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agape First resin art brand in Hong Kong
香港初の樹脂画スタジオ
🇭🇰香港首個樹脂畫藝術品牌

Artworks, Art decor, Workshops, Sharing & Speaking, Exhibitions
• Art as Life •

Resin The Art 樹脂藝術
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一件藝術品 · 一件樹脂藝術家品
將流動的藝術,永遠保留
樹脂工藝畫"Abstract Fluid Printing"
網店
Pinkoi : agape

16/10/2026

The layers of resin

.A recent update on the progress of the resin samples!!They are so nice~
10/10/2026

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A recent update on the progress of the resin samples!!
They are so nice~

.2600mm x 4200mmInk on wood
01/10/2026

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2600mm x 4200mm
Ink on wood

.Four artworks for Swire Properties Residences This artwork adopts a minimalist approach, striving to reflect the space,...
27/09/2026

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Four artworks for Swire Properties Residences

This artwork adopts a minimalist approach,
striving to reflect the space, sunlight, and human activity, ultimately achieving a sense of harmony between the viewer and the piece.

這次作品用了極簡手法處理,
盡量反射空間、日光與人的活動,
呈現人與作品共融效果。

.你有看到變化嗎?近年在創作上,一直尋找突破。相信,follow一段時間的你,有時總會感到疲勞來來去去都是這樣當然,早在幾年前已意識到也開始尋找一個新的創作方式近年的上課,練畫,研究,睇畫,再上課,發現原來我跟本沒有在真正創作我再重新一次理...
20/09/2026

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你有看到變化嗎?
近年在創作上,一直尋找突破。
相信,follow一段時間的你,有時總會感到疲勞
來來去去都是這樣
當然,早在幾年前已意識到
也開始尋找一個新的創作方式
近年的上課,練畫,研究,睇畫,再上課,
發現原來我跟本沒有在真正創作
我再重新一次理順自己的由來
從喜好源頭的探索,風格強弱的分析,想創作的風格及手法的認知,
再到樹脂可能性的再研究及發展
在這幾方面下,一直在努力深耕
可能,沒有特別的外顯
甚至,根本完全沒有分別
但這樣的理順,是為了未來10年、20年做準備
節奏,構圖,用色,共嗚
對抽象為之重要
技法的獨特性,私有化
也是不能忽視,用以區分我他
總會問:
早有人做過了
早有人畫過了
早有人精通了
早有人解決了
但沒有人像你一樣
因為你是活在當下的你
Art as life

———-

Do you see the changes?

Over the recent years, I’ve been constantly searching for breakthroughs in my creative work.
I believe those of you who have been following me for a while might sometimes feel a sense of fatigue—seeing the same things over and over again.

Of course, I realized this years ago and began searching for a new way to create.

Lately, through taking classes, practicing drawing, researching, studying other paintings, and taking classes again, I discovered that I hadn’t actually been truly ”creating“ at all.

So, I re-evaluated my origins from scratch.
From exploring the roots of my passions, analyzing the strengths and weaknesses of my style, and understanding the aesthetics and techniques I want to create, to re-examining and developing the endless possibilities of resin.

I have been quietly digging deep into these areas.
Perhaps it hasn‘t been particularly obvious on the outside.
Perhaps it looks like absolutely nothing has changed.
But this process of realigning myself is to prepare for the next 10 or 20 years.

Rhythm, composition, color, and resonance—these are vital to abstract art.

The uniqueness and personalization of technique cannot be ignored either; it is what sets me apart from others.

I always ask myself:
Someone has already done this.
Someone has already painted this.
Someone has already mastered this.
Someone has already solved this.

But no one has done it exactly like you.
Because you are you, living in this very moment.

Art as life

.The super details of resin with light.
13/09/2026

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The super details of resin with light.

.我近排發現,已畫了8年但好似完全唔識畫近排又再次”學返”畫畫這種感覺有點新又有點奇怪正常是隨手可得,現在是從頭來過。再次成長,其實都幾痛苦由全知,再次回到無知身邊的安全感無哂,方向重新定過再次打破,不知第幾個的全知可能這樣做,麵條才會有韌...
27/08/2026

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我近排發現,已畫了8年
但好似完全唔識畫
近排又再次”學返”畫畫
這種感覺有點新
又有點奇怪
正常是隨手可得,
現在是從頭來過。
再次成長,其實都幾痛苦
由全知,再次回到無知
身邊的安全感無哂,方向重新定過
再次打破,
不知第幾個的全知
可能這樣做,麵條才會有韌性,彈牙
食落去才不會鬆散

I recently realized that
I’ve been drawing for 8 years,

it feels like I don’t know how to draw at all.
Lately, I’ve started ”relearning“ drawing all over again.
The feeling is somewhat fresh,
yet somewhat strange.

What used to come naturally
now requires starting from scratch.
Growing all over again is actually quite painful.
Moving from a state of knowing everything back to total ignorance.

All sense of security is gone, and my direction must be redefined.
Breaking down my own walls once again—
I’ve lost count of how many times I thought I knew it all.

But maybe this is how the noodles get their chewiness and texture,
so they don‘t fall apart when you take a bite.

.A period in the green !!!
16/08/2026

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A period in the green !!!

.《風華 風景之一 The Magnificence of Wind》2500mm x 3000mmResin on wood2023《風華 風景之一》命名靈感,來自王無邪一幅字畫;它是風景其中之一,也是風景唯一。風華,風的華美這風可見而不...
08/06/2026

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《風華 風景之一 The Magnificence of Wind》
2500mm x 3000mm
Resin on wood
2023
《風華 風景之一》命名靈感,
來自王無邪一幅字畫;
它是風景其中之一,也是風景唯一。
風華,風的華美
這風可見而不可見;白呈葉而不是葉。
讓觀者有想像空間
靈感來自日本浮世繪的斜雨,
及超特寫風格;
突顯白與綠之間的遠近層次、原始和光鮮的對比。
引領入畫

The title “The Magnificence of Wind” is inspired by a calligraphy painting by Wucius Wong.
It represents one manifestation of the landscape, yet stands as the landscape itself.

”Magnificence“ captures the splendor of the wind—visible yet invisible. The white elements evoke leaves, yet transcend them, offering viewers infinite room for imagination.

Inspired by the slanted rain and extreme close-up style of Japanese Ukiyo-e woodblock prints.

The composition highlights the depth between white and green, contrasting the primitive with the vibrant,
drawing the viewer deep into the painting.hk cheung

.Red wind 2 赤風二89cm x 55cm, resin on wood,2026Dwell in the white wind;let the red wind drift across the brow.在白風裡棲息,任赤風過...
03/06/2026

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Red wind 2 赤風二
89cm x 55cm, resin on wood,
2026
Dwell in the white wind;
let the red wind drift across the brow.

在白風裡棲息,
任赤風過眉間

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