25/10/2026
🩸 Painting with Dragon’s blood
From the start, my idea with this print was to colour a select number of copies to match the originals. As is my practice, I always use pigments to colour prints (or paint in general) instead of ready-made watercolours or gouaches, because I want to stay as close as possible to the originals without compromising. If a specific medieval pigment is poisonous or dangerous, I use modern, safe equivalents, but the process remains the same: mixing the pigment with a binder, usually gum arabic, to create watercolours.
This is the first of three posts exploring the primary colours used in my hand-colourized Apocalypse prints. Next: green.