Fabryka Architektury mgr inż. arch. Ewa Czerwińska

Fabryka Architektury mgr inż. arch. Ewa Czerwińska Rozgość się w Fabryce Architektury i czerp z niej inspirację! W obszarze, gdzie przestrzeń, krajobraz, zieleń, natura dopełniają swoją siłą i zmiennością.

Specialist in adaptive reuse & change of use of heritage & existing buildings | Designing user-centered interiors that reflect identity, bring comfort & support well-being W miejscu, gdzie projektuje z pasji, fascynacji, odkrywczości, wewnętrznej potrzeby, wykształcenia i doświadczenia. Tu, gdzie przestrzeń definiuje się poprzez percepcję, wrażliwość, ciekawość, dedukcję, świadomość i kreatywność.

W warsztacie, gdzie myśli, pomysły i spostrzeżenia powstają w oparciu o rozmowy, rozumienie, obserwacje i docelowe potrzeby. W wytwórni, w której wyzwania są inspiracją, historie motywacją, otwartość priorytetem, tożsamość miejsca intrygą, pomysłowość ekscytacją, szukanie rozwiązań celem, a funkcjonalność i przyjazna przestrzeń - dominantą. W pracowni wyobraźni, która pozwala szkicować zamysł, przedstawiać niewyobrażone oraz wizualizować oczekiwane. W manufakturze, gdzie nie tworzy się schematami, a kieruje intuicją, intelektem i indywidualnością. W fabryce, która potrafi wydobyć z istniejącego miejsca to, co niedostrzeżone i wskazać kierunek ku nowej perspektywie. W przestrzeni, której skoncentrowanie na analizie, wnikliwości i zależnościach ukazuje informacje o potencjale. Dlaczego zapraszam do Fabryki? Bo przywodzi na myśl podróż w czasie. Cofnięcie się wstecz, które pomaga zmienić perspektywę patrzenia. Prowadzi w kierunku dawnych obiektów przemysłowych o przemyślanej formie zewnętrznej, funkcjonalnym układzie, wyjątkowym wyrazie i detalach elewacji. Przypomina miejsca, wokół których koncentrowany był rozwój miast, w kontekście przestrzennym, gospodarczym, społecznym, kulturowym. Oczami wyobraźni obrazuje założenia przemysłowe, takie jak dawne fabryki Scheiblera czy przędzalnia lnu w Żyrardowie, czyli miejsca potrzebne ludziom, dzięki którym mogli kształtować swoje życie i realizować marzenia. To miejsca pracy dla mieszkańców, to zagospodarowane osiedla domów pracowniczych wraz z pełną infrastrukturą i zapleczem egzystencjonalno-kulturalno-społecznym. To obiekty o niepowtarzalnych walorach urbanistycznych, architektonicznych i estetycznych. Wpisane w krajobraz miast. A jeśli pozostawione w tożsamości lokalnej, to po dekadach, a nawet wiekach przeobrażone i dostosowane do nowych warunków świadomości społecznej. To obiekty pełniące nową funkcję, dające nową wartość, odgrywające nową rolę w życiu mieszkańców. Fragmenty tkanki miejskiej, które wskutek przemijalności czasu, wielu zmian, potrzeb rozwoju nabrało innego wymiaru, innego wyrazu czy innego znaczenia. Fabryki to miejsce tworzenia i wytwarzania, czegoś z niczego. Tu powstają idee, ich szkic, zarys, plan działania. Tu jest ciąg produkcyjny, przemyślany i konsekwentny. Tu z wyobraźni tworzy się produkt końcowy. W fabryce nie tworzy się prostolinijnie. Tu jest szukanie rozwiązań. Niejednokrotnie łączy się tu elementy, których scalenie na pozór jest nieoczywiste. To miejsce produkowania czegoś, co jeszcze chwilę temu nie istniało. Tak samo wygląda projektowanie w Fabryce Architektury. Tworzę w oparciu o etapy złożonego procesu analityczno-obserwacyjno-twórczego.

“As a Kickstart Mentor you transformed lives …”And in this round, there were over 300 lives we helped transform forever....
09/05/2026

“As a Kickstart Mentor you transformed lives …”

And in this round, there were over 300 lives we helped transform forever.
These words came together with flowers from Sigrun Gudjonsdottir

A small gesture.
But meaningful.

A thank you for four months of mentoring Somba Kickstart participants and supporting them as they took bold steps towards creating their first (or next) online course.

Thank you, Sigrun and Ina Mewes, for the trust and opportunity to be part of the Mentor's Team for the third year in a row.

Watching mentees grow reminds me that we grow too.
And our individual strengths and superpowers can genuinely shine there.

Every small step forward, every breakthrough, every moment of overcoming fear or uncertainty becomes a reminder of why supporting people on their journey matters so much to me.

It was an honour and a pleasure to support such an ambitious, courageous, and inspiring cohort.

We went with Darek to the first meeting with the client.Away from the local buildings. Surrounded by forests, meadows an...
04/05/2026

We went with Darek to the first meeting with the client.
Away from the local buildings. Surrounded by forests, meadows and pastures. Near a small lake, reached by a rather steep descent.

On site, an old house from the 1930s was waiting for us, with a partially collapsing extension. Simple in form, masonry-built, with symmetrically arranged windows on the rear façade; the gable ends also maintained this symmetry. On the entrance side – an added porch.

The building was located within a heritage protection zone, which from the very beginning defined the design framework and the way of thinking about its future.
We were welcomed by a very kind couple, charmed by the place. And with their own vision of a fulfilled dream – a year-round lakeside home.

The sparkle in their eyes and their enthusiasm were visible from afar.
The key brief for us was to create a thatched-roof house, with a dormer (ox-eye window) and external walls referencing traditional half-timbered construction.

At first, we were surprised.
But ultimately, the project turned out to be a very engaging design challenge.
We began with a detailed architectural survey and historical analysis – of both the building itself and the local traditions of timber-frame construction. These became the starting point for further design decisions.

We preserved the original footprint of the house, extended it to meet functional expectations, and developed a clear, individually tailored spatial layout.
The attic was arranged so that morning sunlight could enter the bedrooms, while the dormer allows views of the landscape, greenery and the lake from a higher level.
What proved essential was the reinterpretation of the building’s identity.
Not a reconstruction, but a conscious transformation.

The external walls were articulated with a precisely designed timber framework, referencing the characteristic half-timbered structure.
Here, detail and precision were crucial. The beams were not machine-cut – their irregular texture reflects the handcrafted nature of each element. The joints of rails, braces, posts and sill beams were executed with traditional mortise and tenon connections, faithfully reflecting carpentry techniques. The infill panels were completed with insulation.

The roof was designed as a thatched structure – not only as a reference to tradition, but also as a solution enhancing the building’s performance and its integration into the surrounding landscape.

The whole project became an attempt to find balance.
Between history and contemporary needs. Between the clients’ expectations and the context of the place. Between what already existed and what was possible. This is how the “half-timbered house” came to life – with a thatched roof, a dormer, and white walls rhythmically and consistently structured by black-brown timber elements.

Conclusion in the comments.

Tip - where to find the "Land of the Checkered Houses" - read below.

What do I do between:✏️projects, 🚶‍♀️walks, 📖reading books, 🎶 listening to music, 👩‍🦱👱‍♀️conversations, 👨‍👩‍👧‍👦 time spe...
17/04/2026

What do I do between:
✏️projects, 🚶‍♀️walks, 📖reading books, 🎶 listening to music, 👩‍🦱👱‍♀️conversations, 👨‍👩‍👧‍👦 time spent with family, 📸 taking photos, ☕savouring coffee, 💌writing ARCHIletter, 🤝meetings, 📱phone calls, 🗺️ trips and 🎨colours?

For the 3rd consecutive year I was one of 15 mentors in SOMBA Kickstart by Sigrun, where we guided a group of over 300 ambitious women who were taking their first steps into the online world by creating their very first course.

Women from all over the world, from different fields, with different ideas, visions and experience. But with similar desires and dreams - to launch their online business.

What exactly did we do?
We supported, guided, motivated. We gave advice and brought people back on track. We reminded them to trust the process - true to the spirit of and . We helped them ride the rollercoaster of emotions. We lifted their spirits when moments of doubt, uncertainty and harder days arrived. And we answered torrents of questions …

We = 15 Mentors: from Poland, Germany, Greece, Austria, Italy, Australia, South Africa and the United States were together with this year's Kickstart participants for a full 3 months. And behind our backs, Team Sigrun worked tirelessly to support us every single day.

What was my role as an architect and mental trainer?
Supporting participants when doubts appeared. Helping shift perspective when overthinking and spiralling thoughts took over. Returning to inner motivation so they could stay on the right path and reach their goals with confidence.

And the most beautiful moments were when each participant overcame her own weaknesses and inner blocks. Made even the smallest step forward. Moved ahead consistently and at the end stood in disbelief at everything she had achieved, having carved out her own path towards her dream of an online business. These stories are the most beautiful to hear during the celebratory closing of each Kickstart edition, because they are moving and deeply inspiring.

It was another beautiful, demanding and truly one-of-a-kind Kickstart edition - among phenomenal participants, a wonderful Mentor Team and Team Sigrun, under the wings of Sigrun.

Thank you, Ladies! For this amazing cooperation!
Ina Mewes Emily Bouti Carina De Vries Ellen Rösner Diana Serghei Katja Brunkhorst Jagoda Pasko Sabine Satzmacher Rachael Watt Tania Klein Loubie Otto Luisa Tuzza Annette Gevatter MOnica Bommer-Neuner

Thank you, Team Sigrun!

Thank you, Sigrun Gudjonsdottir!

PS: When you complete your third edition of Kickstart and receive a recommendation from Sigrun that says:
"Ewa has been a dedicated mentor in our SOMBA Kickstart program for three consecutive rounds, and her impact on our community has been remarkable. She guides first-time course creators through the process with genuine empathy, patience, and a positive energy that lifts everyone around her. What stands out about Ewa is her rare combination of skills. As both an architect and mental trainer, she brings structured thinking together with deep emotional intelligence. She listens carefully, communicates with clarity, and adapts her approach to meet each participant where they are. Her commitment and reliability are exceptional: she shows up fully, every single time. Ewa is exactly the kind of collaborator you want on your team. She works across cultures with ease, contributes generously to any community she joins, and genuinely cares about the success of others. I recommend her wholeheartedly."

- it makes SOMBA Kickstart collaboration mean even more.

I'm happy to be the part of it!

When you receive a message like this: "You left a lasting impression on us after our meeting at our headquarters… I woul...
16/04/2026

When you receive a message like this: "You left a lasting impression on us after our meeting at our headquarters… I would like to warmly invite you to take part in the project…"
…it is an extraordinary feeling. A remarkable honour. And a great joy.

That is exactly how I felt when those words became my invitation to the "Art of Femininity" project by Polish fashion brand Solar Company S.A. - a brand whose idea and philosophy are deeply rooted in art, which is also very much aligned with who I am and what I do.
When I heard the topic, I immediately had a clear picture in my mind of what I wanted to say describing my own definition of "Art of Femininity" ("Sztuka Kobiecości"). Not only because femininity is something deeply close to me. But because I look at it through the lens that forms both my professional and personal foundation.
The lens of space.

Art and femininity.
For me, art is diversity. Multiplicity of meaning. Complexity. It is the ability to create, to express, to tell stories. It is emotion and the power of expression. Richness of colour and depth of layers.
Femininity is exactly the same. Multidimensional. Multilayered. Diverse. And for that very reason - exceptional. There is no single definition. No single pattern. And that is its beauty.
For me, femininity is above all self-awareness. A good relationship with yourself and accepting yourself. The ability to express yourself and to have your own opinion. To embrace what serves you and, equally, to let go of what does not. It is an inner enthusiasm that needs no one's permission to be real and natural. It is colour, lightness and the senses - displayed not only on the outside, but above all expressed from within, from everything that lives inside us.
Femininity is the art of choices. Of following your own path, in your own direction. It is the art of creating your own moments and allowing yourself for them to be truly yours.

We talked about my definition of "The Art of Femininity" in one of Poznań's parks.
Because art comes from nature. From its timelessness, rhythm, shapes, changeability and uniqueness. Nature is the oldest and most enduring motif in the entire history of art: in painting, sculpture, architecture, music, and fashion. It has always been with us. Not only providing inspiration and teaching us about colour and the play of light and shadow, but influencing our emotions and all our senses at once. Soothing. Relaxing. Reminding us of what truly matters.
And standing there, surrounded by blossoming spring green, I could say with joy: The art of femininity is the art of being yourself in a space that allows for it. In surroundings that encourage you to bloom.

Because space is not a backdrop. It is part of us.
What we surround ourselves with affects us whether we want it to or not. And when we shape space for ourselves, it shapes us in return. Physically and mentally. It influences how we feel, how we behave, how we think. Who we are and who we are becoming.
And that is the guiding thought behind my work as an architect and mental trainer.
Space is not merely a backdrop for femininity. It is an integral part of it.
Which is why it matters so much that it is truly ours - fitting and right for us. That it reflects our identity, supports our wellbeing, and makes us want to be in it every single day.
Whether it is the space of a home. A workplace. A garden. A park. Or the clothes we choose to put on today.

Taking part in the "Art of Femininity" project reminded me that architecture and fashion speak the same language - the language of choice, identity and expression. That external space and internal space are deeply and inseparably connected.
And that femininity, just like the space we live in, is not about meeting other people's expectations. It is about creating your own place where you truly want to stay, to be, and to live. With joy and with meaning.

My name is Ewa Czerwińska. I am an architect and mental trainer helping homeowners create better quality of life in the spaces where they spend time, live and work, because I believe that a well-matched space is the foundation of joy, fulfilment and wellbeing.

Ewa Czerwińska
Professionally: Architect at Fabryka Architektury where architecture is the art of space. Personally: a Solar brand client for over two decades.



Pictures by Solar Company S.A.

Sometimes it is not scale or grandeur that defines the role and significance of a project …In 2011, a task came into min...
08/04/2026

Sometimes it is not scale or grandeur that defines the role and significance of a project …

In 2011, a task came into mine and Darek’s hands - to save an existing building from demolition.
Small. Old. Neglected.
Brick. From the second half of the 19th century.
The Old School building.
As it was commonly called in a small village in Greater Poland.

It was a symbol of the place and an important building for its residents, who - despite an earlier proposal to demolish it entirely - wanted it preserved and adapted into a Cultural Centre.

Our approach was fully aligned with the expectations of the local community.
And with our own approach to historic buildings under conservation protection.

We analysed. We documented every fragment.
We reconstructed the gables, the brick layout and bonds.
We restored the original arrangement, size and proportions of the window openings.
We recreated the original window and door joinery.
We extended the building with a modest addition, so that the new function could work properly.
With respect for proportions and form, and following the principle of clearly distinguishing the contemporary intervention, referring to the originally plastered gable of one of the elevations.

So that the building, located in the centre of the village, could regain its presence.
And serve its community.

After 15 years, we returned to see how it looks today and whether it truly serves its users.

What resonated most from our meeting with the team of the Kwileckie Centrum Kultury i Edukacji im. Floriana Mazurkiewicza?

Gratitude for preserving the identity of the place, especially valued by the older residents of Kwilcz.
Joy from the space in which they work.
And the fact that the place is alive.

The building is well maintained, with repaired and cleaned brickwork, it looks today as if it had just been completed.

For us, it was a precise and detailed work of reconstruction.
But the way this adaptation serves the community today gives us even greater satisfaction.

And that is what truly matters.


A hotel room like no other.A room you enter … and step back into the 1960s.Quite literally.The one and only room preserv...
30/03/2026

A hotel room like no other.
A room you enter … and step back into the 1960s.
Quite literally.

The one and only room preserved according to its original design and furnishings, created by Arne Jacobsen at the Radisson Collection Royal Hotel, in the heart of Copenhagen.

A hotel that originally served as a terminal for travelers and a base for airline crew.
Yes. Exactly as it once was.
Even the curtains have been here for over 60 years, gently faded by the Copenhagen sun.

The room is spacious.
With a horizontal band of windows.
With clearly defined zones: sleeping, living, and a place to work — or a dressing table.
Like a small apartment.

Where a beige curtain allows you to separate yourself from the rest of the space when you need more privacy.
Calm. Designed to offer rest: visual, sensory, physical.
Filled with blues reflecting the sky and the uniforms of flight attendants.
With a turquoise, so close to me, reminiscent of the patina of Copenhagen’s copper domes. (A color, as I was told, that is difficult to be found in the NCS system.)
/ according to the story shared by the wonderfully kind Mr. Christian, who introduced me to the history of this place/

Combined with the warmth of wood in several species, textures, and tones.
A composition. Intentional. Thought through.

The functional solutions were no coincidence either.
Carefully designed. Far ahead of their time.

Sliding wall-mounted lamps, running along the length of the wall, allow you to guide the light exactly where you need it.
Above the bed. By the bedside table. Near the sofa. Or at the desk.

And mobile cabinets adjustable in height to match the user’s needs and ergonomics at the moment.

In the living area, right by the window, a space for rest awaits you, with the iconic armchairs:
The Egg.
The Swan.
The Drop.
Design icons also designed by Jacobsen.
/you can admire them also at Designmuseum Danmark/

This room truly makes an impression.
Through the comfort it offers. Through its innovative solutions. Through the atmosphere shaped by color, material and textures.

This is the Room 606.
A unique gem among hundreds of rooms in this hotel.
And most importantly - it has survived decades. Unchanged in its form and in its character.

How long I had waited to see this place with my own eyes.

Photos: my own.

With a memory of a conversation with Mr. Christian from the SAS Hotel.

Best cinema?An intimate one.The kind with a soul. Where the seats are marked by time and history.With bentwood seating a...
29/03/2026

Best cinema?

An intimate one.
The kind with a soul. Where the seats are marked by time and history.

With bentwood seating and gently contoured armrests.
That kind of atmosphere when you go to watch a film.

And best of all when the room is only partly filled.
When the lights go down and there’s no rustling of wrappers from opening chips or snacks.

Moments of silence, undisturbed, just before the screening begins.
Then, in that dark space, sitting on wooden chairs, you can truly enjoy the film you’ve chosen.

And you - do you like intimate cinemas?

Kino Halszka

For the past three years, I have been analysing and studying how women manage working from home and how they create thei...
07/03/2026

For the past three years, I have been analysing and studying how women manage working from home and how they create their own workspace.

What does your place for working from home really look like?

Your business office …
Your professional corner for work?
Or perhaps your own studio?
Did you create this space on your own - or with someone’s help?
Deliberately and consciously … or a bit by accident?

And deep down you feel that this space is still far from your dream place to work …
I am looking for women aged 35–55 who work remotely or in a hybrid model from their own apartment or house.

Women for whom arranging a comfortable place to work or creating a space that truly supports productivity is a challenge.
If you feel that this is about you, I would be very glad to hear your story and learn more about your experiences related to your workspace.

Please take a moment to fill in this short survey.
https://forms.gle/5kMw92HcDcH1sKg78

Your answers will help me better understand the current and real challenges faced by people working from home and creating their own space for an online business, remote work or hybrid work.

The survey takes about 7–10 minutes.
Please complete it by 31 March 2026 (23:59).

Among the participants I will draw one free “Work & Space” session (30 min) — an individual conversation with an architect about your workspace at home and about how to create a space that supports effective work.

Who am I?
I design spaces. Interior and exterior.
In need of definition. Awaiting transformation.
Waiting for a new purpose. Individually composed.

As an architect, I shape space physically.
As a mental trainer, I care for sensuality and uniqueness of spaces.

I combine architecture and mental training to help people create spaces
that support well-being and reflect their identity and personality.
To feel joy, comfort, and satisfaction.

Thank you for your answers!
Ewa

PS: Share this post with your friends working from home too.

You will find the link also in the BIO

It was stated more than 60 years ago.And it still sounds remarkably relevant today.I came across it once in the Muzeum Ż...
06/03/2026

It was stated more than 60 years ago.
And it still sounds remarkably relevant today.

I came across it once in the Muzeum Życia w PRL in Warsaw.

While recalling the times of my childhood.
And telling my own children what we used to do, what we had and what kinds of things surrounded us.

For us, the Muzeum Życia w PRL was a very emotional journey several decades back.
To the times of queues in shops, ration cards for products, landline telephones, radio receivers and soda water.
Grey-green identical notebooks and coloured pencils with Miś Uszatek, in which there was neither white nor pink.

For the children, visiting this place was like a cosmic experience of another planet.
Many things seemed strange, incomprehensible and quite puzzling to them.

Nothing surprising - contemporary childhood follows completely different conditions.
And the example interiors furnished with fold-down wall beds, modular cabinet units and lamps with wavy lampshades were truly surprising for them.

Among the everyday objects I found this quote:
“Looking at nice and aesthetic things lets you see beauty, distinguish trash from art.”
- Ze sztuką stykamy się na co dzień,
„Dziennik Ludowy”, 1962 r. (Muzeum Życia w PRL)

And then I thought that this sentence speaks about something very important.
Our eyes help us to look.
At space. At surroundings. At things. To notice elements, to see them and to perceive them.

It evokes feelings in us and stimulates imagination, associations and sensitivity.
It is a process of experiencing everyday life. In the places where we spend our time.

That is why space matters.

Because it shapes our sensitivity and influences who we become.

What do you think about this quote?

You reach the final metro station …Orientkaj.North of the centre of Copenhagen the urban landscape suddenly begins to lo...
05/03/2026

You reach the final metro station …

Orientkaj.
North of the centre of Copenhagen the urban landscape suddenly begins to look different.

You have the feeling as if you had stepped into a completely different world.
A district rarely mentioned in tourist guidebooks, because its role is not to entertain tourists.

Although there is plenty of space along the waterfront to spend time outdoors. To pause and catch the sun, if it decides to brighten Copenhagen that day.
The smell of the sea. A light Baltic wind. The sound of steel elements hitting each other – so characteristic of former harbour districts.

Walking between buildings of very different forms and scales.
The lines of different spatial layers dynamically overlapping in the frame.
You pass former port buildings that have now been given new functions.
And quite often you find yourself looking up.

This is Nordhavn – the Northern Harbour. As late as the end of the 19th century it was an industrial and commercial part of the city.

Today the area is being developed step by step, guided by a decades-long vision of an archipelago of urban islands. A completely new part of the city emerging with great attentiveness and flexibility to the changing dynamics of life and everyday functioning in urban space.

An urban approach that is particularly interesting to observe up close.
Or to be read about in a few sentences written in “Cobe Notes”, while having coffee in the café of the Cobe studio, surrounded by models.

One of those places where you can truly feel that the city is still being created. My own small moment of time in the city.

I am curious how this part of the city will look and function in the next 10–15 years.

Photos – my own.
Presenting the following buildings:
- The Silo – former grain silos transformed into a residential building, designed by Cobe,
- Tip of Nordø – office building designed by Cobe, Vilhelm Lauritzen Architects, Tredje Natur,
- Portland Towers – two cement silos transformed into an office building, designed by DesignGroup Architects.

Experiencing design is like an inhale and an exhale.You oxygenate. You saturate. You calm down. You live.On the one hand...
02/03/2026

Experiencing design is like an inhale and an exhale.
You oxygenate. You saturate. You calm down. You live.

On the one hand, it might seem that design is not needed by anyone…
Like the man saying: “Color or shape doesn’t matter.”
Or the woman choosing furnishings and stating: “It’s all the same to me.”

Well …

The Design Museum in Copenhagen shows how essential applied art is in our lives.
For everyday use.
The kind that surrounds us - whether we notice it or not.
The kind that makes daily functioning easier.

And that we feel, whether we want to or not, when we intend to perch for a moment.
Someone spends months analyzing how you can sit comfortably in your own armchair to immerse yourself in a favorite book.
Or sit at the table and enjoy time shared with loved ones - with coffee in a properly shaped and decorated cup whose charm you perceive not only through touch, but also through appropriate lighting and the play of light and shadow.

The beauty of design lies in its meaning, necessity and usability, but also in the emotions, sensations and memories it inevitably generates in each of us.
So if you want to sit down, look at the tunnel of 125 diverse chairs and feel the subtlety of the line of the Panton Chair (1960) - this place is perfect. I warmly recommend it to everyone.

This year marks the 100th anniversary of the birth of Verner Panton the Danish visionary who worked with color boldly and shaped forms consciously in response to the human body.
And it is precisely in this museum that it is worth seeing the icons of his work: S-Chair (1956), Wire Cone (1958) and the Flowerpot lamp (1968).

So you know what you are bringing into your own home when you happen to or choose one of Panton’s chairs.
And the Flowerpot is a small yet distinct, attention-drawing accent in an interior.
Two hemispheres joined into one form the quintessence of simple geometry, a defined line and chromatic courage offering softly diffused light.

Which seat and which lamp color would you choose for yourself?
Let me know in the comments.

PS: Today, courage in color and form is needed even more.
When we are flooded with safe gray, neutral beige and clinical white, understanding and consciously using color becomes key to well-being in our own surroundings.
Because colors, details and forms influence our sensations, emotions and behaviors.
And the art lies in choosing what truly supports you best.

You know, once - thanks to consultations with me - Magdalena realized she could have yellow chairs in her kitchen. That they would belong there. And that she didn’t have to worry about what Basia, her friend, would say when she came over for coffee.

So this courage is essential and I know how to help you grow it.

Look at color differently by coming to a consultation with me - the link is waiting for you in the comment.

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Dworcowa 39 Lok. 204
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