Hilarion

Hilarion Fauvist Baroque Artist & Maximalist Fashion Designer 🌺🎠✨️
Slow fashion | Avant-garde | Vintage

Darlings, I am currently searching for new professional opportunities.My academic and professional experiences have led ...
28/05/2026

Darlings, I am currently searching for new professional opportunities.
My academic and professional experiences have led me to work in a variety of fields.
In the carousel, you will find a concise summary of my undertakings, areas of expertise, and qualifications. The most intriguing and valuable experience has been in fashion industry, and I hope to continue developing in this area.
I am searching for full-time on-site (only in Chișinău), part-time or partnerships locally (on-site or remote) and internationally (remote).
I would appreciate recommendations, reposts, and contacts for individuals or teams who may find my expertise useful.
Thank you.

Marlene Dietrich is known to have scrupulously saved everything about her life, including an extensive collection of pho...
18/05/2026

Marlene Dietrich is known to have scrupulously saved everything about her life, including an extensive collection of photographs. I have only begun keeping the images I took and selected around six months ago. This tendency began to upset me on the eve of yet another watershed moment in my life. So, I chose to share the archives with you and, probably, part ways with them — the beauty of the moment has already faded for me, and it seems as if I were miserly guarding the riches.

One most memorable recent experience has been working with actual theatrical costumes. They don’t need to be comfortable...
20/04/2026

One most memorable recent experience has been working with actual theatrical costumes. They don’t need to be comfortable or practical, for their purpose is to create a specific look. At the same time, the seamsters ensure a perfect fit, merely like bespoke. However, the purely technical side of tailoring is less important, because even on a small stage the audience won’t see, for example, whether the edges have been finished with an overlock or bias binding, or how the zip has been sewn in, or how the volume has been created. This gave me confidence. For me, the overall look and the overall expressiveness of its components have always been more important. Now, when I sew, I recall the reverse of theatre costumes — commonly neat, and quite distinctive.
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A friend of mine said of me long ago, “You like it when there is everything at once — and lots of it!” A former professo...
08/02/2026

A friend of mine said of me long ago, “You like it when there is everything at once — and lots of it!” A former professor, who is now a dear friend, jokingly characterised my painting and graphic works as “Fauvism-Baroque” because of my love of detail and vivid colour, and I found that description very apt. That said, I do not like to call myself a maximalist — I dislike almost everything that goes under that label. Rather, I feel closer to the concept an art historian used for Victorian interiors — horror vacui, or the “fear of empty space.”

Many thanks my teachers at college! When I was studying, we were taught both art history and design history — even in th...
24/01/2026

Many thanks my teachers at college! When I was studying, we were taught both art history and design history — even in theoretical classes we used to make sketches in our notebooks. So today I still draw everything by hand, in the good old-school manner. 🧵🪡✂️✍️🏻

Clothing should follow the person, be a complement, not merely a tool for a pragmatic purpose. For my part, I endeavour ...
15/01/2026

Clothing should follow the person, be a complement, not merely a tool for a pragmatic purpose. For my part, I endeavour to make a lifestyle out of an aesthetic inspired by the past, placing it above comfort as a value capable of bringing vitally enriching variety into the modern world. I delight in humour, in mirth, in excess, in the Renaissance grotesque, in which the fullness of life is revealed through a rich spectrum of shades, all united by the singular aim of trying everything, experiencing it all, and attaining those pleasures that are both desired and within reach.

I do not usually write end-of-year round-ups; they feel rather feigned. Still, better than ending the year in tears. 😌A ...
29/12/2025

I do not usually write end-of-year round-ups; they feel rather feigned. Still, better than ending the year in tears. 😌
A few days ago, I resolved to list a hundred achievements. Some surprised me; some were mundane. ✨
— This year I took up chess and find it absorbing despite not being strong at logic puzzles. (My forte is abstract thinking.) ♟️
— I appeared in five theatrical productions and was honoured by praise from professionals. 🎭
— I dared to start wearing pearls, as I had long dreamed, and I now wear almost nothing but turbans! (And my heels are getting higher and higher…) 🤍👒👠
— A highlight was joining the Q***r Voices festival team: I first attended Q***r Café for a screening two years ago, a few months later curated exhibitions, and now contribute to the festival programme. 🌈
— I have met committed artists and hope to build friendships. 🧑‍🎨
— Over the year I made only two large watercolours. One of them had taken me six months. I am almost satisfied with the results of my labour. 🎨
— My translation of a Wodehouse story for coursework received warm feedback—my mum asked if I had really done it. 📚
— People trusted my vision. I made several bespoke jackets that immediately catch the eye! And even a stage costume… 🧥✨
— My university average now exceeds my college one, so I feel confident about applying for a master’s. 👩‍🎓📝
— I fell in love with Hermann Hesse and was reminded of the virtues of spiritual life (not in a religious sense). 📖🌿
— I fell in love. ❤️
— I had plenty of fun. 😄
— This year I started a YouTube channel and argued with Pierre-Auguste Renoir about art. It was interesting, but I realised I did not need it. 🎥
— Crucially, I began my own ready-to-wear projects. I asked no one’s permission to revive old garments. I put my soul into it and can work day and night, favour quality over quantity. ✂️👗🛍️
There have been failures and hard days; I still shed tears and often see no reason to live. Yet near year’s end I realised how deeply I love my mum—self-sufficient and inwardly free—and how vital one close friend is. Thank you, dears. Happy New Year! 🥂✨️🌺🫶🏻

Why do people nowadays dislike colour? Some tell me so outright; others favour the most neutral palette possible — brown...
12/11/2025

Why do people nowadays dislike colour? Some tell me so outright; others favour the most neutral palette possible — browns, greys and beiges. And these are all young designers…

Meanwhile, my wardrobe is so full of colourful and patterned pieces that I sometimes find myself at a loss as to how to wear them together. I adore Léon Bakst’s costume sketches. The other day I came across a lecture on the origins of two important currents in late 19th–early 20th-century Russian art: Symbolism and Impressionism. Haven’t learnt anything new so far yet. It may be rather unfashionable now to describe oneself as belonging to those movements, but still why not borrow their attitude to colour and their love of striking images? Rhetorical question, of course.

(Says the person who is going to the opera tomorrow and who no longer owns a favourite pair of black gabardine trousers for every occasion…)

How on earth did it come to this? How did we find ourselves here? As a child I was hopelessly fond of leafing through vi...
31/10/2025

How on earth did it come to this? How did we find ourselves here?

As a child I was hopelessly fond of leafing through vintage fashion magazines. I recall a large-format book with a bright, gilded cover on the history and psychology of fashion — I can’t recall the title or the author, only that I adored it. It was lavishly illustrated with wonderful images and elaborate ensembles.

My mother statedly made a point of dressing very well. Her school and university colleagues still recall her as something of a “princess” — tiny and unfailing. Our tastes have diverged considerably since, yet she undoubtedly instilled in me some principles of creating and dressing with a deliberate flourish — her garments ought not to shout, but they should be colourful and possess a small, clever twist in their cut.
My grandmother’s wardrobe consisted of no fewer than forty summer frocks.

So, there was never much a chance of my taking another route; only that the route proved rather serpentine.

Have you ever walked into a shop and felt that everything there is somehow not quite right — the colours wrong, the silhouettes ill-judged, the whole lot dreary? That’s precisely why I began designing clothes and dressing myself. One might say it was my beginning — if you don’t count the fact that I was sketching dress designs from a very early age after watching the film ‘101 Dalmatians’ with Glenn Close and its sequel. I have not bought clothes on high street for roughly ten years; flea markets or vintage second-hand stores are the only exceptions.
For me, clothes need not be merely comfortable in the physical sense — what matters is that one feels psychologically at ease in it. It simply makes life easier to live in society.

It rained yesterday afternoon. I have a particularly tender, warm affection for August rain. A thought occurred to me: f...
25/08/2025

It rained yesterday afternoon. I have a particularly tender, warm affection for August rain. A thought occurred to me: for me, “home” is not a city, nor even a particular building — indeed, it is not even strictly the people. For me, “home” is cosy comfort and a measure of solitude. For the time being, I am, in a sense, homeless.
Over the past few months, I have felt as though I’ve finally — even if not entirely — shed the peel that sort of shielded me over the last decade. This year, on the whole, has been very helpful. Perhaps the most bruising experience so far was taking part in a workshop on the making of art films; it rather bluntly revealed that cinema is simply not for me. (Once, I even considered applying to the directing programme at drama school!) Today I feel I have met myself again — that child who aspired to be Cruella de Vil. It is important now not to stray from the path, not to give in to despair after the first setbacks — and equally important not to programme myself to expect their inevitability or some apocalyptic outcome.
These days, I am sewing my first pieces not for myself but for private clients. In everything — in sewing and tailoring, in drawing and painting, even in the simple act of tying a turban — I follow a set of plain rules: I work diligently and persistently, and I try to concentrate solely on my craft; I do not overexert myself; I take well-timed pauses and leave things for the next day when it feels right; I remind myself that not everything comes at once, but if one conserves and spends one’s energy evenly, success will follow.
I am at a turning point. From painter I am becoming a fashion designer — a couturier of sorts — as I dreamed in childhood. Follow me so you won’t miss the updates from the front line of my atelier.
——
P.S. — Guess which three drawings were done in the past week and which are older? I’ll be charmed if you’re right.

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Chisinau

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