Jaclyn Gordyan Nature Artist, Sculptor & Tree Planter.

Jaclyn Gordyan Nature Artist, Sculptor & Tree Planter. I'm a sculptural nature artist. Global shipping on prints and originals. Our connection to nature is ancestral.

There are connections we recognize easily- beauty, nutrients and life. But what interests me is what happens when we pay attention to the small moments. How if you pause to notice them, nature can be a powerfully grounding force. My artist process is equal parts foraging, collection and preservation as it is creation. I often travel to locations to discover and collect organic material. Once I hav

e it in the studio, I begin my preservation through drying, resins and hardeners where needed. It’s a slow process that allows me to meditate on what parts of this piece drew me to it and deserve to be on display. My art is an invitation to linger on the unexpected, understated and textural moments in nature. While my work reimagines these moments, it aim is to spark a curiosity within viewers. "I've never seen that kind of movement within bark before", 'The way that lichen climbs is something I've never noticed.' This curiosity creates space to consider how they could see nature themselves with a new lens. And that new lens is powerful in an ever distracting world. Because it's hard to feel awe and be anxious about the next item on your to-do list. It's difficult to be in a mindset of discovery and be thinking about something that happened yesterday. I hope to connect others to how tapping into nature can bring them into the present. And to see how grounding taking a few moments to notice can be.

Carapace III36 x 54 in2026Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches to...
07/14/2026

Carapace III
36 x 54 in
2026

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

06/20/2026

I never trust a studio without one.

Mine usually contains bones, rope, rust, stones, dead things, found things.

Objects I can’t explain yet. The work often arrives months after the gathering.

Sometimes your eye understands before your mind does.

06/19/2026

In the natural world, nothing begins from nothing.

Growth emerges from what has weathered, fallen away, or returned to the earth. The studio isn’t much different.

Making room.
Setting aside.

The beginning is also continuing.

Ossuary II40 x 48 in2025Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches towa...
05/26/2026

Ossuary II
40 x 48 in
2025

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

Ossuary I48 x 60 in2025Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches towar...
05/24/2026

Ossuary I
48 x 60 in
2025

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

Liminalis40 x 60 in2025🔴 SOLDPart of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches...
05/22/2026

Liminalis
40 x 60 in
2025

🔴 SOLD

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

Carapace II36 x 54 in2025Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches tow...
05/20/2026

Carapace II
36 x 54 in
2025

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoIng.

Carapace I36 x 54 in2025Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches towa...
05/19/2026

Carapace I
36 x 54 in
2025

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

Cairnfield24 x 30 in2025Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches towa...
05/17/2026

Cairnfield
24 x 30 in
2025

Part of my Ossuary body of work. Beneath every surface is a history of pressure. It reaches toward older language and forms, opening the work outward from a single experience and into something more ancient and ongoing.

Address

76 N Huron St
Ypsilanti, MI
48197

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