23/08/2026
Did you know that Barrandov owes its name to a French palaeontologist and its looks to a Californian hillside?
Welcome to our latest renovation project we’ve been working on and we couldn’t be more excited about the history. The villa is commissioned in 1936 by Bohuslav Černý, a retired building councillor, and his wife Vlastimila. Designed by the architect Ing. Vilém Beer in the style of a Spanish hacienda, it stands on a plot bought in 1935 directly from Ing. Václav M. Havel, the founder and developer of Barrandov.
The hacienda is not a one-off here, it belongs to a small Californian postcard stamp that runs through the whole quarter. Four years earlier Vladimír Grégr had built the Struppl villa at Barrandovská 20 for a director of the Zemská banka, a romantic house of 1932 with rough scraped render and a low hipped roof in hacienda form, a style taken from villas in California. In 1940 Josef Kačírek designed the Havlík villa at Filmařská 2, with two arcades at ground level, on the model of Spanish and Californian haciendas.
It all started with the developer. Havel came back from America dazzled by the hillside villas of Californian magnates above San Francisco. So he bought 55 hectares above the Vltava and renamed the place. Habrová became Barrandov, after the French scientist Joachim Barrande.
Buyers could build what they liked, but Havel kept the right to see the plans first. And his house architect, Grégr, had come back from his own American trip just as taken with the villas of film stars.
The plan was to keep it all functionalist. It didn’t hold. The clients loved the glamour of American film, and Hollywood won.
The moment we walked in, it was the arches that made us fall in love with the property. The whole architecture, really, but the arches first. And we knew straight away we wanted to carry as much of it as possible into the interior.
The apartment needed a full renovation and a new floorplan. So the real work was deciding what to keep and what to adapt for the way people live now. That turned into a conversation with no end: how far to push it, and where to leave what was already there.
And how cool are these archive floorplans? We have to adm