08/20/2026
THE ART OF FRAMING
I get a lot of questions about my frames.
How I make them.
Why they are so different.
Where the ideas come from.
The answer is that I don't really look at a frame as something I add once the artwork is finished.
I look at it as part of the artwork.
So, I thought I would start sharing some of the stories behind them.
This wood bison piece is a perfect place to begin.
When I was designing the frame, I wanted it to feel substantial.
Dense.
Almost like you're looking through the heavy timber of an old cabin window and catching this incredible view on the other side.
That's why the frame has so much depth and texture to it.
The vertical pieces of wood create that dense, almost timbered feeling, while the different layers gradually draw your eye inward toward the bison.
Even the thickness of the frame was intentional.
A bison has weight and presence, and a thin, delicate frame simply wouldn't have carried the piece the same way.
And this frame exists for this piece only.
It isn't a standard frame that I built the artwork to fit.
It was designed and built specifically for this bison, right down to the proportions, layers, wood, texture and depth.
That's something you'll see a lot in my work.
Sometimes the frame is quiet and lets the artwork do most of the talking.
Sometimes, like this one, the frame becomes part of the story.
That's the art of framing.
Over the next while, I'm going to start sharing more of these frames, how they came together, why I made certain choices and how much thought actually goes into what surrounds the artwork.
Because sometimes the best view really does deserve the right window.