Ishii Collection

20/12/2023

20/10/2015

https://www.youtube.com/watch?v=kbH9T3WVhPg

במוזיאון טיקוטין לאמנות יפנית בחיפה מתקיימות בימים אלה שלוש תערוכות חדשות: תערוכת סלי במבוק המיועדים לסידורי פרחים, תערוכת מניפות יפניות ותערוכת חרבות סמוראי...

01/02/2014

Modern Kokeshi/Hideo Ishihara

11/08/2013

Kokeshi

06/04/2013

Katagami 型紙 : Paper stencil patterns Katagami is the paper pattern which was used to dyeing of Kimono. The most of Katagami were made at Shiroko town (Suzukashi, Mie pref.) of Ise. The name of the Ise Katagami is spread in the whole country by the activity of the paper pattern merchant and is known from the Edo era. 　The dyeing stencil is smoked in the cellar after having layered with sheets of Japanese paper and persimmon tannin. Then carved a pattern and reinforced it with a thin thread. The refined technology of Katagami succeeded in Edo era called the closed world. As the Japanese life becomes affluent circumstances , an original pattern is created and expresses each characteristic in each times. The paper pattern is a treasure house of Japanese traditional textile design. However, only few craftsmen succeed to tradition by innovation of the dyeing now.

01/04/2013

型紙行灯 : Katagami Andon These are Andon lamps. The lampshades are made from stencil paper of various patterns which were originally used to print kimono. The stencil paper is one of the important printing tools in the process of kimono fabric making. Majority of the stencil paper for printed Yuzen, Edokomon and Yukata were made in Shirako of Ise area (Suzuka-shi, Mie-ken). Thus, the name Ise Stencil Paper has been spread by the stencil paper craftsmen and their hard work, and spread throughout Japan since olden days. The stencil paper is layered with sheets of paper and Kakishibu (persimmon tannin), and smoked with sawdust in a chamber to stiffen. Then, patterns are cut out and reinforced with thin threads. The technique was strictly refined and handed down generation to generation to the ultimate art of stencil paper making during the closed world of Edo Period. The technique was spread throughout the country to create and re-create a wide variety of patterns. As such, they represent the characteristics of the time and area of creation. However, the tradition of the stencil paper making has been diminished to a waning industry with only a handful of such craftsmen remained due to the technological revolution of fabric dyeing. Ishii Collection has transformed such stencil paper into lightings using the legacy of then craftsmen, focusing on such stencil paper which helped create the world of rich and glamorous world of kimono. Each lamp is hand-crafted and unique. Enjoy the lamp of your own.

Dimention Round Diam.20cm H.45cm
Square W,18cm D,18cm H.45cm
Tall Square W.18cm D.18cm H.60cm

01/04/2013

【Hina-byobu】

Edo era./嘉永5年(1852) .

Hand paint 　　Artist 壽渓

W.223cm x H.70cm

・￥180,000

01/04/2013

・ Age of production / Taisho
・ Wood type /Hinoki Keyaki/ Japanese cyress Zelkoba
・ Produced in siga pref. ・ W.125cmxH.172cmxD.43cm
・ 230,000yen


・大正時代
・滋賀県
・W.125cmxH.172cmxD.43cm
・230,000円

01/04/2013

5月19日　展示会【第1回大時代錯誤展】
　　　　　　　　（時代の異なる物を混同して考える）
をレストランカフェ「ラスチカス」で行います。

古い物と新しい物が空間だけだなく時間をも呑みこんで見えてくるシナジー（相乗効果）と錯綜。

古美術　伝統工芸　古道具　それぞれジャンルの違う業者が日本のものという括りでいろいろなものを持ち寄ります。