Antipode Jones

13/10/2026

07/10/2026

Why do I use a lot of reflective materials, particularly in older homes? For moments like this. The window streams light in to this principle bed, but reaches deeper and reflects back in to the space from the adjacent robes. The overall effect is a brighter inviting room.

Custom joinery design Antipode Jones Studio

24/09/2026

Custom is Key.
Good design isnt about creating a recognisable “style” or following a trend. It’s about creating an atmosphere and a sense of place—personal spaces that feel as though they have been collected and evolved rather than simply decorated. Spaces addressed with a technical eye for functionality and purpose, layered with custom and curated finishes.

24/09/2026

Back to work .. office open.

18/09/2026

Snapshot Greece. Forever inspired by this beautiful land

18/09/2026

Snapshot London 48 hrs. Focus|26 at the Chelsea Design Center. Family time. A little peek of sun.

09/09/2026

Escaped to a villa. ANEMOLIA VILLA KARPATHOS

05/09/2026

No bags but we have finally made it to Αθήνα.

30/08/2026

As we research for the LA project, a midcentury home damaged in the Altadena fire, we are immersed in the immensely detailed guide by Jaime Rummerfield Save Iconic Architecture e Design Leadership Network provided free ‘THE NEW CALIFOENIA CLASSICS’ pattern book.

The wildfires that tore through the Palisades, Altadena and Pasadena were not only a devastating human tragedy—they were a profound cultural loss. Alongside homes and communities, flames consumed irreplaceable works of architecture and fragments of Los Angeles’ layered history.

Among them were Richard Neutra’s Freedman House, Hees House and Kesler House, each an expression of his visionary approach to modern living and the seamless relationship between architecture and landscape. Ray Kappe’s Keeler House, with its daring cantilevers and deeply human warmth, was another extraordinary loss—a masterwork of California modernism.

Altadena, too, lost vital pieces of its architectural fabric: Frederick Roehrig’s Andrew McNally House, a Queen Anne landmark; the storied Zane Grey Estate; and Scripps Hall, a place of both spiritual and architectural significance. Along the coast, Robert Bridges’ Bridges House and the beloved Will Rogers House stood as enduring reminders of craftsmanship, community and California’s singular sense of place.

These buildings were more than bricks and mortar. They carried the ideas, ambitions and stories of the generations that shaped Los Angeles. Their destruction is a sobering reminder that cultural heritage, once lost, cannot simply be rebuilt.

As the city looks towards recovery, it faces a defining opportunity: to rebuild with intelligence, imagination and reverence for what came before. Los Angeles’ creative spirit is inseparable from its architectural heritage. The challenge now is not simply to replace what has been lost, but to ensure that what rises in its place is worthy of the city’s extraordinary legacy.

30/08/2026

As we research for the LA project, a midcentury home damaged in the Altadena fire, we are immersed in the immensely detailed guide by Jaime Rummerfield Save Iconic Architecture pattern book.

The wildfires that tore through the Palisades, Altadena and Pasadena were not only a devastating human tragedy—they were a profound cultural loss. Alongside homes and communities, flames consumed irreplaceable works of architecture and fragments of Los Angeles’ layered history.

Among them were Richard Neutra’s Freedman House, Hees House and Kesler House, each an expression of his visionary approach to modern living and the seamless relationship between architecture and landscape. Ray Kappe’s Keeler House, with its daring cantilevers and deeply human warmth, was another extraordinary loss—a masterwork of California modernism.

Altadena, too, lost vital pieces of its architectural fabric: Frederick Roehrig’s Andrew McNally House, a Queen Anne landmark; the storied Zane Grey Estate; and Scripps Hall, a place of both spiritual and architectural significance. Along the coast, Robert Bridges’ Bridges House and the beloved Will Rogers House stood as enduring reminders of craftsmanship, community and California’s singular sense of place.

These buildings were more than bricks and mortar. They carried the ideas, ambitions and stories of the generations that shaped Los Angeles. Their destruction is a sobering reminder that cultural heritage, once lost, cannot simply be rebuilt.

As the city looks towards recovery, it faces a defining opportunity: to rebuild with intelligence, imagination and reverence for what came before. Los Angeles’ creative spirit is inseparable from its architectural heritage. The challenge now is not simply to replace what has been lost, but to ensure that what rises in its place is worthy of the city’s extraordinary legacy.