AllÓRA

AllÓRA 100% organic Italian linen, artisanal porcelain & Murano glassware sourced directly from regional workshops. Custom sizing & consultations.

At AllÓRA we believe in quality, authenticity, passion and craftsmanship. We love the people, the traditions, the history of our products. We admire the way our artisans create magical, precious and unique objects. AllÓRA means also 'in the past' in Italian. 'Oggi come AllÓRA' - 'today as before' is our philosophy. Our selection is a fusion of the past and the modernity. Each object is a tribute t

o the tradition of Italian craftsmanship updated with a distinct fresh design. We make a personal selection of the finest textiles, ceramics glasses and cookwares, meeting the artisans, visiting the laboratories and assembling our exclusive collections.

07/09/2026

Yellow has always had a permanent place in our collections. Whether it is deep ochre, lemon yellow, or a solid mustard, these tones work well across every material - from raw linen and mouth-blown glassware to glazed porcelain. They bring energy to a setting without needing to match anything else perfectly.

Do you prefer using yellow as a single accent piece on your table, or do you like layering different tones together? Tell us below.

Our upcoming tablecloth collection features the Beatrice design in two different block-printed styles.One version shows ...
04/09/2026

Our upcoming tablecloth collection features the Beatrice design in two different block-printed styles.

One version shows the brocade-inspired pattern hand-stamped in deep brown onto natural linen. The other uses a resist-printing technique, revealing the motif in the colour of the base fabric against a hand-painted blue background.

Which style would complement your home aesthetic best? Let us know if you prefer the warmth of the brown or the intensity of the blue in the comments.

During our recent visit to Stamperia Bertozzi, we found this beautiful hand-carved wood block. The lace motif is incredi...
01/09/2026

During our recent visit to Stamperia Bertozzi, we found this beautiful hand-carved wood block. The lace motif is incredibly precise. When we asked Gianluigi about it, he mentioned it was made long ago but, strangely, has never been used.

Together, we started figuring out a layout for a new tablecloth. Should it be a continuous border framing the edges, or an all-over repeating print?

Let us know your thoughts in the comments.

Earlier this month, we visited glassblowing to mark 50 years of glassblowing by Peter Layton. His retrospective exhibit...
28/08/2026

Earlier this month, we visited glassblowing to mark 50 years of glassblowing by Peter Layton. His retrospective exhibition brings together five decades of work, focusing on how he uses movement, heat, and colour. Definitely worth a look if you appreciate British studio glass.

Daniela Poletti of Vetrofuso bypasses the traditional glassblowing pipe, choosing instead to fuse and sculpt flat sheets...
26/08/2026

Daniela Poletti of Vetrofuso bypasses the traditional glassblowing pipe, choosing instead to fuse and sculpt flat sheets of Murano glass.

Working from her studio, Daniela transforms these flat sheets of authentic Venetian glass using precise heat, gravity, and her own signature fusing methods.

From ruffled bowls reminiscent of fluid petals to organic leaf-shaped platters and sculpted jewellery, every piece captures the weightless transparency of glass paired with a sculpture’s physical presence.

You can read more about Vetrofuso through our profile link.

Every Murano glass goblet or vase begins as a searing liquid, shaped only by rapid movements, relentless heat, and split...
24/08/2026

Every Murano glass goblet or vase begins as a searing liquid, shaped only by rapid movements, relentless heat, and split-second decisions.

This is not just about design, but a true physical choreography: the controlled breath that gives it form, the layering of sommerso that catches the light, and the diamond-carved facets of battuto. Each technique leaves an unrepeatable visual signature on the glass.

We have gathered the stories (and secrets) behind these six traditional techniques in our latest article.

Discover the art of Murano: the link is in our bio.

Crafted in Umbria on traditional shuttle looms, the Quattro Stagioni towels weave together grapes, pomegranates, and fig...
21/08/2026

Crafted in Umbria on traditional shuttle looms, the Quattro Stagioni towels weave together grapes, pomegranates, and figs. This durable linen and cotton blend absorbs water immediately and grows softer the more you use it.

The yellow, red, blue, and natural tones are made to live in the kitchen through every season.

You can find the direct path to these pieces through our profile link.




Last day before the August break in the Bertozzi workshop. Giovanni, always with a smile, hand-stamping the coastal Pana...
19/08/2026

Last day before the August break in the Bertozzi workshop. Giovanni, always with a smile, hand-stamping the coastal Panarea collection.

You can find the direct path to these pieces through our profile link.

17/08/2026

Pigments, brushes, and unfired clay.
Inside the Stamperia Bertozzi ceramic studio, where Limoges porcelain plates and bowls are hand-pressed using traditional wooden blocks.

Each piece emerges from the kiln with its own subtle variations.

You can find the collection through the link in our bio.

14/08/2026

Hand-printed, layer by layer.

Each Giardino linen tablecloth requires two distinct passes of the hand-carved woodblocks to achieve its depth. In this process, sage green rose stems are aligned over the deep forest green ivy vines.

Tap the link in our bio to explore the complete collection online.






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London

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+442037014076

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