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Design del 900, art & interiors

29/09/2026

very rare pair of wall mounted drawers for ABV Arredamenti Borsani Varedo, 1940s.

Osvaldo Borsani born in Italy in 1911 Italy studied Fine Arts at the Brera Academy and architecture. While still a student, he took part in the fifth edition of the Triennale with his Casa Minima project, which was awarded a silver medal. At the same time, Borsani began working alongside his father, Gaetano, in the family business, Atelier Varedo, where he was involved in the design and production of furniture characterized by a European Art Deco influence. In 1932, the company changed its name to ABV Arredamento Borsani and opened its first store in Milan. During this period, Borsani also began collaborating with several Milanese artists, including Lucio Fontana, Gio Pomodoro, Arnaldo Pomodoro and Agenore Fabbri.
In 1953 he founded TECNO, a company distinguished by its technological approach to furniture design and production. Among TECNO’s most notable creations are the D70 sofa, the P40 chaise longue and the Graphis office system with Eugenio Gerli.
In 1970, Borsani established the Tecno Project Center together with Marco Fantoni and his daughter Valeria. Conceived as an innovative design laboratory, the center represented a further step in Borsani’s exploration of new approaches to design, technology, and furniture production.

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23/09/2026

Rare pair of armchairs with original yellow ocher velvet fabric.
1940/45 circa.

Dimensions: 60cm x 70 cm H 70 cm

Guglielmo Ulrich, a graduate of the newly founded Architecture University at Politecnico di Milano, studied under Gaetano Moretti and Piero Portaluppi. In 1930, Guglielmo Ulrich founded the company Ar.Ca: Arredamento Casa, for which he would design furniture. In the early stages of Italian industrial production, Ulrich chose to create one-of-a-kind furniture and objects for an elite clientele. During these years, Ulrich became the trusted architect of Milan's upper class: his clients included names such as Mondadori, Agnelli, Visconti, Gavazzi, and Dubini. From 1932 onwards, Ulrich participated in the Triennale Design Museums, becoming a reserved but important figure in the Milanese furniture scene. His fame was further enhanced by the numerous reviews published in Domus magazine. In the 1960s, Ulrich began to expand into industrial production.

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15/09/2026

In the picture Francesco Cavaliere founder and CEO of Cavaliere Gallery, leaning on Paolo Buffa sideboard.

Set within the vibrant Milan’s neighborhood of Porta Venezia, on Via Bartolomeo Eustachi, Cavaliere Gallery was born from the intuition and creative vision of Francesco Cavaliere its founder, first encountering the space in 2020, he saw more than the space, seeing the potential and what it could contains, as he strolled the area accompanied by his Weimaraner, Frida, it was love at first sight.

The Cavaliere Gallery it is a space where, emblematic works of the great mid-century modern masters of design, engage in a conversation with contemporary voices.

Celebrating its sixth quinquennium, the Cavaliere Gallery unveils itself with a new installation and transformation, that evokes the essence of Italian style as refracted through the unique vision of Francesco Cavaliere.

Ph. by. .eye

10/09/2026

Extaordinary pair of sideboards, unique pieces for an italian private apartment, 1950
Dimensions: L.146 cm x D. 50 cm H. 90 cm

Born in 1903, Paolo Buffa was a key figure in twentieth-century Italian design. He is known primarily for his elegant and extremely sophisticated style, combining functionality with exquisite aesthetics. He attended the School of Architecture at the Politecnico di Milano, where he graduated with a degree in Architecture. He developed a keen interest in furniture and design in particular, a passion that would remain with him throughout his life, to the point where he collaborated with major architectural firms and furniture companies. His aesthetic taste and refined style, simultaneously modern and classic, stood out. Buffa favored the use of wood, inlay, marble, and details in bronze, mirror, and glass in his furniture and furnishing accessories, establishing a distinctive style in the postwar boom years of Italy. He leaves behind an immense artistic legacy, a source of ongoing study and research by design passionate and, above all, by important design and art collectors.

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22/08/2026

Extremely rare pair of brass side tables by Osvaldo Borsani, featuring a green back-painted top and a "flying saucer" element.

Edition Tecno
Model created 1953ca
Dimensions H 44 X diam. 27 cm

Publications; Osvaldo Borsani, architect, designer, enterpreneur. Giampiero Bosoni.

Osvaldo Borsani has always preferred to define himself as a planner, not a designer. A passionate and curious man, since his beginnings at the family business (ABV - Arredamenti Borsani di Varedo), he has shown an irrepressible vocation towards everything that is avant-garde, technology and innovation. Having become the best interpreter of the Milanese bourgeoisie, he launched himself towards industrial production with the foundation of Tecno in 1953.

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19/08/2026

Pair of rare, authentic side tables by Osvaldo Borsani with a hidden drawer.

Production: Atelier Borsani Varedo, Italia, 1950
Dimensions: L 40 cm x D 40 cm x H 46,5 cm.

Publications; Osvaldo Borsani, architect, designer, enterpreneur. Giampiero Bosoni.

Osvaldo Borsani was born in 1911 in Varedo, Italy, and studied Fine Arts at the Brera Academy, and architecture at the Polytechnic of Milan, where he graduated in 1936. During his studies, Borsani participated in the fifth edition of the Triennale with his Casa project Minima, which earned him the silver medal. He also soon began to help his father Gaetano with the family business, Atelier Varedo, designing and producing furniture with a European Art Deco influence. In 1932 the factory changed its name to Arredamento Borsani, and opened its first shop in Milan; in this period Borsani began to collaborate with Milanese artists such as Lucio Fontana, Agenore Fabbri, Arnaldo, and Gio Pomodoro.

In 1953 Osvaldo and his twin brother Fulgenzio founded TECNO, a company known for its technological and scientific approach to furniture production. Prominent designs made by TECNO include the D70 sofa from 1954, which can be positioned in up to twenty different ways; the P40 chaise longue from 1955, with adjustable armrests and backrest, and movable parts; and the 1968 Graphis office system, created by Borsani and Eugenio Gerli.

In 1970 Borsani introduced the Tecno Project Center, together with Marco Fantoni and his daughter Valeria, an absolutely innovative design laboratory.

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12/08/2026

Stilnovo Ceiling Lamp, 1950, opaline glass and metal

Dimension: Diameter 50 cm x H92 cm

Founded in 1946 by Bruno Gatta, Stilnovo made its first appearance in Domus, with two table lamps and a brass tray. In 1949, Bruno Gatta’s brother Paolo joined the company.
In 1947 participated in the VIII Triennale, by invitation of Piero Bottoni, presenting lamps and decorative metal art objects.
In 1951, Stilnovo exhibited again at the IX Triennale, in the lighting section curated by Achille, Livio and Pier Giacomo Castiglioni, with six models of lamps, made mainly of metal and marble, two of which were later purchased by the Triennale to be used as prizes. Stilnovo also took part in the X Triennale, in 1954, obtaining the silver medal for an arm lamp.
In 1954 and 56 was nominated for the Compasso d’Oro and in the 50s and 60s collaborated with great architects and designers on various projects.
With Melchiorre Bega collaborated on two occasions: in 1960 to furnish, with the ceiling lamps designed by Gaetano Scolari, the boardroom of Torre Galfa and in the same year to illuminate the new conference room at Fiera Milano.
In 1963 Dino and Silvana Gatta, Bruno’s children, joined the company.
In 1969 the company image was renewed, by Italo Lupi and Giancarlo Iliprandi, redesigning the logo too.
In the 1970s Stilnovo continued to collaborate with great designers, producing some of its most important pieces. Despite its success, Stilnovo began to suffer in terms of sales and in 1986 it was purchased by the Finvetro group and then in 1988 by the Venini group, which attempted to relaunch it with new models until finally ending production in 1993, Year when Bruno Gatta passed away at the age of 79. Linea Light Group, acquired Stilnovo in 2019, restarting its production.

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29/07/2026

Pietro Chiesa very rare coffee table by Pietro Chiesa in black lacquered wood structure and mirror top in the tone of pink.

Production Year 1941
Dimensions L. 115 cm x D. 70 cm x H. 52 cm

Bibliography S. Montefusco, Fontana Arte. Repertorio 1933- 1943 dalle immagini dell'epoca, The Arting Company, Genova, 2012, p. 204.

Pietro Chiesa descended from a distinguished Ticino family of artists, after an apprenticeship with the glassmaker Giannotti, he opened his own glass workshop in 1921. In the early 1920s, he participated in the Venice Biennale, the Exposition des Arts Décoratifs in Paris, and the exhibitions in Cologne and Barcelona. In his artistic production, he combined extreme modernity with great technical skill in the creation of his works.
In 1932, he was called by Gio Ponti to share the direction of the newly founded FontanaArte, a role that gave him the opportunity to express his full creativity, designing over a thousand different objects, including furniture, tables, lamps, stained glass windows, and art objects in general. Some of his most famous designs are still in production today, such as the curved Fontana table (1932), the Cartoccio vase (1932), and the Luminator floor lamp (1933).

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10/06/2026

Consolle attribuite to in wulnut wood and white light green back painted glassy, with brass feet.
1940/50 circa.

Dimensions: 110 cm x 28cm H 90 cm

Gio Ponti cachepot Trionfo Italiano by RIchard GInori in white porcelain, glazed, gold decoration. Doccia 1990.

Diameter 15 cm H. 17.8 cm

Max Ingrand Lyre table lamp production FontanaArte, painted cast aluminum, fabric sahde, 1995 circa

Osvaldo Borsani P38 armchair by Tecno, upholstered in ivory velvet light fabric.
Model presented at the Hotel del Golfo, Elba.

Guglielmo Ulrich, a graduate of the newly founded Architecture University at Politecnico di Milano, studied under Gaetano Moretti and Piero Portaluppi. In 1930, Guglielmo Ulrich founded the company Ar.Ca: Arredamento Casa, for which he would design furniture. In the early stages of Italian industrial production, Ulrich chose to create one-of-a-kind furniture and objects for an elite clientele. During these years, Ulrich became the trusted architect of Milan's upper class: his clients included names such as Mondadori, Agnelli, Visconti, Gavazzi, and Dubini. From 1932 onwards, Ulrich participated in the Triennale Design Museums, becoming a reserved but important figure in the Milanese furniture scene. His fame was further enhanced by the numerous reviews published in Domus magazine. In the 1960s, Ulrich began to expand into industrial production.

Ph: .eye

11/05/2026

Very rare and amazing pair of sconces Max Ingrand by Fontana Arte mod. 2240 "Micro" with shade in satinated glass and structure in brass, 1960 ca

Dimensions H. 30 cm, width 26cm, depth 16 cm

Published on " Quaderni di Fontana Arte"

Max Ingrand, whose full name was Maurice Max-Ingrand (Bressuire, 20 December 1908 – Paris, 25 August 1969), was a French glassmaker, decorator and designer.

He is known for having created the stained glass windows of numerous churches in France and abroad and for having been the artistic director of the Italian lamp company FontanaArte for over a decade, for which he designed some products that have remained in the history of design.

In 1954 he became artistic director of FontanaArte, then part of the Saint-Gobain group. He held the role for over a decade. in which he had the responsibility of supervising and approving all the company’s products, as well as designing many himself. In 1967 he left FontanaArte and founded his own company, Verre Lumière, among the first to produce halogen lamps.

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