Renesa Architecture Design Interiors

10/08/2023

MEET ME ASIA 2023 | AR SANJAY ARORA, FOUNDING PRINCIPAL, RENESA, DELHI
With a B.Arch from IIT Roorkee in 1987, Architect Sanjay Arora, Founder & Principal Architect, at Renesa Architecture Design Interiors has worked on a wide range of notable architectural projects for a variety of esteemed clients over the past three decades.
About WADE ASIA
Started in 2016, WADE ASIA NATIONAL AWARDS is the largest award platform for Women in Architecture, Interior Design, Art, Construction, and Engineering. WADE has been documenting the progression of women architects, interior designers, artists, and engineers for the last 7 years.
WHEN: 22-23-24 September 2023
WHERE: Pragati Maidan, New Delhi
Register Now: https://www.wadeasia.com/visitor-registration/

07/06/2022

ROSIE AND TILLIE by Renesa Architecture Design Interiors.
Hospitality Interiors - Restaurant Bar Design Category.
Built Up Area - 1700 sq ft.
Rosie and Tillie , DLF Avenue , Saket , New Delhi , India.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))
Clients – Vicky Mandal , Chef Anukriti Anand.
2021-22.

Text – Lavanya Chopra.

The syzygy amidst opposing forces, the coexistence of the Yin and Yang, and the constant state of dichotomy the mind exists in seems to keep the balance restored in the world as we know it. At Rosie & Tillie, our spatial imagination soars a flight that questions and beckons the concept of time to let loose. Think of it as the day and the night. Both opposite facets of the same coin, rarely ever crossing paths across the montage of the sky —except for when the new dawn takes over the reins from the night and when the seductive shades of dusk bathe the sky, bidding the day that was adieu.
Despite this incessant tryst of duality and even when the world strives to confine everything they know into definitive boxes, at Rosie & Tillie the concept of polarity is rebutted with a childlike curiosity driven by awe. The architectural design language in thespatial narrative welcomes its patrons into its embrace, offering them two divergent ambiences under one roof as morning transfigures into the night. It is within these interstices of time that transitional design is born, claiming the role of the protagonist.
Nestled in an uber-bustling upscale retail hub in Saket – Delhi, the venue is the joint magnum opus of millennial entrepreneurs Vicky Mandal and Chef Anukriti Anand.Thedelectable cuisine is brought to life by Anukriti’s all-woman brigade of chefs. The fuelling impetus of their vision reaps inspiration from offering the patrons a quintessential hospitality venue that is emblematic of the confluence of celebrated beverages.
In the cauldron of interpretations, rootmateriality and an uninterrupted medley of spaces brew unabashed magic. Ubiquitous leitmotifs of terracotta, warm white terrazzo, curated greens, and curvilinear silhouettes claim the volume whole, creating an uninterrupted visual space-scape that allows the humble materials to garb themselves in the cloak of versatility against which functions unfold.
The design approach herein steers clear of the conventional thought of bifurcating the space, dividing it into two symmetrical halves which would each anchor the daytime bistro and the evening lounge respectively. Instead, the creative brief envisions both ‘Rosie’ and ‘Tillie’ as dynamic and emotional entities who imbue the venue with its binary yet coexistent persona in which the binding thread of subtlety weaves the experiential tapestry.
Think of Rosie being the ever-so-charming and decorous soul sister amidst the two— her warmth lights up a room, she’s amiable, and that trusty pal who makes you feel like you’ve known her for aeons. She’s that dose of sunshine on a gloomy brumous day.
Tillie, well she’s an enigma — there’s this promiscuous aura about her that lures you in for more, even when you are giddy headed every time she’s around and the air is heavy with mystery. She’s gone in a fraction of a second if you turn your gaze away.
The space too transitions from a daytime caféinto an evening gastropub with the inherent energy of the venue becoming the frontrunner. Much like the two starkly different yet inseparable friends thatRosie and Tillieare, the venue also shapeshifts in character as the arms on the clock revolve and brings its guests the best of both worlds.
The almost fiery hue of the terracotta tiles washes over the vaulted ceiling, furniture, and segments of the meandering flooring. In a response to this, the speckled white terrazzo makes its cameo across the remainder surfaces, balancing the interiors with an overruling feeling of ingrained serenity. The juxtaposition of these contrasting yet complementary elements surges through the entirety of the space, allowing them to coalesce in undisputed harmony.
The open floor plan is earmarked by a sinuous spine of private booths that etch the spatial volume with a sense of visual dynamism. The hybrid of experiences ranging from the daytime bistro-esque identity morphs effortlessly into the moody lounge by evening via the vocabulary of materiality and lighting that render the venue in a binate mien void ofphysical demarcations. The perimeter of the floor plan is dotted by dining nooks that make way for communal dining in intimate groups illuminated by bespoke luminaires that are artistic installations in their own right.
The external façade with glass fenestration systems have been layered with diaphanous drapes in ivory to lend the space indoors with privacy while creating a tangible threshold. Outdoors, a collage of tables enjoys alfresco views of the context as the patrons subconsciously submit to the milieu that draws them in compellingly.
Unshackling itself from the expected and presenting the antithesis to a singular-function space, Rosie & Tillie acquaints the capital with a sensorial experience that beguiles the sun and the moon alike. The distinct dual DNA of the space shares the spotlight and revels in the conjunction of the antithetical that somehow remains romantically amalgamated.

Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Akarsh Varma - Architect.
• Aayush Misra - Architect
• Anqa Ahmed – Graphics , Architect.

Terrazzo – Parman Designs.
Lighting – White Lighting Solutions.
Furniture – Studio Fragments , Anushka Arora.
Branding – Vicky Mandal , Team R&T.

13/02/2022

Tin Tin by Renesa Architecture Design Interiors.
Hospitality Interiors - Restaurant Bar Design Category.

Built Up Area - 1500 sq ft.
TIN TIN , The Toy Hotel , Chandigarh , Punjab.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))
Clients – Akshay Verma, Saanya Verma.
2021-22.

An undisputed cauldron of minimalism and indigenous materiality brews the design identity at Tin Tin, a Pan-Asian dining venue in the heart of effervescent Chandigarh, Punjab – India. The space unapologetically dives head-first into the realm of sheer experimental design, an impetus that comes through with cohesion in the venue’s gastronomical offerings as well.
With unconventionality helming the spatial endeavours at Tin Tin the overarching intent was dovetailed by the creation of an immersive milieu that engages the senses of vision and tactility with a renewed verve. The ethos was focussed around creating a sense of ‘Zen’ yet conceptualising it in the garb of glocal sensibilities that borrow ingeniously from Indian materiality. An eye for detail donned a newfound meaning as the space inched to life, satiating the honed design vision harboured by the well-travelled co-founder duo of the dining destination.
Tin Tin’s spatial tapestry is one that lures its patron, an experience almost purely guided by a sense of mystery and curiosity. The blueprint meanders and creates a convoluted trajectory within the expanse of the venue. The absence of rigid linear forms inherently creates intimate interstitial nooks and spaces that can host the end-user in an engaging embrace. Homogeneous design features seem to claim the space whole, ensuring that each zone seems to belong serendipitously in the larger canvas of the venue.
A medley of sweeping arches, contoured ceilings, and a juxtaposition amidst solid and voided structures dot the layout – these conjure focal nodes and morphing vistas as one lets the eye take in the space, only to reveal that no to sights within the interior volume can be identical.
Artisanship reigns supreme at Tin Tin, an attribute that swathes the space and poses as a flagbearer of its celebrated idiosyncrasy. A geometric mosaic matrix resides within the spaces, a permanent resident that earmarks the walls, portals, and various surface finishes to instil a sense of visual dynamism.
The almost minimalist grotto-like feel of Tin Tin is derived from the stippled appearance of cast on-site slivers of Indian stone and terrazzo that were painstakingly hand-laid over six months by a brigade of stonemasons and casters. The deep shades of jade, umber brown, veined white, and greige bespeckle the spaces to create pockets of hues across the bare montage. The curated bespoke furniture for the restaurant also revels in this dominant scheme of hues, submitting to curvilinear silhouettes that stitch into the space organically.
With its contiguous form, the restaurant offers its patrons indoor nooks and semi-alfresco lounge spaces to dine while conversing with the sensorial milieu. The various dining zones establish an array of experiences, ranging standalone high tables and snaking community tables.This allows the venue to transfigure from a fine dining space in the day to a high energy lounge by dusk. Tin Tin’s spatial ideology oscillates amidst ingrained privacy and the electric energy of community dining seamlessly with its maze-like zoning that summons forth a tangible ambience doused in mystique.
Tin Tin allows one to suspend the notion of the mundane with complete abandon. Its design narrative allures one into celebrating its unique persona, severing the limiting tethers of prosaic living and hospitality experiences. The venue precariously permeates the porous boundaries between novelty and experiential dining, castinglight on inventive practises that thoroughly explore Indian materiality and craftsmanship.

Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Akarsh Varma - Architect.
• Jagdish Bangari - Architect / Graphics.
• Anushka Arora -Architect // Text.
• Tarun Tyagi - Architect.
• Aayush Misra - Architect
• Prityaanshi Agarwal - Architect.
• Janhvi Ambhurkar - Architect.

Lighting – White Lighting Solutions.
Text – Lavanya Chopra.
Branding – Shruti Narayanaswamy

03/02/2022

HOUSE OF NOSTALGIA by Renesa Architecture Design Interiors
Residential Category – Interiors (Farmhouse Interiors)
Category – Residential Farmhouse Category //2021
Built Up Area - 7000 sq ft.
House of Nostalgia , New Delhi , India.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))
2021

Text - Lavanya Chopra

Nostalgia as an emotion is one of the most profoundly felt sentiments humankind can experience. With its transportive demeanour, it harnesses the ability to tug at the strings of the proscenium of the mind. This puts into motion a montage of memories, a tactile collage of the past and the present that impact the phenomenon of the future. This very emotional response dons the cape of the design catalyst at the House of Nostalgia.
An untended family-owned farmhouse in the fringes of Chattarpur – New Delhi witnesses a sumptuous facelift wherein the quiet grandeur of the decennial of the 70s and the 80s permeate the essence of the home. The residence is immersed in inspiration from this golden era that also takes cues from the cinematic universe the world over at that point in time; unabashed, awe-inspiring, and stirring with its every weave.
The abode is tucked away from the cacophony of the urban capital, created with the sole intention of concocting a milieu that allows the inhabitant family to host and unwind in the embrace of a getaway home;versatile in its mien, morphing, and bearing its canvas open to the myriad needs of its end-user.
At the House of Nostalgia, a conventional Indian-souled residence is garbedby an intentionaltapestry of colour, materiality, and curated living, breathing new life into the nucleus of the communal segments of the home. There is anincontestable celebration of the patina of time meshed in with an overarching neoteric DNA —a chronicle that retells the story of its roots while expressing the uncorked aspirations the space bears.
Scale and bespoke elements are confederates within the residence;they swathe the blueprint with a homogeneous and coherent narrative while tradition is interpreted indoors in a new-fangled light. The House of Nostalgia has been conceived with spatial interpretations being in a state of suspension, envisaging how the space would be envisioned if a virtuoso like Rohe wasto piece it together. As an adage to less is more, the home has been designed by stripping it down to its skin and bones with essentialism dousing itself in the elixir of Indianized accents.The home sheds austerity for an invigorating alter ego to create a scheme of spaces that are welcoming and pieces of craft in their own right. The interiors of the residencetake on a sculpturesque aura but never forsaking the convivial warmth of a home that makes it habitable.
There is a dalliance amidst modern materials, proportions, geometry, and a penchant for details. A gradient of greens has been juxtaposed against the umber backdrop of wood tones, an homage of sorts to the verdant outdoors of the site’s context. An interplay of monochromes peppers the homochromatic space suavely as spaces coalesce and meld into each other.
The ensemble of ombre glass luminaires traverse the colossal volume of the space and glisten to life as levitating asteroids when the sun peers into the dwelling through the mammoth fenestrations scaling heights of 20 feet and more. The structural additions in the space like that of the ebony staircase also assumes a statuesque presence; its monolithic form in unison with its sleek silhouette ascending into the volume, transcending with poise while beckoning one intriguingly. An heirloom stallion hailing from the desert lands of Jodhpur stands stoically under the staircase, iterating how heritage has been immaculately woven into the fabric of the House of Nostalgia.
There is a dichotomous yet harmonious conversation between the past and the present within the walls of this dwelling— a tryst between preservation and dabbling in the uncharted. Curved and linear silhouettesconspire to create anexperimental symphony of forms that usher in a spectrum of design vocabularies deftly. The sun and the sights of the home become the only chosen embellishments indoors while every element bows in submission to a presiding note of minimalism.
The ancestral interface bears its arms open to the contemporary accents while subliminally conversing with the past— a spatial experience that comes into being in the residual moment that is created between the inevitable collision of the yesteryears and the present day.
Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Jagdish Bangari - Architect / Graphics.
• Anushka Arora -Architect // Text.
• Akarsh Varma - Architect.
• Aayush Misra - Architect
• Tarun Tyagi - Architect.
• Prityaanshi Agarwal - Architect.
• Janhvi Ambhurkar - Architect.

Lighting – Klove Lighting
Furniture – Studio Fragments

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10/12/2021

09/12/2021

THE BRICK BOND by Renesa Architecture Design Interiors

Category - Retail Interiors- Showroom (RETAIL) //2020-21.
Built Up Area - 550 sq ft.
Jindal Mechno Bricks , New Delhi , India.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))
Clients – Harsh*t Jindal , Lakshay Jindal.
2020-21.

The Fact File –
The Brick Bond by Renesa Architecture Design Interiors

An immersive milieu that places its core product at the heart of its visual storytelling for all of posterity to behold. At The Brick Bond, conceptualised and executed for Jindal Mechno Bricks group, the humble yet most resilient fundamental of construction conjures an ingrained and palpable narrative that permeates the very walls of the space.
With over 50 years in the fraternity, the company (now helmed by second generation entrepreneurs) was seeking an intrinsic facelift for the brand’s demeanor that could be expressed through a thematic and modular design identity; an evolving yet congruent architectural language that could dot any retail outlet nationally and globally.
Located in the teeming construction material retail nucleus of the Indian capital, the overhaul of the obsolete design identity began for the studio at the façade-level; the primary interface of a visual connection that patrons establish with a retail destination. The unassuming and uniformly punctured elevation alluringly beckons one through its portal, headlined by the overlay of brick architecture — a maneuver that allows the core material to don a focal role in a trice.
As India’s foremost brand of modular bricks and with a celebrated legacy of its craft to be carried forth, the design impetus pivoted around the conceptualization of a resonant ‘Brand Architectural Ethos’ that could define the experiential centre at hand and venues the world over. Focusing on the lifecycle of each brick from its earthly genesis to its firing, the interiors have been interpreted as a contemporary dive into the chambers of a classic brick kiln. Bestrewed in a lyrical concoction of a gamut of earthy hues and laying patterns of brick bonds, the venue has allowed the bricks to become the true-blue protagonist in the spatial scheme.
With a warm spectrum of yellows, terracotta, browns and taupe, the floors, ceilings, and walls have been swathed in various brick modules that gain their distinct tints based on the firing levels the native clay undergoes. The petit blueprint hosts a proponent display area, and ancillary zones like an office, bathroom, and pantry section. With three distinct brick bond typologies, primarily across the façade, interior walls, floors, and the vaulted ceiling, the architectural intervention focuses on exhibiting to the patrons how the material can be utilized in an ingenious and malleable manner.
With a homogeneous presence, the palette dabbles in a range of umber tones which manifest as a repository of bricks that playfully engage in a tête-à-tête with light that percolates through the interstitial windows, creating theatrical strobes of diffused illumination indoors. An ennead of monolithic brick-clad pedestals emerges from the floors symmetrically in the heart of the layoutimbuing a sense of sculptural omnipresence, creating display surfaces for the catalogue of products.
At the Jindal Mechno Bricks experience centre, the design algorithm pays homage to the layered history of the endeavour itself and syndicates its avowed future which brims with umpteen possibilities in the arena of construction. The elemental approach towards urging the utilisation of the building product itself in the designed environment allows patrons to connect with the sustainable, minimalistic, and timeless demeanour of the bricks. A space wherein the disposition is trademarked to be brand-specific and product-driven with its every weave while tying in with the proud home grown ‘Make in India’ initiative.

Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Tarun Tyagi - Architect.
• Jagdish Bangari - Architect / Graphics.
• Anushka Arora -Architect // Text.
• Akarsh Varma - Architect.
• Aayush Misra - Architect
• Prityaanshi Agarwal - Architect.
• Janhvi Ambhurkar - Architect.

Lighting – White Lighting Solutions.
Text – Lavanya Chopra.

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28/07/2021

THE FLUTED EMERALD//The Elgin Cafe by Renesa Architecture Design Interiors.
Restaurant and Bar - Hospitality Category.
Category - Restaurant and Bar Interiors (Hospitality) //2020-21.
Built Up Area - 1500 sq ft.
The Elgin Cafe , Amritsar ,Punjab , India.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))
Clients - Kavish Khurana , Shruti Khurana.
2020-21.

The latest product of Renesa Architecture Design Interiors, The Elgin Cafe restaurant and bar is a culmination of a day bistro with a hip bar vibe by night. Leaning on our maximalist side, we created a clean, soft space with an inviting color palette. The idea was to create an atmosphere and feel of the outdoors, where you would find yourself surrounded by greenery, natural wood, food spots, and conversations. We sought to engage in a design that would create a international hospitality experience, consequently appealing to the social media savvy clientele that enjoy cafe culture.

We began by understanding the functional demands coupled with our modern and refreshing interpretation defined by design, materiality and brand. Once inside, customers are invited to engage with the play of materials and the spaces they form in the cafe. One part forms the cafe area which has more of a day dining aesthetic while separating the private dining room through sliding folding shutters.
Layers, and design features encourage customers to explore the space. A small entrance leads to the winery with wine bottles integrated into shelving alongside the long fluted bar. Amidst the wine bar, we decided to provide a community table clad in green stone and high chairs.

Approaching the design through locally sourced materials, the entire space reflects Udaipur green stone with fluted members. You can spot nuances of Madagascar green and pale green with contrasting salmon color seating that adds a not so subtle quirk to our scheme.
The furniture and pendant lights were coordinated to reflect natural cane and fabric with dull gold accents in the form of traditional switch boards and wall lights. The ceiling forms the rest of the elemental nature of the restaurant through mouldings repeated in the entire span of the space.
Maintaining the monochrome interior ensured the integrity of the space and reduced visual noise without shifting any highlighted details.

The theme, aesthetically curated with dark green and cane work, accentuated with golden details and a concealed wine bar, is not only functionally designed, but it becomes also a welcome card to the rest of the space.
Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Jagdish Bangari - Architect / Graphics.
• Anushka Arora -Architect // Text.
• Akarsh Varma - Architect.
• Aayush Misra - Architect
• Tarun Tyagi - Architect.
• Prityaanshi Agarwal - Architect.
• Janhvi Ambhurkar - Architect.

Lighting - IndiHaus Lighting , Nikita Jain.
Branding - Aksh*ta Jain.

17/05/2021

30/03/2021

THE BLACK CONCRETE by Renesa Architecture Design Interiors
Restaurant and Bar - Hospitality Category.
Category - Restaurant and Bar Interiors (Hospitality) //2020-21.
Built Up Area - 3600 sq ft.
Lair ,Vasant Vihar, New Delhi , India.
Photographs - Niveditaa Gupta ((https://niveditaagupta.myportfolio.com/))

Clients - Dhruv Raj Vij , Jairaj Singh Solanki , Lair , New Delhi.
2020-21.

Walking in on a non-visible arch but not an invisible one, hidden, through a dramatically lit glass brick and mirror curtain, a den, a dualist dream, a cave.
This clandestine nature was the starting point of the project, how to realize a cocktail bar, A modern speakeasy, with intimacy and unadulterated textures.
The black concrete, by Studio Renesa was the consequence of a dialogue between a speakeasy and design; The result is a game of mimetism with the material, playing hide-and-seek with the constraints of the place.
As you first venture through the glass brick entry, the first impression is that of a mirage created by a reflective mirror staircase with pendant lights hanging at different lengths. Right ahead is a black curtain, which separates the world of hidden encounters from the dinner area upstairs. Behind the curtain, the "cocktail cave" is much more industrial meets underground in appearance. The first ‘lair ‘of the concept is the divide between the two raw materials;grey and black concrete that visually consolidates the space.
The trapezoidal space, divides the infusion bar to the cocktail bar which in turn features foldable tables and bar stools to free up the space as the night progresses. The infusion bar enjoys a more mellow vibe with comfortable seating and intimacy. The striking aspects of this floor are the curved seating area shelled out of the existing structure and the glass brick smoking room that provides silhouetted and tainted views of the cocktail bar.
Adopting a theme of twists in terms of monotones and contexts, the second ‘lair’ added character and intrigue by carefully chosen fluted glass and slip openings in the wall defining the sushi and sake bar on the second floor. As one floats up the spiral staircase, in awe of the materiality, the sushi bar is a live station with high seating overlooking the double height space. The adjacent side features the formal dining area which has a more subtle yet dimly lit vibe for close gatherings.
The third and final ‘lair’ serves as the clandestine entry, opposite the kitchen and storage, a visitor finds himself in front of a private dining concealed within the wall, put forward as an undisclosed hideaway. The disguised façade is created through the fictional narrative as to transport visitors away from their normal, everyday lives and involve them in the company of good friends and well-crafted cocktails for a few hours.
In conclusion, the project is an antithesis: Made out of glass blocks, silver sheets, and wood, invades the space to unfold, deploy, and flip itself on the walls, the floor, and the ceiling giving rise to acocktail bar. Arranged in a rectangular array of fluted panels, in line with the black arcade, merging into the next space diagonally - the design with conical lights and plants suggests a sanctuary, an escape: Lair.

Design Team -
Renesa Architecture Design Interiors , NEW DELHI,INDIA.
• Sanjay Arora - Founder Principal Architect
• Sanchit Arora - Principal Architect| Concept Design Head.
• Vandana Arora - Interior Designer| Decor Head
• Virender Singh- Studio Technical Head.
• Anushka Arora -Architect // Text.
• Jagdish Bangari - Architect / Graphics.
• Akarsh Varma - Architect.
• Aayush Misra - Architect
• Tarun Tyagi - Architect.

Contractor - Mr. Mangat .
Lighting - White Lighting Solutions, Siddharth Arora , IndiHaus Lighting , Nikita Jain.
Branding - Kavya Bagga

23/02/2021

30/01/2021

12/01/2021

"Social With Distancing" by Renesa Architecture Design Interiors gets featured on Architectural Digest India.

Art Direction - Niveditaa Gupta.

For Social Offline,India. Impressario Hospitality,India// Riyaaz Amlani.

Design Team -Sanjay Arora,Sanchit Arora,Vandana Arora, Aayush Misra , Akarsh Varma, Jagdish Bangari, Tarun Tyagi , Virender Singh , Janhvi Ambhurkar , Anushka Arora, Tanushi Goyal.

Sanchit Arora of Renesa talks to AD India about designing Social’s newest location as a response to the new normal of social distancing, and how he found inspiration in the alleys of Ho Chi Minh