Ancient Amulet

19/02/2026

A - with Tiger Tooth from Luang Por Parn Wat Bang Hia in rear face https://www.ancientamulet.com

19/02/2026

Choo Chok Luang Por Sakorn Wat Nong Grub - Pristine condition (very rare), coming tomorrow to https://ancientamulet.com

07/02/2026

The Pra Pong Prai Kumarn Luang Por Sakorn is since its release, and now more than ever the top preferred model of this series of Khun Phaen

The Pra Pong Prai Kumarn Luang Por Sakorn is since its release, and now more than ever the top preferred model of this series of Khun Phaen in the 2548 'Run Pha Pha' edition, a classic Pim Niyom model amulet of Luang Por Sakorn's Great pantheon of amulets. The Pra Khun Phaen Prai Kumarn Nuea Wa Dork...

31/01/2026

Luang Pu Nak was a highly respected and virtuous monk. He used many broken pieces of Phra Somdej Wat Rakhang amulets from that era as ingredients in creating dozens of different Phra Somdej amulets. The amulet’s composition included a high proportion of lime and oil. For the consecration ceremonies, Luang Pu Nak invited many renowned monks of the time to participate. Older amulet collectors said that Luang Pu Nak’s Phra Somdej amulets could be used as substitutes for the old Phra Somdej Wat Rakhang amulets. In the past, he always gave amulets to people who came to make merit or pay respects at the temple. He didn’t create these amulets for commercial purposes; he made them to give away, as Wat Rakhang was a large temple with many people visiting daily. Therefore, he needed enough amulets to distribute to everyone.

Pra Somdej Pim Yai, in ‘Nuea Dtaek Lai Nga’ (marbled stone hard clay with Crackled Ivory surface effect ​) released in 2495 BE, made from ‘Nuea Pra Somdej Wat Rakang Gao’ (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri).

21/01/2026

To properly understand his , it is necessary to familiarize oneself with the life history of Luang Por Sakorn Manunyo, also known by his ecclesiastical title Pra Kroo Manoon Thammawat. He was the sole principal disciple to receive the complete transmission of knowledge from Luang Por Tim Issarigo of Wat Lahan Rai.

Luang Por Sakorn Manunyabanyo – First Looksit Aek (Apprentice), of the Great Luang Por Tim Issarigo, of Wat Laharn Rai, is in his own right seen as one of the 20th Century’s most prominent Masters, and the top primary holder of the Wicha Pra Pong Prai Kumarn of Luang Phu Tim. Luang Por Sakorn is...

15/01/2026

Pra Pong Rasamee Putta Chinarat 2475 BE Nuea Pong - Tan Jao Chuy Wat Sam Plerm... in Solid Gold Casing
https://www.ancientamulet.com/Pra-Pong-Rasamee-Putta-Chinarat-2475-BE-Nuea-Pong-Tan-Jao-Chuy-Wat-Sam-Plerm-p782416006

08/01/2026

latest blogpost;

8Jan The Amulets of the Great Luang Por Tong Suk of Wat Tanode Luang Categories: Ancient Amulet Metal Amulet Powder Amulet Takrut Thai Buddhism No comments

05/01/2026

Pra G*ew Morakot Song Ruedu Fon 2512 BE Emerald Buddha in Summer Robes - Luang Phu Rerm Wat Juk Gacher. The edition was given a very powerful Blessing Ceremony by some of the Great Monks of the Chonburi tradition, famous for their intense Meditative Focus in empowering amulets, with Luang Phu Rerm presiding over the Buddha Abhiseka ceremony, and Luang Por Ching (Wat Bang Pra), Luang Por Tong Rerm (Abbot of Wat Bang Pra Voraviharn), Luang Phu Boo (Wat Bang Pra), and it is said, that also the Great Jao Khun Nor himself attended to add his Blessings. View here; https://www.ancientamulet.com/store/Pra-G*ew-Morakot-Song-Ruedu-Fon-2512-BE-Emerald-Buddha-in-Summer-Robes-Luang-Phu-Rerm-Wat-Juk-Gacher-p784098526

30/12/2025

The Bia G*e from the Luang Pu Bun lineage of Wat Klang Bang G*ew is regarded as one of the most eminent protective talismans in the Thai amulet tradition, with a long-standing history and deeply rooted faith extending from the past to the present. Its associated virtues are said to encompass the neutralization of misfortune, avoidance of danger, invulnerability, metta maha niyom (benevolent attraction), and protection against black magic, spirits, and malevolent entities. For generations, devotees have carried Bia G*e as a personal protective charm. Among all variations, those coated with herbal sacred powders and the essence known as phaya mai phu (rotting sacred wood) are considered the rarest and most distinctive, and are especially revered by collectors nationwide, directly originating from the era in which Luang Pu Bun himself created and consecrated such amulets.

A revelatory discussion on the Wicha Bia G*e of Luang Pu Bun – Wat Klang Bang G*ew, Nakhon Pathom ProvinceThe Bia G*e from the Luang Pu Bun lineage o...

23/11/2025

23/11/2025

Dvaravati beads are ancient ornaments found in large numbers during the Dvaravati period, which was a significant era in Thai history, dating back about 1,500–1,300 years. These beads were made from various materials like glass, stone, and pottery, and often featured beautiful colors and intricate patterns that showcase the creativity and craftsmanship of artisans from that time.

Traditionally, beads were more than just decorations—they reflected the wearer’s taste and social status. Many people believed beads had magical powers, could bring good luck, and were sometimes used in rituals according to the beliefs of different cultures. Beads could also symbolize relationships between ethnic groups or even be used for healing. Humans have been making and using beads for thousands, even tens of thousands of years. Early beads were made from natural materials such as animal bones, teeth, shells, seeds, wood, and resin. Later, people began using materials they could manufacture, like pottery, glass, bronze, and gold. Beads have been found at many ancient archaeological sites, making them important historical evidence.

Beads have developed alongside human society all over the world. The variety of beads tells us about people’s tastes, beliefs, skills, art, manufacturing processes, trade routes, economies, and even political meanings. This makes beads much more than just ornaments or lucky charms.

06/10/2025

Die Evolution der Thailändischen Buddhistischen Kunst: Von Srivijaya bis Rattanakosin; In dieser Episode tauchen wir tief in die thailändische buddhistische Kunst ein und beleuchten ihre Entwicklung von der Srivijaya-Ära über das Dvaravati-Reich bis hin zur Rattanakosin-Ära. Jede Epoche wird durch charakteristische Buddha-Bildstile geprägt, die sowohl religiöse als auch politische Botschaften verkörpern. Wir untersuchen die Einflüsse und Merkmale, die die Kunst Thailands von terrakotta-Buddhas zu modernen, globalisierten Skulpturen geprägt haben.

Die Evolution der Thailändischen Buddhistischen Kunst: Von Srivijaya bis Rattanakosin; In dieser Episode tauchen wir tief in die thailändische buddhistische ...