Artan Betonada

Call Directions Website Contact the business

Artan Betonada Breathing concrete crafted from natural minerals. Cladding โ€ข Furniture โ€ข Art โ€ข Commercial Projects
Discover our work ๐Ÿ‘‡

ืกื˜ื•ื“ื™ื• ื”ืžืชืžื—ื” ื‘ืคื™ืชื•ื— ื—ื•ืžืจื™ื ื•ืžื•ืฆืจื™ื ืืฉืจ ื‘ืขื™ืงืจื ืžื•ืจื›ื‘ื™ื ื‘ื˜ื•ืŸ ืžื•ื—ืœืง, ื‘ืžื‘ื•ืง, ืจื˜ืืŸ, ืขืฅ ืžืžื•ื—ื–ืจ, ืจืฉืชื•ืช ืจื™ืคื•ื“ ื•ืขื•ื“. ืื—ืช ืœืชืงื•ืคื” ื ื•ืœื“ ื‘ืกื˜ื•ื“ื™ื• ืื•ืกืฃ ื—ื“ืฉ ืฉืœ ื˜ืงืกื˜ื•ืจื•ืช, ื’ื•ื•ื ื™ื ื•ืžืจืงืžื™ื ื”ืžื•ืชืืžื™ื ืœืžื’ื•ื•ืŸ ืขื™ืฆื•ื‘ื™ื ื•ื™ื™ืฉื•ืžื™ื.

ื”ืกื˜ื•ื“ื™ื• ืงื™ื™ื ืžื–ื” ืฉื ื™ื ืจื‘ื•ืช ื•ืžื”ื•ื•ื” ื—ืœืง ืžื”ื•ืชื™ ืžืžืขืจืš ื”ืขื™ืฆื•ื‘ ื•ื”ืจื™ื”ื•ื˜ ื”ื™ืฉืจืืœื™.
ืคืžืœื™ื™ืช ื”ืžืขืฆื‘ื™ื ื•ื”ืžื•ืžื—ื™ื ืœื‘ื™ืช ื‘ื˜ื•ื ื“ื” ืžืืคืฉืจื™ื ืงืฉืจ ื™ืฉื™ืจ ืขื ื”ืžืชื›ื ืŸ ืื• ื”ืœืงื•ื—, ืœื™ืฆื™ืจื” ืžืฉื•ืชืคืช. ื ื™ืชืŸ ืœื”ื™ืขื–ืจ ื‘ื ื• ื‘ืขืช ื”ืชื›ื ื•ืŸ ื‘ื›ื“ื™ ืœืžืงืกื ืืช ื”ื—ื•ืžืจื™ื ืขืžื ืื ื• ืขื•ื‘ื“ื™ื, ืื• ืœืฉืœื•ื— ืืœื™ื ื• ืชื›ื ื™ื•ืช ืœื‘ื™ืฆื•ืข ืฉืœ ืžื•ืฆืจื™ื ืžื™ื•ื—ื“ื™ื ืืฉืจ ื™ื™ื•ื•ืฆืจื• ื‘ื”ืชืืžื” ืœืคืจื•ื™ืงื˜.
ื”ืกื˜ื•ื“ื™ื• ืžืžื•ืงื ื‘ืžื•ืฉื‘ ืจืฉืคื•ืŸ ื•ืžื”ื•ื•ื” ื—ืœืœ ืชืฆื•ื’ื” ืœืžืจื‘ื™ืช ื”ืืคืฉืจื•ื™ื•ืช.

ืžื•ืžืœืฅ ืœื‘ืงืจ ืื•ืชื ื•, ื‘ืชื™ืื•ื ืคื’ื™ืฉื” ืžืจืืฉ.

ื‘ืกื˜ื•ื“ื™ื• ื‘ื˜ื•ื ื“ื” ืžืืžื™ื ื™ื ื‘ืขื‘ื•ื“ื” ื™ื“ื ื™ืช ื•ื™ืฉืจืืœื™ืช ืžืงื•ืžื™ืช. ื”ื—ื•ืžืจื™ื ื”ื ื‘ื—ืจื™ื ืœืฉื™ืžื•ืฉ ืžืงื•ืจ ืจื•ื‘ื ื‘ื™ืฉืจืืœ ื•ื”ื ืžื”ื˜ื•ื‘ื™ื ื‘ื™ื•ืชืจ ื•ื‘ืขืœื™ ืคืœื™ื˜ืช VOC ื ืžื•ื›ื”. ื”ื™ืฆืจื ื™ื ืื™ืชื ืื ื• ืžืฉืชืคื™ื ืคืขื•ืœื” ื‘ืขืœื™ ืชื•ื•ื™ ื”ืชืงืŸ ื”ืžื—ืžื™ืจื™ื ืœืชืคืขื•ืœื ื•ื ื™ื”ื•ืœื. ื”ื—ื•ืžืจื™ื ื”ืื•ืจื’ื ื™ื™ื ืžื’ื™ืขื™ื ืžืžืงื•ืจื•ืช ืื—ืจืื™ื™ื ื‘ื”ื ืขื•ืฉื™ื ืฉื™ืžื•ืฉ ื‘ื›ืจื™ืชื” ืžื‘ื•ืงืจืช.

Walls that hold light like water.For the Caprice jewellery showroom at the Dead Sea, every wall was layered and worked b...
15/10/2026

Walls that hold light like water.

For the Caprice jewellery showroom at the Dead Sea, every wall was layered and worked by hand until it fell quiet. Mineral holds the light, the niches frame each piece, and no two metres of wall are alike.

Betonada | Material. Thought. Creation.

13/10/2026

ืื•ืœื ื”ืชืฆื•ื’ื” ืฉืœ ืคืจื™ืกื‘ื™ | ืžื™ื“ื˜ืื•ืŸ ืชืœ ืื‘ื™ื‘

ื‘ืื•ืœื ื”ืชืฆื•ื’ื” ืฉืœ ื—ื‘ืจืช ืคืจื™ืกื‘ื™ ื‘ืžืชื—ื ืžื™ื“ื˜ืื•ืŸ ื‘ืชืœ ืื‘ื™ื‘, ื”ืชื‘ืงืฉื ื• ืœื™ืฆื•ืจ ืžืขื˜ืคืช ื—ื•ืžืจื™ืช ืฉืชืขื ื™ืง ืœื—ืœืœ ื ื•ื›ื—ื•ืช, ืขื•ืžืง ื•ืขื•ืฆืžื”.

ืงื™ืจื•ืช, ืขืžื•ื“ื™ื ื•ืืœืžื ื˜ื™ื ืฉืœ ื ื’ืจื•ืช ื—ื•ืคื• ื‘ื’ืžืจ ื‘ื˜ื•ื ื“ื”, ื‘ื—ืœื•ืงื•ืช ื’ื“ื•ืœื•ืช ื•ืžืจืฉื™ืžื•ืช, ื”ื™ื•ืฆืจื•ืช ืฉืคื” ืื“ืจื™ื›ืœื™ืช ืื—ื™ื“ื” ื•ืขื•ืฆืžืชื™ืช.

ื”ืžื˜ืจื” ื”ื™ื™ืชื” ืœื™ื™ืฆืจ ืจืงืข ื‘ืขืœ ื ื•ื›ื—ื•ืช ืžืฉืœื•, ื›ื–ื” ืฉืžืขืฆื™ื ืืช ื”ื—ืœืœ ื•ืืช ื”ืจื›ื‘ื™ื ื”ืžื•ืฆื’ื™ื ื‘ื•, ืžื‘ืœื™ ืœื”ืชื—ืจื•ืช ื‘ื”ื.

Betonada | Material. Thought. Creation.



Freesbe Showroom | Midtown Tel Aviv

At the Freesbe showroom in the Midtown complex in Tel Aviv, we were commissioned to create a material envelope that would bring presence, depth, and strength to the space.

Walls, columns, and custom millwork elements were finished with Betonada cladding, featuring large, bold divisions that establish a unified and powerful architectural language.

The goal was to create a backdrop with a strong identity of its ownโ€”one that enhances both the space and the vehicles on display, without competing with them.

Betonada | Material. Thought. Creation.

01/09/2026

ื“ืœืคืง ืœืงืœื™ื ื™ืงื” ืœืจืคื•ืื” ืืกืชื˜ื™ืช.

ื”ื“ืœืคืง ื—ื•ืคื” ื‘ืฉื›ื‘ื•ืช ืžื™ื ืจืœื™ื•ืช ืฉืœ ืœืคื™ื“ื•ืœื™ื™ื˜, ื’ื™ืจ ื•ื‘ื˜ื•ืŸ, ืฉื ื‘ื ื• ื‘ืชื ื•ืขื” ื’ืœื™ืช ื•ื—ื•ืคืฉื™ืช ื•ื™ืฆืจื• ืžืจืื” ื˜ื‘ืขื™, ื›ืžืขื˜ ื›ืžื• ื—ืชืš ืžืชื•ืš ืฉื›ื‘ื•ืช ืื“ืžื” ื•ืกืœืข.

ื”ืฉื›ื‘ื•ืช, ื”ื’ื•ื•ื ื™ื ื•ื”ื˜ืงืกื˜ื•ืจื•ืช ืžืฉืชื ื™ื ืœืื•ืจืš ื”ืžืฉื˜ื— ื•ื™ื•ืฆืจื™ื ืขื•ืžืง ื•ืชื ื•ืขื”, ืชื•ืš ืฉืžื™ืจื” ืขืœ ืžืจืื” ืฉืงื˜, ืžื“ื•ื™ืง ื•ืžืขื•ื“ืŸ.

ื‘ืชื•ืš ื”ืกื‘ื™ื‘ื” ื”ื ืงื™ื™ื” ื•ื”ืžื“ื•ื™ืงืช ืฉืœ ื”ืงืœื™ื ื™ืงื”, ื”ื—ื•ืžืจ ืžื›ื ื™ืก ืจื•ื— ืื—ืจืช โ€” ื˜ื‘ืขื™ืช, ืจื›ื” ื•ืื•ืจื’ื ื™ืช.

ื–ื”ื• ืžืคื’ืฉ ื‘ื™ืŸ ื—ื•ืžืจ ืžื™ื ืจืœื™ ื’ื•ืœืžื™ ืœื‘ื™ืŸ ืืกืชื˜ื™ืงื” ืžื•ืงืคื“ืช; ื‘ื™ืŸ ืชื ื•ืขื” ื˜ื‘ืขื™ืช ืœื‘ื™ืŸ ืงื•ื•ื™ื ื ืงื™ื™ื, ื•ื‘ื™ืŸ ืขื•ืœื ื”ืจืคื•ืื” ื”ืืกืชื˜ื™ืช ืœื‘ื™ืŸ ื—ื•ืžืจื™ื•ืช ืฉืžื’ื™ืขื” ื™ืฉื™ืจื•ืช ืžืŸ ื”ืื“ืžื”.

ื—ื™ื‘ื•ืจ ื‘ื™ืŸ ืžื™ื ืจืœื™ื, ืชื ื•ืขื” ื•ืืกืชื˜ื™ืงื”, ืฉืžื‘ื™ื ืืœ ื”ื—ืœืœ ืชื—ื•ืฉื” ืฉืœ ื˜ื‘ืข, ืื ืจื’ื™ื” ื•ืฉืงื˜.



Reception desk for an aesthetic medicine clinic.

The desk was clad in mineral layers of lepidolite, lime and concrete, built in a free-flowing, wave-like movement to create a natural appearance โ€” almost like a cross-section of earth and rock formations.

The changing layers, tones and textures create depth and movement across the surface, while maintaining a quiet, precise and refined presence.

Within the clean and carefully designed environment of the clinic, the material introduces a different spirit โ€” natural, soft and organic.

It is a meeting point between raw mineral material and refined aesthetics; between natural movement and clean architectural lines, and between the world of aesthetic medicine and a material language drawn directly from the earth.

A connection between minerals, movement and aesthetics, bringing a sense of nature, energy and calm into the space.

25/08/2026

ืคืจื•ื™ืงื˜ ืืžื“ื•ืงืก ืจืขื ื ื”
ืคืจื•ื™ืงื˜ ื’ื“ื•ืœ ื•ืžืืชื’ืจ ืฉืœ ืฉื™ืงื•ื ื•ืจืกื˜ื•ืจืฆื™ื” ืœื‘ื˜ื•ืŸ ื—ืฉื•ืฃ.
ืžื“ื•ื‘ืจ ื‘ืืœืคื™ ืžื˜ืจื™ื ืฉืœ ืงื™ืจื•ืช ื‘ื˜ื•ืŸ ื‘ืœื•ื‘ื™ื™ื ืฉืœ 5 ื‘ื ื™ื™ื ื™ื, 8 ืงื•ืžื•ืช ื‘ื›ืœ ื‘ื ื™ื™ืŸ โ€” ื›ืฉื›ืœ ืงื™ืจ ื ื“ืจืฉ ืœื”ื’ื™ืข ืœื’ืžืจ ื‘ื˜ื•ืŸ ืžื•ืงืคื“, ื ืงื™ ื•ืื—ื™ื“.
ื”ืืชื’ืจ ื”ืจืืฉื•ืŸ ื”ื™ื” ื”ื’ื•ื“ืœ.
ื”ืืชื’ืจ ื”ืฉื ื™, ื•ื”ื•ื ื”ืืชื’ืจ ื”ืžืจื›ื–ื™ ื‘ื›ืœ ืขื‘ื•ื“ืช ืจืกื˜ื•ืจืฆื™ื”, ื”ื™ื” ืœื”ื‘ื™ืŸ ืžื” ืขื•ืžื“ ืžื•ืœื ื•: ืœืงืจื•ื ืืช ื”ืงื™ืจ, ืœื–ื”ื•ืช ืืช ื”ืคื’ืžื™ื, ืœื”ื‘ื™ืŸ ืืช ื”ื—ื•ืžืจ ื”ืงื™ื™ื, ื•ืœื”ืชืื™ื ืืช ืคืขื•ืœืช ื”ืฉื™ืงื•ื ืœืžื” ืฉื›ื‘ืจ ืงื™ื™ื ื‘ืฉื˜ื—.
ื‘ืฉื•ื ื” ืžืขื‘ื•ื“ื” ืฉืžืชื—ื™ืœื” ืžืืคืก, ื‘ืจืกื˜ื•ืจืฆื™ื” ืื™ืŸ ื“ืฃ ื—ืœืง.
ื™ืฉ ืงื™ืจ ืขื ืื•ืคื™ ืžืฉืœื•, ืขื ืกื™ืžื ื™ื, ืฉื›ื‘ื•ืช, ืคื’ืžื™ื ื•ื—ื•ืžืจ ืงื™ื™ื ืฉืฆืจื™ืš ืœื”ื‘ื™ืŸ, ืœื›ื‘ื“ ื•ืœื“ื™ื™ืง.
ื‘ืžื•ื‘ืŸ ืžืกื•ื™ื, ื–ื• ืขื‘ื•ื“ื” ืฉืœ โ€œืคื•ื˜ื•ืฉื•ืค ืื ื•ืฉื™โ€ ืขืœ ืงื™ืจื•ืช:
ื”ื‘ื ื”, ื”ืกืชืจื”, ื”ืฉืœืžื”, ืœื™ื˜ื•ืฉ, ืื™ื–ื•ืŸ ื•ื—ื™ื‘ื•ืจ โ€” ืขื“ ืฉื”ื—ื•ืžืจ ื—ื•ื–ืจ ืœื”ื™ืจืื•ืช ื˜ื‘ืขื™, ืžื“ื•ื™ืง ื•ืฉืœื.
ื›ืœ ืงื™ืจ ื•ื”ืื•ืคื™ ืฉืœื•.
ื›ืœ ืชื™ืงื•ืŸ ื•ื”ื“ื™ื•ืง ืฉืœื•.
ื•ื›ืœ ืคืจื˜ ื ื•ืขื“ ืœื”ื—ื–ื™ืจ ืœื‘ื˜ื•ืŸ ืืช ื”ื ื•ื›ื—ื•ืช ื”ืฉืงื˜ื” ื•ื”ืžื•ืงืคื“ืช ืฉืœื•.

Betonada | Material. Thought. Creation.

Amdocs Raโ€™anana Project
A large and challenging project involving the restoration and repair of exposed concrete.
The work included thousands of square meters of concrete walls across the lobbies of 5 buildings, 8 floors each โ€” with every wall required to reach a refined, clean, and precise exposed-concrete finish.
The first challenge was scale.
The second challenge, and the core of every restoration project, was understanding what stood in front of us: reading the wall, identifying the flaws, understanding the existing material, and adapting the restoration process to what was already there.
Unlike work that begins from scratch, restoration does not start with a blank page.
Each wall has its own character, its own marks, layers, imperfections, and existing ma

27/07/2026

ื‘ื“ื™ืจื” ื‘ืชืœ ืื‘ื™ื‘ ื™ืฆืจื ื• ืงื™ืจ ืœืกืœื•ืŸ ื•ืœืžื“ืจื’ื•ืช ื”ืžื•ื‘ื™ืœื•ืช ืœืงื•ืžื” ื”ืฉื ื™ื™ื”, ื‘ืขื‘ื•ื“ืช ื™ื“ ื•ื‘ื—ื•ืžืจื™ื ืžื™ื ืจืœื™ื™ื ื˜ื‘ืขื™ื™ื.

ื”ืœืงื•ื—ื”, ืฉื”ื™ื ื’ื ืื“ืจื™ื›ืœื™ืช, ื‘ื™ืงืฉื” ืงื™ืจ ืฉื™ืฉ ื‘ื• ืชื ื•ืขื”, ืงื•ืžืคื•ื–ื™ืฆื™ื” ื•ืžืงืฆื‘ โ€” ืœื ืจืง ื—ื™ืคื•ื™, ืืœื ื ื•ื›ื—ื•ืช ื—ื•ืžืจื™ืช ืฉืœ ืžืžืฉ.

ื‘ืขื‘ื•ื“ื” ื™ืฆืจื ื• ืคืกื™ื ื‘ืžืกืจืงื™ื, ื˜ืงืกื˜ื•ืจื•ืช ืฉื•ื ื•ืช ื•ืจื•ื—ื‘ื™ื ืžืฉืชื ื™ื, ืฉืžืชื—ื‘ืจื™ื ืœืฉืคื” ืื—ืช ืฉืœ ื—ื•ืžืจ, ืฆื•ืจื”, ืื•ืจ ื•ื”ืฆืœืœื”.

ื”ืื•ืจ ืฉืคื•ื’ืฉ ืืช ื”ืงื™ืจ ืœืื•ืจืš ื”ื™ื•ื ืžื“ื’ื™ืฉ ื‘ื›ืœ ืคืขื ืจื•ื‘ื“ ืื—ืจ, ื•ื™ื•ืฆืจ ืชื—ื•ืฉื” ืฉืœ ืชื ื•ืขื” ืžืชืžืฉื›ืช.

ื”ืชื•ืฆืื” ื”ื™ื ืงื™ืจ ืฉื”ื•ื ืงื•ืžืคื•ื–ื™ืฆื™ื”.
ืงื™ืจ ืฉื”ื•ื ืžืงืฆื‘.
ืงื™ืจ ืฉื”ื•ื ืฉื™ืจื” ื—ื•ืžืจื™ืช.

ืื“ืจื™ื›ืœื™ื: Aberman Ofer, Smadar Berger Yecutieli
ืฆื™ืœื•ื: Amit Gosher

In an apartment in Tel Aviv, we created a wall for the living room and the staircase leading to the second floor, handcrafted with natural mineral materials.

The client, who is also an architect, wanted a wall with movement, composition, and rhythm โ€” not just cladding, but a true material presence.

Using combing techniques, we created lines, varied textures, and changing widths that come together into one language of material, form, light, and shadow.

As the light meets the wall throughout the day, it highlights a different layer each time, creating a sense of continuous movement.

The result is a wall that is composition.
A wall that is rhythm.
A wall that is material poetry.



Betonada | Material. Thought. Creation.

02/07/2026

ืžืฉืจื“ื™ ื—ื‘ืจืช ื’ื™ื ื“ื™

ื‘ื˜ื•ืŸ ืœื ื—ื™ื™ื‘ ืœื”ื™ื•ืช ื™ืฉืจ, ื—ื“ ืื• ื›ื‘ื“.

ื‘ื›ื ื™ืกื” ืœืžืฉืจื“ื™ ื—ื‘ืจืช ื’ื™ื ื“ื™ ื™ืฆืจื ื• ื“ืœืคืง ืงื‘ืœื” ื‘ืงื•ื•ื™ื ืžืขื•ื’ืœื™ื, ื‘ื’ืžืจ ื‘ื˜ื•ื ื“ื” ื‘ื˜ื•ืŸ ืžื“ื•ื™ืง ื•ืžื•ืงืคื“ โ€” ื—ื•ืžืจ ื—ื–ืง ืฉืžืงื‘ืœ ื›ืืŸ ืชื ื•ืขื” ืจื›ื” ื•ืืœื’ื ื˜ื™ืช.

ื‘ื—ื–ื™ืช ื”ื“ืœืคืง ืฉื•ืœื‘ ืœื•ื’ื• ื”ื—ื‘ืจื” ื‘ื—ืจื™ื˜ื”, ื•ืžืื—ื•ืจ ื—ื•ืคื• ื“ืœืชื•ืช ื”ืืจื•ื ื•ืช ื‘ื’ืžืจ ื‘ื˜ื•ืŸ ืขื ื—ืจื™ื˜ื” ื’ืœื™ืช, ืฉืžืžืฉื™ื›ื” ืืช ืฉืคืช ื”ืชื ื•ืขื” ื‘ื—ืœืœ.

ื”ืชื•ืฆืื” ื”ื™ื ื›ื ื™ืกื” ื ืงื™ื™ื”, ืžืงืฆื•ืขื™ืช ื•ืžื“ื•ื™ืงืช โ€” ืฉื‘ื” ื”ื‘ื˜ื•ืŸ ื”ื•ืคืš ืœื—ื•ืžืจ ื—ื™, ืจืš ื•ื‘ืขืœ ื ื•ื›ื—ื•ืช.

ืขื™ืฆื•ื‘ Netanel Oziel | ืชื›ื ื•ืŸ ื•ืขื™ืฆื•ื‘ ืคื ื™ื

Concrete doesnโ€™t have to be straight, sharp, or heavy.

At the entrance to Gindiโ€™s offices, we created a reception desk with rounded lines, finished in precise and carefully crafted Betonada concrete โ€” a strong material given a soft, elegant sense of movement.

The company logo was engraved into the front of the desk, while the cabinet doors behind it were also finished in concrete, with a wave-like engraving that continues the language of movement throughout the space.

The result is a clean, professional, and refined entrance โ€” where concrete becomes a living material, soft yet present.



Betonada | Material. Thought. Creation.

Address

Hasadan 13
Hod Hasharon

Opening Hours

Monday 09:00 - 17:00
Tuesday 09:00 - 17:00
Wednesday 09:00 - 17:00
Thursday 09:00 - 17:00
Sunday 09:00 - 17:00

Telephone

+97299553115

Alerts

Be the first to know and let us send you an email when Artan Betonada posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Artan Betonada:

Shortcuts

Share