WORLDS END

WORLDS END Objects. Antiques. Oddities. Ideas.

30/10/2022

EYES ON a French architectural marvel known as the "Villa Super" in Cannes is by self-taught architect Jacques Couëlle (1902-96).

He called his style or "landscape houses" and seeks to fit them purposefully into the surrounding terrain. In English we refer to his style as being a part of the "architecture-sculpture" movement, however Couëlle was always on the margins of major movements in Modernist architecture.

In addition to his profound respect for the natural world, he often collaborated with artists in his work- this house featured collaborations with Alexander Calder as well as François Thévenin. The windows, front door and brassworks throughout take inspiration from brambles and other natural forms and were forged by Thévenin. Calder's mobile sculpture activates a natural breezeway that captures gentle breezes from the French Riviera, circulating them throughout the house for natural air conditioning.

The natural landscape was not interfered with to create this house, rather the scape of terrain dictated the form and layout of the house including the curved walls. The elements, weather and unique conditions of the location indicated where he put windows, openings and the gardens.

His unusual method for designing for the client involved putting sand down on the ground and having them mime their daily lives. He would begin with the living room and then build the other rooms as unfolding from this, all the while considering the best aspects of the view.

His plans were constructed in a steel wire maquette at his studio with nary a ruler or right angle in sight. This would then be covered with shotcrete and interpreted by craftsmen and builders to achieve his "anthill-like" houses that resemble rocks set in the landscape.

Sadly, the house is now hideously decorated with cheap Americana and is available to rent, touting celebrity tenants and filming locations to entice visitors to hire it. The grounds seem forlorn and the overall masterpiece has been woefully maintained.

Photo by as seen in Architectural Digest, France ()

A stunning 1950s drawing by  c. 1950s from the Ray Hughes estate  for auction next sale.
07/10/2020

A stunning 1950s drawing by c. 1950s from the Ray Hughes estate for auction next sale.

WEBSITE UPDATEDIt’s almost as good as Spring cleaning. 🌸🌹🌺🌷(Conducted from the bed office, bc Coronavirus/hump day mood)...
26/08/2020

WEBSITE UPDATED
It’s almost as good as Spring cleaning. 🌸🌹🌺🌷
(Conducted from the bed office, bc Coronavirus/hump day mood)

LATEST PRODUCTION Worlds End for Design Tasmania x DENFAIR 2.0 a virtual design event. This booth expo was originally co...
24/07/2020

LATEST PRODUCTION
Worlds End for Design Tasmania x DENFAIR 2.0 a virtual design event. This booth expo was originally conceived and curated for Denfair’s physical expo in October BUT was brought forward to July and pushed for an entirely online experience. You say jump, and I say how high. We’ve got 10+ highly produced interviews with Tasmanian design talent across 3 locations, plus a 3D tour and multiplatform experiences of the Tasmanian Salon. Curated. Directed. Written. Produced.

Photographer: Emily Dimozantos
Videographer: Joffre Street Productions
Co-curator: Claire Beale @ DENFAIR

Elizabeth Beaumont at Sawtooth ARI Gallery Curated by Worlds End
05/04/2019

Elizabeth Beaumont at Sawtooth ARI Gallery Curated by Worlds End

Eat the Problem is the culmination of Kirsha Kaechele’s lifelong quest to turn flaws into features, s**t into gold. The ...
11/03/2019

Eat the Problem is the culmination of Kirsha Kaechele’s lifelong quest to turn flaws into features, s**t into gold. The book is in one sense a cookbook: a collection of recipes from world-renowned chefs, artists, writers and thinkers of all kinds, as well as an overview of Barry’s war on feral cats, an interview with a Tasmanian pest-control expert who strictly kills with love. Each recipe revolves around an invasive species that has wrecked havoc on the native biosphere. Think crispy-skin cane toad, snake jerky (snerky), feral camel toes, and myna bird parfait, all washed down with a boar’s eye Bloody Mary.
MONA website for deets @ MONA - Museum of Old and New Art

Detail of Elizabeth Beaumont’s “Still life with Waratahs” coming soon to our inaugural exhibition STABLE AS CHANGE this ...
04/08/2018

Detail of Elizabeth Beaumont’s “Still life with Waratahs” coming soon to our inaugural exhibition STABLE AS CHANGE this August.

Looking back at  I’m realising I was mostly captivated by bathroom art, ceramics and the prurient. Concentric circles of...
04/08/2018

Looking back at I’m realising I was mostly captivated by bathroom art, ceramics and the prurient. Concentric circles of the aforementioned included. @ Hotel Windsor, Melbourne

Lovely lovely Bronwyn Hack over at  in . Stunning work...
04/08/2018

Lovely lovely Bronwyn Hack over at in . Stunning work...

Sam Quinteros thinks Japanese toilet cleaners are angelic. His ode to the throne makers is hung above the ‘pale by compa...
04/08/2018

Sam Quinteros thinks Japanese toilet cleaners are angelic. His ode to the throne makers is hung above the ‘pale by comparison’ Australian standard 🚽

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