Bentham Pottery

Bentham Pottery Pottery courses and pottery in the yorkshire dales

I studied PPE at an Ivy League college. The college in question being Sunderland Polytechnic, which in fairness is more ...
11/05/2026

I studied PPE at an Ivy League college. The college in question being Sunderland Polytechnic, which in fairness is more “why aye Lee” league than Ivy League. PPE in this case being pottery, philosophy and being economical with the truth.

Sunderland Polytechnic followed the Bauhaus method of teaching, where the student comes up with the design first — after endless sketchbook and design sheet work — and then learns the techniques required to make the product. In fact, very little teaching actually takes place, as the student is expected to be “self-motivated” whilst somehow also teaching themselves the appropriate techniques.

This would no doubt have worked brilliantly with enthusiastic postgraduate students who already had a solid background in ceramics. Unfortunately, it was being applied to a room full of 18-year-olds who barely had a solid background in getting up before midday. The majority of the work we presented in answer to our project briefs was testimony to this.

I’m not saying the teaching was bad — it was just mainly not good.

Learning did happen, but it was mostly the sort that comes from discovering, through bitter experience, that your brilliant idea collapses in the kiln, explodes in the firing, or simply looks nothing like what you thought it would.

As a result of this rather bohemian teaching style, my own teaching has always focused heavily on technique. I’ve also encouraged my students to do far more sketching with the clay than in the sketchbook — mainly because clay has a habit of very quickly telling you whether your idea is any good or not.

The American glass blower Harvey K. Littleton once said, “Technique is cheap.”

I would add: “But it’s also alreet.”

266 years ago, potter Joseph Bradshaw moved from Stoke-on-Trent to Burton-in-Lonsdale and established Bradshaw’s Pottery...
30/04/2026

266 years ago, potter Joseph Bradshaw moved from Stoke-on-Trent to Burton-in-Lonsdale and established Bradshaw’s Pottery beside Burton Bridge.

Today, his great-great-great-great grandson came into Bentham Pottery for the second time this week and threw his very first pot — continuing a family tradition that began more than two and a half centuries ago.

I had the pleasure of welcoming Bryan Bradshaw today, whose family has an interesting historical connection to Burton-in...
23/04/2026

I had the pleasure of welcoming Bryan Bradshaw today, whose family has an interesting historical connection to Burton-in-Lonsdale.

Bryan’s great-great-great-great-grandfather, Joseph Bradshaw, was a potter from Burslem, Stoke-on-Trent who moved to Burton-in-Lonsdale in 1860. After working for around a decade at an established local pottery, he founded Bradshaw’s Pottery near the village bridge.

The pottery remained in the hands of the Bradshaw family for three generations — Joseph, Joseph II and John. In 1885 the business was sold to a rival Burton pottery, after which the works eventually closed. The former pottery buildings were later converted into cottages, which still stand today.

John (Bryan’s great-grandfather)was the last of the Bradshaw potters. Bryan himself grew up in the New Village in Ingleton, where his father, James Bradshaw, worked as a quarryman, before the family later moved away from the area.

How I ended up working for my mum at Bentham Pottery;It’s hard to believe this is a photograph of me (Lee)… I definitely...
19/04/2026

How I ended up working for my mum at Bentham Pottery;

It’s hard to believe this is a photograph of me (Lee)… I definitely had to do a double take.

After finishing my A-levels in 1984, I had absolutely no idea what I wanted to do. One thing I didn’t plan on was working at the pottery. Instead, I headed off to Sunderland Polytechnic to study computer science, mainly because I quite liked it at school.

That enthusiasm lasted… not long.

Realising computers weren’t my future, I went exploring and stumbled into the Art Department. They offered a 3D Design course specialising in glass and ceramics, which immediately caught my interest. I’d love to say it was purely for artistic reasons — but the dramatic shift in the ratio of girls to blokes compared to my computer course may have played a small part.

I hastily pulled together a “portfolio” (a few pots and an old O-level sketchbook), went for an interview, and somehow convinced them to let me in. Looking back, they may just have needed a few extra students — but luckily for all involved, I managed to get a good degree out of it.

I graduated in 1987 and stuck around for a year as a Ceramic Technician, which is a fancy way of saying I knew where everything was and how to fix it when it broke.

After that, I worked in a glass studio in Dorset, then headed off to New Zealand for more glass work (and, let’s be honest, a bit of adventure). When I returned to the UK in the late 80s — in the middle of a recession — I did what many people do in times of uncertainty…

I went to work for my mum.

It was only meant to be temporary, just until I figured out my next move.

That was… quite a while ago now.

And as it turns out, I never left.

The following article has been written by one of our students and relates to the previous post about producing 5000 bowl...
11/04/2026

The following article has been written by one of our students and relates to the previous post about producing 5000 bowls for the Papal visit in 1982;

It’s strange how life can work, sometimes people come into your life for a reason. At 17 years old in 1983 I was asked to write a piece of coursework for my A level General Studies course, I had no idea what to write. I had recently completed an O level Ceramics course. I can remember sitting with my Dad on a Sunday afternoon reading The Times supplement, in the centre was a full page story of a female potter who had been commissioned to complete 5,000 communion bowls for Pope John Paul’s visit to Manchester and Liverpool 1982, I was inspired by this woman, at the end of the article was the name of her studio.
I spent all day on that Sunday calling 192 (that’s how we located phone numbers in in the mid 1980’s) to find out the woman’s telephone number, I plucked up the courage to call at 8 pm. Kathy Cartledge answered the ‘phone, she was polite, and I instantly warmed to this formidable woman. I asked if I could interview her for my coursework and add the interview as an appendix to the work, she agreed and I offered to call her back later; ‘no, let do it now,’ said Kathy. I was inspired and a little in awe of this well-known and professional person. My Dad searched the house for a pad and pen whilst I talked about the work I needed to complete and why. Kathy allowed me to interview her for over an hour, she told me how she obtained the commission and how she had needed to help of her whole family to complete the work.
Move forward 37 years later, I had a successful career in education and a family and lived in North Lincolnshire. My husband had encouraged me to re-visit my love of pottery a few years before. I had attended adult education classes, but I had never been shown how to throw a pot, as a gift he booked a cottage and a 5-day course at Bentham Pottery in North Yorkshire in September 2021 (see photo 3)
We stayed in the cottage on the farm, it was a fabulous base for the course and to explore North Yorkshire. On the Wednesday evening Barry was watching the England V Poland football match on the TV, I decided to watch the rest of Lee’s videos on the website that he had recommended prior to the course, I went on to read about the history of Burton in Lonsdale pottery and out of interest read the history of Bentham Pottery … image my surprise when Photo 2 came into view … this was the woman I had interviewed 37 years earlier. I was overwhelmed with joy and admiration for the business that Lee and Kathy had created and couldn’t wait to tell them the next day.
At coffee we all sat round the studio table, Kathy made drinks and we ate the dark chocolate KitKats that had become part of our daily routine, Cath, Ange, Debbie and I all sat relaxing and discussing our mornings work, I had to tell them all what I had discovered. I ask the group if they minded me telling them a short story whilst Kathy was present, they were all happy to hear how my life had come full circle and how I had spoken to this woman earlier in my life, Kathy cried and we all couldn’t believe the coincidence.
My only regret here is that I cannot phone my Dad to tell him the same story, unfortunately Ian Evans died on 4th Sept 2019, I would adore to tell him how he had run round the house looking for that pad and paper and how Kathy had wept at me recounting the story of a quiet 17 year old girl, sitting on the stairs of 1 Grosvenor Wood, Bewdley, Worcestershire, desperately scribbling down questions that later would create an outstanding piece of coursework, and how each time in my life I have been in an interview situation and asked the final interview question; ‘Who has inspired you in your life?’ I have told the story of a woman potter who created 5,000 communion bowls for the papal visit of 1982. A amazing and quite wonderful coincidence.
Sharon Gardner

5000 Bowls for the Papal visit in 1982In the early 1980s, Kathy had noticed that one of the estate agent’s windows in Ki...
03/04/2026

5000 Bowls for the Papal visit in 1982

In the early 1980s, Kathy had noticed that one of the estate agent’s windows in Kirkby Lonsdale was not being used for any display purposes. She approached them and asked if she could display some of her pottery in the window to advertise the pottery. The estate agent agreed to this. A catholic priest was visiting Kirkby Lonsdale, noticed the window display and then visited the pottery. The priest was involved in organising the papal visit of Pope John Paul ii to England in 1982. He liked Kathy’s glazes and wanted her to make 5000 bowls for use in Holy Communion for the papal visit. Kathy was a bit nonplussed with this to begin with due to the huge order size. Barrie came up with various lists, graphs and flow charts to prove she could actually do it in the timeframe, provided she stuck with the strict regime of output that his charts required and so she said yes to the order. Kathy’s helper at the time, Dorothy, through no fault of her own, then became ill and was off work during this busy period, which had unfortunate consequences for my brother, myself and my Nan as we were put to work weighing out the 5000 balls of clay to be turned into the bowls and also packing them. A lot of orders for craft shops were delayed that year due to this order.

Article in Bentham News April 2026. Full text;Artwork by Rhys Midgley Unveiled at the Punch Bowl Inn, Burton-in-Lonsdale...
28/03/2026

Article in Bentham News April 2026.
Full text;

Artwork by Rhys Midgley Unveiled at the Punch Bowl Inn, Burton-in-Lonsdale

By Shirley Brown

Following on from the article on pages 22/23 in February’s BN, yet more exciting things are happening at the newly re-opened Punch Bowl Inn in Burton-in-Lonsdale.

On 19th February 2026, there was a happy, welcoming atmosphere, aided by the provision of excellent real ale, as 70+ people gathered to witness the unveiling of an artwork that now graces the walls of the pub: a ‘quadtych’ (4-panel creation) by Bentham’s own Rhys Midgley (BN’s Person of Bentham in January 2026).

Asked about this artwork, Rhys explained that he’d been working on the refurbishment of the pub with local builder Joe Chesters (BN’s Person of Bentham in November 2024) when it was suggested by a member of the pub’s management team that he consider using old photos of 11 characters from Burton’s Waterside Pottery to create a depiction relevant to the history of Burton as a pottery village.

The artist in him said “yes” without hesitation and thus began the longest period he said he’d ever spent working on a single art project: 40 days. He used acrylic paints, lots of brush work and a ‘doodle grid’ technique to create what he calls “impressionistic realism”: the cat appearing in one of the panels is artistic licence!

As he unveiled the panels one by one, Lee Cartledge (bottom right), local potter and historian, detailed the history of Waterside Pottery which closed in 1945 at the end of World War II. He named most of the men in the painting, who were from the photo dated around 1900.



The Punch Bowl, an 18th century coaching inn, is now under community ownership and is run by the Community Benefit Society (CBS). Having been closed for almost two years, with a combination of community share investment and government grant funding (COF), the CBS got keys to the door on 4th July 2025. After a massive amount of work by professional builders and countless voluntary hours over five months, the phased reopening began on 19th December 2025.

Plans for the pub, under manager Sedg, include serving food soon (a chef has recently been appointed) and in due course it will also offer letting accommodation in the form of two large family-sized guest rooms.

Valuable community amenities like pubs are being lost across the UK, but Burton’s ability to garner both government and local funding, coupled with community volunteering, has meant that the community has been able to buy and re-open its last pub.

Over the years, Burton has also bought and re-opened its last shop and post office as a community shop, developed a pavilion, play area and exercise machines on its playing field, and made B4RN available to all residents.

Rhys’ artwork was co-funded by Mark McKergow, grandson of Richard Bateson, the last potter in Burton-in-Lonsdale, and the Burton Heritage Group. Mark commented that:

“Supporting Rhys’ work is about helping to preserve Burton’s history in a way that people can see, enjoy and talk about. It’s a wonderful addition to the Punch Bowl Inn and to the whole village.”

26/03/2026
Lancaster Guardian, Friday 21st March, 1980. Full text;Where clay can come aliveINANIMATE lumps of clay become living wo...
21/03/2026

Lancaster Guardian, Friday 21st March, 1980.
Full text;

Where clay can come alive

INANIMATE lumps of clay become living works of art at Low Bentham Pottery which nestles midway between Low Bentham and Burton-in-Lonsdale.

The pottery was started five years ago by Mrs Kathy Cartledge who gained experience in pottery at Blackpool Technical College. She started a small business in Cleveleys and soon found that larger, more versatile premises were required, particularly owing to storage of space and planning restrictions.

Things are now vastly improved. Five years ago, she and her husband, Baz, acquired Oysterber Farm. After a lot of hard work, the old dairy was turned into a workshop. The business is steadily expanding and it is hoped that a new, larger and lighter showroom will be open in time for Easter.

The pottery is very much a cottage industry employing only one other full time member of staff, although Kathy’s husband and her mother-in-law lend a hand from time to time. All the one-off lines like the pottery cottages and farmhouses are Baz’s creations.

The order books are full and besides supplying a vast amount of wares around Skipton, Settle, Ingleton and Kirkby Lonsdale, the pottery sends goods as far south as Cheltenham and as far north as Aberdeen. Just before Christmas, there was a number of enquiries about exporting, but as yet, nothing concrete has gelled.

Very sad to hear this news.
16/03/2026

Very sad to hear this news.

Address

Low Bentham
Bentham
LA27ET

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 9am - 5pm

Alerts

Be the first to know and let us send you an email when Bentham Pottery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Bentham Pottery:

Share