Poppy Bevan Design & Décoration

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Poppy Bevan Design & Décoration Interior Design & Decoration

Poppy Bevan Design Studio // By appointment Monday - Friday //
We are are an architecture & interior design studio specialising bespoke homes
~ New Builds ~ Renovations ~ Unique interiors ~ Custom Pieces ~

Layering patterns can feel daunting in a space, but they do so much to make a place feel good. And for me, the biggest t...
19/10/2026

Layering patterns can feel daunting in a space, but they do so much to make a place feel good. And for me, the biggest tip isn't to find matching patterns, but to balance them.

In the courtyard of Sultanahmet Camii in Istanbul, pattern and scale play on every surface, across different materials, and with varied treatment of light, dark, and transparency.

The rust and cream colouring of the large striped arches is applied with finesse and fine pattern to the inside of the domes; the arched form is repeated in the shape of the white filigree windows; the circular pattern of the filigree is replayed in the k***s on the bronze doors; and the arabesque star finds its place in the inlay of the marble floor and, at a finer detail, in the bronze door panels.

When the detailing is fluid and continues in quiet conversation from the biggest elements down to the finest detail, things just feel harmonious and right.

At home I recommend choosing a colour palette and an overarching style, then varying the scale from large pattern all the way down to tiny pattern repeats, so that the layering will feel natural, serene, homely, and right.

Here, in the courtyard of the mosque, the layered, recurring patterns add ornament and detail, and the balance of the scales and their repetition creates cohesion and calm.

When and why did "new" come to mean "better"?!One morning in Istanbul last weekend, a rug merchant told me that of about...
15/10/2026

When and why did "new" come to mean "better"?!

One morning in Istanbul last weekend, a rug merchant told me that of about ten people who had come to visit his shop that morning, eight asked for a machine-made rug. As in, they specifically requested a machine made rug! Only two asked for a handmade piece, and even then, they found them a bit too expensive. Of those looking for the machine made rugs - he explained - it was as though they felt that this meant perfection and new-ness - and therefore it was their preference.

He told me that ten years ago, the same shop would have been full of people who came to Turkey looking specifically for the craftsmanship of a handmade rug, with all of its wobbly handmade qualities - and that they'd have been prepared to haggle for it and then would have been proud to take it home.

Later, I visited another showroom that holds around nine thousand handmade rugs, and the owner told me that despite their business model being all about the artisan, he still keeps about fifty machine-made rugs for those people looking for them, as some customers are just determined to go this route.

I can't stop thinking about the cult of the "new", and how in so many industries this has come to mean "better". It seems so sad to me that a shift like this seems to be occurring, even in an ancient city like Istanbul, which has always been known for its artisan wares.

For me, it's the very fact that a handmade thing isn't able to be reproduced like-for-like that makes it so lovely. A machine can repeat endlessly, and that is exactly why it can never be rare, or unique...

Because, who doesn't love a transformation?Ongoing from my last post and pics of the studio back in Aus, here was the se...
04/10/2026

Because, who doesn't love a transformation?

Ongoing from my last post and pics of the studio back in Aus, here was the second feel I created for the space.

I really can't say which I liked best!

I've been thinking a lot at the moment about back when I had my studio in Australia - the lovely space, the place (acros...
27/09/2026

I've been thinking a lot at the moment about back when I had my studio in Australia - the lovely space, the place (across the road from that magnificent beach and ocean), and most of all those lovely girls Ash & Penny who were the heart of my team.

Business, like life, goes through phases of evolution (that I actively encourage!), and at this time when I'm going through another exciting shift (...more on that soon 🙃), I can't help but reflect on where I've been and how things have grown and changed.

The era shown in these photos, when I had my own physical studio and little shopfront - and therefore the scope to work as a creative team together, was a magnificent time.

We all learnt a lot, but mostly we had a lot of laughs 🥰 and of course, with that, the great creativity and beautiful work flowed 🙏 And then coming together for Design Week in Paris 2023 was the 🍒 on top.

Thank you girls for being with me on this journey - miss you

15/09/2026

Hello!

I so rarely (if ever?) put my face on here, and yet since starting my business way back in 2014 my work has always been such a personal thing, so here is me at Paris Design Week and Maison & Objet this past few days 👋

There's always a bit of a mental push and pull for me when visiting design salons and events - I'm torn between loving seeing what is new and yet there is just SO. MUCH. STUFF.

I am becoming ever more conscious of overconsumption in our industry (as well as almost every other), and in all honesty, seeing endless stalls of which a large proportion is fast, seasonal "fashion" just ends up making me feel glum.

I really feel like it's just not okay these days to buy [or recommend to clients] irresponsibly, wherever we can avoid it.

If buying new, it's my view that we should be buying responsibly - avoiding anything that we just know is probably made in sweatshops, avoiding buying things that we only need for a moment (or a few months), avoiding purchasing things that are made of noxious materials, and - one of my major gripes - avoiding as much as possible things that are overpackaged (there's too much plastic in the world!).

On the other hand, I'm all for supporting small makers and for buying from those making new items via traditional methods that inevitably have less impact on the earth and keep traditions alive whilst also giving people (often in remote areas) a living.

So, not surprisingly (albeit somewhat unconsciously), I was drawn to antique and handmade stores at this year's Maison et Objet trade fair. To me, these things are almost always the most beautiful, often much more well made than new objects, last generations, and carry with them their own history of past lives, which I love.

🤍

25/08/2026

A 60 second synthesis of a 20 minute session - drawing a snippet of the "collection" of rocks, twigs, etc. that my little girl found in the Canadian forest.

First time drawing a pine cone - not so easy! And after a long break from sketching, I'm glad to say that it didn't take too long to warm up.

Now that our little bubba is 3 months old I plan to get back into sketching more regularly 🤞

Laying is everything, and even in a home wanting to be serene, variation in texture and tone is so important to creating...
20/08/2026

Laying is everything, and even in a home wanting to be serene, variation in texture and tone is so important to creating warmth and atmosphere.

In the entry at North Avoca house, the palette is natural and textural; Venetian plaster walls in the wonderful colour Resene Half Thorndon Cream with deeper toned classic skirting (in full strenth Thorndon Cream), flagstone pavers, oak joinery, and a little bench seat for putting on / taking off shoes covered in a classic William Morris print.

Within the largely monochromatic palette of warm white + natural materials and textures, the willow leaves of the print connect the space with the garden out the front and bring movement and life - as well as a little bit of whimsy.

Thanks to STUDIO am. for undertaking and doing such a lovely job of the furnsihings for this project, and for the photo update 🤍

30/07/2026

A little throwback to Paris Design Week in January this year - when it was cold enough to wear big coats and promenade in the streets without melting 😅🧥

The next edition is this September and I’m really looking forward to it - it’s a great boost to the creative vibes and always a pleasure to be surrounded by so much beauty. Paris is of course a most excellent and natural host in this sense.

I’m thinking about this now because in France, August is the summer break and almost everyone goes on holidays or at least heads home to visit family for the month. That means July is the end of the “year”, and September the start of the new year.

So, that means it’s already that time of the year when we start thinking about planning for the year ahead - it’s almost the moment for making New Year’s resolutions (for me at least - including learning Egyptian properly so that I can talk with my parents in law and understand what my little ones and their dad are talking about when they switch from French 😋).

Alors, one month of summer break coming up and then into the year ahead!

Another Paris Design Week’s autumn edition is a very nice place to start 🍂🖤

A snippet of a young lady’s bedroom 🤍Layering collected and new; soft colours, beautiful fabrics, and some whimsy to cre...
18/06/2026

A snippet of a young lady’s bedroom 🤍

Layering collected and new; soft colours, beautiful fabrics, and some whimsy to create a simple, dreamy space.

North Avoca House, Australia.

20/04/2026

Some different drawings this time - for my lovely friends’ wedding invitations

🖤🤍🖤

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