05/10/2026
這次在凡爾賽「小特里亞農宮」，走進 Sofia Coppola《Marie Antoinette》的電影世界，目光總是被花吸引。層層交疊的色彩、向外伸展的枝條，以及花藝與房間之間的呼應，都是想帶回來與你們分享的細節。
Visiting the exhibition celebrating Sofia Coppola’s Marie Antoinette at Petit Trianon, Versailles, I kept finding myself drawn to the flowers. The layers of colour, the reaching branches, the way each arrangement belonged within its room — a few details I wanted to bring home and share with you.
Coppola 曾被瑪麗皇后私人房間裡的粉紅與藍綠色吸引，並將這份鮮活感帶進電影。看著眼前的藕粉、莓紅與亮綠，我很喜歡色彩彼此碰撞的力量。柔和之中有濃郁，也有一點俏皮，讓整組花藝充滿表情。
Coppola drew inspiration from the pinks and turquoise she saw in Marie Antoinette’s private rooms, bringing that vitality into the film. Here, blush, raspberry and bright green catch my eye. Their combination feels soft, rich and a little playful, giving the arrangement its own character.
走近看，這組花藝的粉紅有很多層次。藕粉、莓紅與深酒紅交疊，幾抹亮綠穿插其中，讓整個畫面更有精神。我很喜歡這種配色：柔和的部分有，濃郁的部分也有，視線會自然在花與花之間移動。
Up close, the pinks reveal their different shades. Blush, raspberry and deep burgundy overlap, with little flashes of bright green bringing energy to the arrangement. I love how the softer and richer tones sit together, drawing the eye from one flower to the next.
電影的服裝配色，曾從 Coppola 帶給設計師 Milena Canonero 的一盒 Ladurée 馬卡龍得到靈感。看到粉紅在花朵、絲綢與糕點之間流動，更覺得靈感可以來自日常的小喜好。一種顏色，換了材質，就能長出不同的表情。
A box of Ladurée macarons that Coppola brought to costume designer Milena Canonero helped inspire the costumes’ palette. Seeing pink move between flowers, silk and cakes makes me appreciate how everyday pleasures can spark an idea. The same colour takes on a different character with each material.
Coppola 把當代音樂帶進十八世紀宮廷，讓觀眾更接近人物的青春感。這張幕後照片，也讓我喜歡上古典服裝之中的那份輕鬆與趣味。創作可以在熟悉的美感裡，留下一點自由、一點意想不到的個性。
Coppola used contemporary music to bring us closer to the characters’ youth. This behind-the-scenes photograph gives me a similar sense of lightness and play within an elaborate setting. It makes me want to leave room for freedom and an unexpected touch of personality in our own work.
電影花藝師 Thierry Boutemy 曾談到，花與氣味能喚起童年記憶，也相信花需要呼吸的空間。看著展覽中的花藝，我特別留意枝條伸展的方向，以及花與器物之間的距離。對 GINGERMITE 而言，形態、留白與一點熟悉感，都能讓作品更動人。
The film’s florist, Thierry Boutemy, has spoken about flowers evoking childhood memories and needing room to breathe. Looking at t
