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Kate, who grew up in rural Somerset, has always had a passion for design, which she has now combined with her business acumen to create a luxury interior design brand. Her career has included several years of international banking in the City of London and establishing the first vintage fashion business in Hong Kong. Running alongside these ventures, Kate also project managed the refurbishment of

several properties, both here and abroad, and studied at KLC School of Design. Now living in Sussex with her three children, Kate’s experience within finance, fashion and interiors means she can use a lifetime’s worth of experience to create her dream job. Summing up her unique style, she says: “I love sophisticated Parisian elegance, combining classic and contemporary elements to create timeless interiors.”

The Places That Stay With UsI had stayed in other luxury hotels on that trip, but this was the place that stayed with me...
29/05/2026

The Places That Stay With Us

I had stayed in other luxury hotels on that trip, but this was the place that stayed with me.

Aman Sveti Stefan occupies a restored fishing village on a small fortified island off the coast of Montenegro. What I remember most clearly, though, was its restraint.

The architecture, the landscape, the pace of the day, the simplicity of the interiors - everything seemed to belong together.

A reflection on atmosphere, hospitality, and the luxury of spaces that do not try too hard to impress.

New on The Reverie Edit.

Link in bio.

Many clients arrive at Reverie feeling overwhelmed rather than undecided.They know what they no longer want, but need he...
27/05/2026

Many clients arrive at Reverie feeling overwhelmed rather than undecided.

They know what they no longer want, but need help understanding what should replace it.

My work often begins by simplifying - uncovering the rhythm of a home and creating clarity from there.

The most meaningful interiors are rarely the most complicated.




InteriorDesignerUK
DesignWithIntention

Milan is firmly on my list for next year, but even from a distance one theme kept surfacing for me: palazzos, and the po...
04/05/2026

Milan is firmly on my list for next year, but even from a distance one theme kept surfacing for me: palazzos, and the power of restraint.

Watching the images and coverage, I kept coming back to those historic rooms – frescoed ceilings, worn stone floors – with contemporary pieces placed as a quiet counterpoint rather than a rival. Sofas that don’t try to compete with the architecture, just quietly ground it.

I’ve gathered those thoughts into a new Reverie Edit essay, “Holding the Room” – on restraint, architecture, and the spaces that require almost nothing at all.

You can read it via the link in bio

Images:
Palazzo Daniele
Poliform, Milan Design Week
Piergiorgio Sorgetti - H&M Home x Kelly Wearstler
RH Italy

My grandmother’s kitchen was small. Pale blue cabinets, frosted glass, her china on a shelf with the teapot always withi...
25/04/2026

My grandmother’s kitchen was small. Pale blue cabinets, frosted glass, her china on a shelf with the teapot always within reach.

I could not draw the room from memory. But I could tell you, even now, exactly how it felt to be there.

The Welsh have a word for this - hiraeth - the longing for a place we can no longer return to in the same way. It is not nostalgia. It is something closer.

A new essay on memory, continuity, and the homes we carry forward.

The full essay is on The Reverie Edit.

A quieter stretch here, but a full one behind the scenes.One new project underway, another just at the very beginning, a...
20/04/2026

A quieter stretch here, but a full one behind the scenes.

One new project underway, another just at the very beginning, a set of plans drawn for another designer, and an essay finished and ready to go.

Easter meant a bit of time away from the desk. My son over from The Hague for an extended stay, my daughter home, and another away travelling - and some time spent in Somerset and around Bath - Hauser & Wirth Somerset, The Newt in Somerset, and the Cotswolds.

Some space to think and write, too.
All of this finds its way back.

Kate

Most terraces are designed for passing through.A table. A few chairs. The hope of July.But what if the space just beyond...
05/04/2026

Most terraces are designed for passing through.

A table. A few chairs. The hope of July.

But what if the space just beyond your threshold was treated as a room - with the same care, proportion and atmosphere as any interior?

That idea became The Fifth Room.

I’ve written a short essay about the spaces between house and garden, and why they matter more than we realise.

Essay now on the website & Substack. Link in bio.

Before the room, there is this.The body recognises certain things instinctively -Light that shifts, edges that blur,
a s...
19/03/2026

Before the room, there is this.

The body recognises certain things instinctively -
Light that shifts, edges that blur,
a sense of depth, of calm, of enough.

The best interiors do not invent these qualities.

They remember them.

Last night at , Patrick Williams launched The House Rules - and I’ve been thinking about it ever since. The house rules....
13/03/2026

Last night at , Patrick Williams launched The House Rules - and I’ve been thinking about it ever since.

The house rules. Not the designer. Not the brief. The house.

Its proportions, its light, its materials - the particular knowledge a building accumulates over years of being lived in. The role of the designer, he said, is not to impose something new, but to understand what the building is already asking for.

He spoke about patina. The quiet marks left by people who came before us - not as imperfection to be corrected, but as depth. As character. As the thing that makes an old house feel like itself rather than like a project.

Because the bones of a building, he suggested, carry its spirit. What lives inside comes and goes. The furniture, the finishes, the interventions of each successive generation - all of it temporary. The architecture endures, and everything else should answer to it.

The second volume -Another Spoonful - is named for the soup his mother made in France, where a spoonful of yesterday’s soup always went into today’s. A fitting metaphor for the craftspeople the studio works with - people who understand that true making leaves something permanent behind.

Interviewed by - whose instinct for the people doing the most considered work in design brought exactly the right questions to the room. It’s rare to hear these ideas expressed so clearly by someone working so closely with historic buildings.

The House Rules by Patrick Williams. If you live in - or simply love - historic houses, it belongs on your shelf.

The most important design work often happens before anything is selected.Before the fabrics, the furniture, or the finis...
10/03/2026

The most important design work often happens before anything is selected.
Before the fabrics, the furniture, or the finishes - there is an early stage of the process that matters just as much.

Clarity.

Clarity about how a space needs to function, how the people living there want to feel, and what truly belongs in the room - and just as importantly, what doesn’t.

When that foundation is in place, decisions become calmer and more intentional.
Thoughtful interiors often grow from this pause.

It’s a discipline I return to in every project - and a principle that quietly guides my work again and again.

Walking through Bath this week, I found myself stopping in front of this building.The Royal Mineral Water Hospital - kno...
08/03/2026

Walking through Bath this week, I found myself stopping in front of this building.
The Royal Mineral Water Hospital - known locally as The Min.

Designed by John Wood the Elder in 1738 and built from Bath stone donated by Ralph Allen, it spent almost three centuries treating patients who travelled here seeking the healing properties of the mineral springs.

It sits on the corner of one of the busiest shopping streets in the city. And yet - because it’s been empty for a few years now - it almost goes unnoticed.

Which feels extraordinary when you stop and look up.

The building is being converted into a hotel. There are plans for a spa, which feels fitting - a return to the idea of water and wellbeing that the building was always built around.

I find myself drawn to moments like this. Buildings that have held so much - and are now waiting for their next chapter.

Historic architecture is never really finished. It just adapts. Carrying the memory of what came before into whatever comes next.

That tension between past and present - between preservation and evolution - is at the heart of what I think of as heritage modern.

I wonder what stories the building will hold next.

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London

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