sometimes you discover something inside worth keeping.
And occasionally…
you win three awards for breaking it. 🏆🐘😂

The universe apparently has notes. 😂🔮🐘Today’s completely legitimate production timeline:🐘 7:07 PM: The Emerald Elephant ...
09/04/2026

The universe apparently has notes. 😂🔮🐘
Today’s completely legitimate production timeline:
🐘 7:07 PM: The Emerald Elephant appears on Instagram and informs me that it only shows up on your lucky day. Naturally, I send it to myself. I’m not superstitious. I’m just apparently unwilling to antagonize an emerald elephant.
🏆 7:45 PM: Pretty Little Lucy is officially named an Award Winner for Best Screenplay/Script at South West Film Fest.
🔮 8:02 PM: Crazy Crystal Lady enters the cinematic universe and announces that a financial blessing will manifest within four hours if I save her video and send it to myself.
Obviously, after receiving two independent supernatural financial advisories in less than an hour, I realize there is only one responsible thing to do:
CHECK THE INBOX FOR AVA.
✨ 8:05 PM: AVA HAS ALREADY EMAILED.
Apparently she has identified a karmic debt hanging over me, sees “so much money” arriving over the next two months, and warns that something must happen before September 7, 2026, or—and I quote—“nothing more will be possible.”
😂😂😂
So I believe we have officially assembled the Pretty Little Lucy metaphysical producing team:
Ava — Spiritual Strategist Emerald Elephant — Executive Producer of Luck Crazy Crystal Lady — Quartz-Based Film Finance Me — Guy who just wanted somebody to read his screenplay
The financing strategy is now:
Trust the signs → Honor the elephant → Follow the crystal → Heed Ava → Await wire transfer.
Meanwhile, somewhere in Hollywood, an actual producer is probably putting together a financing plan using boring things like equity, presales and tax incentives.
Amateurs.
We have an elephant. 🐘
The four-hour financial-blessing window is officially open.
I will report back if Warner Bros. unexpectedly wires me $7 million before midnight.
Until then…
This isn’t just a prophecy. This is a production plan. 😂

Well… apparently September 3 wasn’t finished with Pretty Little Lucy yet. 😂🏆 AWARD WINNER — BEST SCREENPLAY/SCRIPT South...
09/03/2026

Well… apparently September 3 wasn’t finished with Pretty Little Lucy yet. 😂
🏆 AWARD WINNER — BEST SCREENPLAY/SCRIPT South West Film Fest
Earlier today, Pretty Little Lucy received a “Not Selected” from one festival.
A little over an hour later, another festival named it an Award Winner for Best Screenplay/Script.
And honestly, that might be one of the best illustrations of this entire journey.
Art is subjective.
One jury can say, “Not for us.”
Another can read the same story and say, “This deserves an award.”
Neither result changes the work. You keep writing. You keep submitting. You keep building. And you never allow one person’s—or one jury’s—response to become the definition of your story.
So thank you to South West Film Fest for recognizing Pretty Little Lucy and adding another screenplay award to this wonderfully unpredictable journey.
Today has already included my name appearing in The Hollywood Reporter Venice edition, a festival rejection, and now another screenplay win.
Apparently September has decided subtlety isn’t its thing. 😂
And yes, earlier tonight I jokingly sent myself one of those ridiculous “lucky Emerald Elephant” posts.
Twenty-seven minutes later this email arrived.
I am not saying the elephant did it.
But I’m also not deleting the elephant. 🐘😂
🏆 Pretty Little Lucy Best Screenplay/Script — South West Film Fest
Written by David B. Williamson

Well, this is a surreal one.My name is officially in The Hollywood Reporter.As part of WILD FILMMAKER’s Best Indie Artis...
09/03/2026

Well, this is a surreal one.
My name is officially in The Hollywood Reporter.
As part of WILD FILMMAKER’s Best Indie Artists of the Year feature, I’m included in the September 3 Venice edition published during the 83rd Venice International Film Festival.
Seeing David Williamson printed on page 5 of The Hollywood Reporter is one of those moments I probably couldn’t have imagined when I started writing Pretty Little Lucy.
The screenplay is still being packaged. The movie hasn’t shot a frame.
But somehow this strange little story born out of an even stranger experience has traveled around the world—and now my name has made its way into The Hollywood Reporter in Venice.
That’s pretty damn cool.
Thank you to Michele Diomà and the WILD FILMMAKER community for continuing to champion independent artists.
Back to work. 🎬

Apparently Lucy has decided September is awards season. 😂🏆🏆🏆Pretty Little Lucy is officially a TRIPLE AWARD WINNER at th...
09/02/2026

Apparently Lucy has decided September is awards season. 😂🏆🏆🏆
Pretty Little Lucy is officially a TRIPLE AWARD WINNER at the International Celebration of Cinema!
🏆 BEST SCRIPT/SCREENPLAY 🏆 BEST EXPERIMENTAL FILM 🏆 MOST ORIGINAL CONCEPT
I have to admit, this combination makes me especially happy.
I’ve always considered Pretty Little Lucy an experimental screenplay. It deliberately plays with unreliable reality, digital conversations, psychological manifestations, dark humor, fantasy, and the increasingly unstable line between what’s actually happening and what David desperately needs to believe is happening.
So seeing it recognized not only for the screenplay, but also for its experimental nature and original concept, feels incredibly fitting.
The strangest part is that this story started with something very real: fifteen bizarre days of digital deception.
Somehow that experience became a screenplay.
And somehow that screenplay just keeps traveling around the world collecting trophies. 😂
Three more for Lucy. 🖤
Not a bad way to start September.

Apparently Lucy went to Venice. 🇮🇹🎬And she brought three awards home.Pretty Little Lucy has been recognized at the Human...
09/02/2026

Apparently Lucy went to Venice. 🇮🇹🎬
And she brought three awards home.
Pretty Little Lucy has been recognized at the Human Rights Film Awards in Venice 2026 with:
🏆 BEST VISIONARY THRILLER SCRIPT 2026 🏆 BEST ORIGINAL SCREENWRITER OF THE YEAR 🏆 BEST INDIE FEATURE SCRIPT 2026
This one hits a little differently.
At its core, Pretty Little Lucy isn’t simply a story about being catfished.
It’s about what happens when loneliness becomes exploitable.
It’s about digital impersonation, manufactured intimacy, emotional manipulation, isolation, and the frightening ease with which someone behind a screen can learn what another person desperately needs to hear—and use it against them.
The thriller exists because the human vulnerability underneath it is real.
That’s why seeing this screenplay recognized in the context of the Human Rights Film Awards in Venice means something to me.
And I continue to be fascinated by the different things international juries are finding within this strange little screenplay: psychological thriller, arthouse, experimental storytelling, originality, suspense, character psychology—and now this.
I wrote Pretty Little Lucy from an experience I never expected to have.
I certainly never expected that experience to eventually carry a screenplay all the way to Venice.
But here we are.
Three more for Lucy. 🖤
And apparently she travels better than I do. 😂🇮🇹

🏆 Pretty Little Lucy is a DOUBLE AWARD WINNER at the Global INDIE Filmmaker Awards.The screenplay received:🏆 Best Screen...
09/02/2026

🏆 Pretty Little Lucy is a DOUBLE AWARD WINNER at the Global INDIE Filmmaker Awards.
The screenplay received:
🏆 Best Screenplay/Script 🏆 Best Experimental Film
I particularly love this combination.
Pretty Little Lucy has never been designed to behave like a conventional psychological thriller. It moves between digital reality, memory, fantasy, delusion, dark humor, and the increasingly unstable boundary between what David experiences and what is actually happening.
So having the same festival recognize both the writing and the experimental nature of the storytelling feels incredibly appropriate.
One award says the screenplay works.
The other says the weird stuff works too. 😂
And I wouldn’t want Lucy any other way.
Another two trophies for this strange little story that started with a message on a phone and somehow keeps traveling around the world.
Thank you to the Global INDIE Filmmaker Awards for recognizing Pretty Little Lucy. 🖤
Onward.

Screenwriting is a funny business. 😂Within the same stretch of time, Pretty Little Lucy received three very different me...
09/01/2026

Screenwriting is a funny business. 😂
Within the same stretch of time, Pretty Little Lucy received three very different messages from three different festivals:
🎬 Hollywood Indie Festival: Passed the first round, but didn’t advance to the final selection.
❤️ International Film Arts and Hearts Film Festival: Honorable Mention — and still under consideration for awards.
🎥 Broken Arrow Film Festival: Official Selection.
Same screenplay.
Same writer.
Same strange little psychological rabbit hole.
Three completely different reactions.
And I genuinely love that.
Pretty Little Lucy was never written to be a safe or conventional screenplay. It plays with unreliable reality, digital intimacy, loneliness, fantasy, psychological projection, dark humor, and the uncomfortable places people can go when they desperately need human connection.
Experimental stories aren’t necessarily going to connect with every reader.
They’re not supposed to.
What continues to amaze me is how often this one does connect.
Every selection, honorable mention, win—and yes, every rejection—is another group of people encountering this deeply personal story and deciding what it means to them.
I’ll happily take that journey.
Congratulations to everyone selected by the Broken Arrow Film Festival, and thank you to the International Film Arts and Hearts Film Festival for the Honorable Mention.
Lucy keeps finding places to go.
Apparently she doesn’t understand the concept of staying home. 😂

September apparently didn’t get the memo that it was supposed to ease into things. 😂Less than a day after posting Pretty...
09/01/2026

September apparently didn’t get the memo that it was supposed to ease into things. 😂
Less than a day after posting Pretty Little Lucy’s September festival schedule, the notifications have already started rolling in.
🏆 MegaFlix Movie Awards — Award Winner
🎬 Max Sir International Film Festival — Official Selection, with the festival taking place September 12–13 in Ukraine.
And Pretty Little Lucy also made it through the first judging round of the Hollywood Indie Festival before ending its run there.
You win some. You lose some. You advance a round. You collect another award. Then you wake up and do it all over again.
That’s the festival journey.
What continues to mean the most to me isn’t a perfect record—it would be ridiculous to expect one. It’s watching this strange, deeply personal little story continue finding readers in completely different parts of the world.
September has officially begun.
And apparently Lucy is already typing… 💜

September is going to be busy. 🎬Pretty Little Lucy heads into a new month with another full slate of festival decisions ...
08/31/2026

September is going to be busy. 🎬
Pretty Little Lucy heads into a new month with another full slate of festival decisions ahead—across the U.S., Canada, Europe, Africa, and beyond.
Some will say yes. Some will say no. Some might surprise the hell out of me.
That’s the game.
What continues to amaze me is how far this strange, deeply personal little screenplay has traveled without shooting a single frame. Every submission puts the story in front of another reader, another filmmaker, another corner of the world.
September alone brings decisions from Broken Arrow, Vienna, Prague, Hollywood Horrorfest, Chilliwack, Benin City, Phoenix Rising, Auguri, the Canadian International Film Festival, Fortean and several others.
And after everything this screenplay has already experienced, I’ve learned not to predict what happens next.
I just keep sending Lucy out into the world.
Sometimes she comes home carrying laurels.
Sometimes she comes home with a rejection letter.
Either way…
Lucy is typing… 💬
September, you’re up. 🎬🖤

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