EMFA Lighting

EMFA Lighting EMFA produces high quality architectural lighting fixtures fulfilling the needs of architects, lighting designers, and electrical engineers.

Heritage Series, Chapter Three.Most places were built. Göreme was carved.In Cappadocia, communities cut churches, homes ...
05/08/2026

Heritage Series, Chapter Three.Most places were built. Göreme was carved.In Cappadocia, communities cut churches, homes and whole cities into soft volcanic stone. There is no glass and no lamp — light enters only through what is cut into the mass, and gathers in the hollow: a bright void in dark stone.
GÖREME — bollard and pole — is that same image at another scale, except here the light truly does come from within. An opaque cast aluminium body with a lit hollow inside it: the acrylic diffuser. The LED sits within the body; the light is not thrown, it emerges through the diffuser and reveals surface and texture without glare.
Light doesn’t only fall on the stone. It also comes from within.

—Heritage Series, Üçüncü Bölüm.Çoğu yer inşa edildi. Göreme oyuldu.Kapadokya’da topluluklar kiliseleri, evleri ve koca şehirleri yumuşak volkanik taşa oydu. Ne cam vardır ne lamba — ışık yalnızca taşa oyulan açıklıktan girer ve oyukta toplanır: karanlık taşın içindeki aydınlık boşluk.
GÖREME — bollard ve direk — aynı görüntünün başka bir ölçekteki hâlidir; ama burada ışık gerçekten içeriden gelir. Opak döküm alüminyum gövde, içinde ışıklı bir oyuk: akrilik difüzör. LED gövdenin içindedir; ışık savrulmaz, difüzörden çıkar ve yüzeyi kamaşmadan ortaya koyar.Işık taşın üstüne düşmekle kalmaz; içinden de gelir.
Göreme, Kapadokya📍

Heritage Series, Chapter Three.Most places were built. Göreme was carved.In Cappadocia, communities cut churches, homes ...
05/08/2026

Heritage Series, Chapter Three.Most places were built. Göreme was carved.In Cappadocia, communities cut churches, homes and whole cities into soft volcanic stone. There is no glass and no lamp — light enters only through what is cut into the mass, and gathers in the hollow: a bright void in dark stone.
GÖREME — bollard and pole — is that same image at another scale, except here the light truly does come from within. An opaque cast aluminium body with a lit hollow inside it: the acrylic diffuser. The LED sits within the body; the light is not thrown, it emerges through the diffuser and reveals surface and texture without glare.
Light doesn’t only fall on the stone. It also comes from within.
—Heritage Series, Üçüncü Bölüm.Çoğu yer inşa edildi. Göreme oyuldu.Kapadokya’da topluluklar kiliseleri, evleri ve koca şehirleri yumuşak volkanik taşa oydu. Ne cam vardır ne lamba — ışık yalnızca taşa oyulan açıklıktan girer ve oyukta toplanır: karanlık taşın içindeki aydınlık boşluk.
GÖREME — bollard ve direk — aynı görüntünün başka bir ölçekteki hâlidir; ama burada ışık gerçekten içeriden gelir. Opak döküm alüminyum gövde, içinde ışıklı bir oyuk: akrilik difüzör. LED gövdenin içindedir; ışık savrulmaz, difüzörden çıkar ve yüzeyi kamaşmadan ortaya koyar.
Işık taşın üstüne düşmekle kalmaz; içinden de gelir.Göreme, Kapadokya📍
LightingDesign MadeInTurkey Bollard

10/07/2026

Two thousand years ago, the king of Aspendos promised his daughter to whoever built the most useful work for the city.

Two works rose: an aqueduct that carried water, and a theatre that carried sound. The king favoured the water — until, at the highest row, he heard a whisper from the stage: “The king’s daughter must be mine.” Not a shout. A whisper — carried to the last seat.

The records call it Aspendos. The people gave it her name: Belkıs.

The theatre carried sound to the last row. Belkıs carries light to the smallest detail — one name, a whole family of precision spots.

Heritage Series, Chapter Two.

——-

İki bin yıl önce Aspendos kralı, kızını kent için en yararlı eseri yapana söz verdi.

İki eser yükseldi: suyu taşıyan bir su kemeri, sesi taşıyan bir tiyatro. Kral sudan yanaydı — ta ki en üst basamakta sahneden gelen fısıltıyı duyana kadar: “Kral kızı benim olmalı.” Bir çığlık değil. Bir fısıltı — son koltuğa kadar taşınmış.

Kayıtlardaki ad Aspendos. Halk ona kızın adını verdi: Belkıs.

Tiyatro sesi son sıraya taşıdı. Belkıs ışığı en küçük detaya taşıyor — tek bir isim, koca bir hassas spot ailesi.

📍 Aspendos, Antalya

08/07/2026

Some places are remembered for the light they once received. Others inspire the light we create today.

Introducing NAOS — named after the innermost room of the Temple of Apollo at Didyma, open to the sky. From darkness into light.

Location: Akra Didim
Lighting design: LINE LIGHTING DESIGN
Landscape design: TTds | Tulay Tosun Design Studio
Photography: Aylin Kasapoglu

Bazı yerler bir zamanlar aldıkları ışıkla hatırlanır. Bazıları ise bugün yarattığımız ışığa ilham verir.

NAOS — adını Didyma’daki Apollon Tapınağı’nın gökyüzüne açık iç odasından alır. Karanlıktan ışığa.

01/06/2026

EMFA Heritage Series — Chapter One: Atlantis
“In a single day and night of misfortune, Atlantis disappeared into the depths of the sea.”
— Plato, Timaeus, c. 360 BCE.

Atlantis was made to live underwater.
316L marine-grade stainless steel. IP68. A fixture engineered not to resist water, but to require it.

Submerse before lighting.
EMFA.

lightingdesign

08/05/2026

2700K throughout the landscape.
3000K reserved only for the olive tree.

A lighting composition designed to preserve the garden’s natural rhythm after dark — without overpowering the atmosphere.

In collaboration with Lightarz
Fixtures: EMFA

——

2700K tüm peyzaj boyunca.
3000K ise yalnızca zeytin ağacı için ayrıldı.

Atmosferi bastırmadan, bahçenin gece boyunca doğal ritmini korumak için tasarlanmış bir ışık kompozisyonu.

Lightarz iş birliğiyle
Armatürler: EMFA

From hidden corners to carved surfaces, light becomes part of the architecture itself — subtle, controlled, and intentio...
17/04/2026

From hidden corners to carved surfaces, light becomes part of the architecture itself — subtle, controlled, and intentional.
A lighting system designed by Nergiz Arifoğlu of NA Lightstyle, realised with Belkıs.
Light, carved into ancient stone.

🪨 Argos in Cappadocia, Ürgüp
✦ Lighting Design — Nergiz Arifoğlu / NA Lightstyle
✦ Luminaire — Belkıs, EMFA

13/04/2026

Light always finds its place.
Now, we’re reimagining where it belongs.
Something new is coming.

07/04/2026

A landmark redefined.
In collaboration with Labos Projects, Tersane Istanbul’s Secret Garden is illuminated by EMFA — revealing the landscape’s hidden details and guiding the space after dark.
Dara, Leon, Kizikos — defining the outdoor rhythm.
Belkıs mini spot — shaping light where it matters most.
A solution partner within a greater vision.
EMFA.

01/04/2026

A landscape shaped with intention.
Designed by Tülay Tosun Design Studio, the Akra Antalya project is a space that tells two stories — one in daylight, one after dark. Every space holds both, and good lighting knows when to speak and when to step aside.
At EMFA, we work alongside architects and designers from the beginning — part of the process, not just the product.
Landscape Architecture: Tülay Tosun Design Studio
📍 Akra Antalya

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Davutpasa Caddesi Cebealibey Sk. No. 18 Topkapı/Istanbul/TÜRKİYE
Istanbul
34010

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