05/05/2026
光隙
光，總是在縫隙裡被感知。
不是最明亮的地方，
而是在遮蔽與敞開之間，
那些被留下的間隙，
使空間開始有了呼吸。
原始為16坪3房的格局，
房間切割使光停留於邊界，
公共空間顯得狹隘。
因應兩人居住，
調整為兩房配置，
捨去一室，
讓光得以引入客餐廳，
恢復空間的開放與流動。
次要臥室整合隱藏掀床，
保留使用彈性；
公私領域以橫拉門界定，
於開闔之間取得分隔與連續的平衡。
地坪材質的轉換引導動線，
櫃體上方留空、底部輔以茶鏡，
使視線延伸，層次隨之展開。
整體以大地色系為基底，
木質、石材與礦物塗料交織，
搭配手工紙燈柔化光線，
讓空間保有溫潤且安定的質地。
光不只是進入，
而是在停留與穿越之間，
被緩慢地感知。
Light in the Intervals.
Light is always perceived
through the gaps.
Not in the brightest place,
but between concealment
and openness—within
the intervals intentionally
left behind—space begins
to breathe.
Originally a 16-ping,
three-bedroom apartment,
the compartmentalized
layout restricted natural
light to the periphery,
resulting in a constrained
public living area.
Designed for two residents,
the plan was reconfigured
into a two-bedroom home.
By removing one enclosed room,
natural light is drawn
into the living and dining areas,
restoring openness, circulation,
and spatial fluidity.
The secondary bedroom
integrates a concealed fold-up bed,
allowing the space to
flex between guest room,
study, and open-use area.
Sliding doors define the
transition between
public and private zones,
achieving a balance
between separation
and continuity.
Subtle flooring transitions
guide movement,
while elevated cabinetry,
open upper voids,
and tea-tinted mirror
bases extend the visual
axis and introduce layered depth.
An earthy palette anchors
the interior, combining wood,
stone, and mineral-based
finishes to create a calm,
tactile environment.
A handcrafted paper
lantern diffuses light softly,
lending warmth and a
quiet sense of stillness to the space.
Here, light is not simply introduced.
It is shaped, filtered,
and allowed to linger—
slowly revealing the depth of space.
Design :
Photography : .chuang.52
Location : NEW TAIPEI CITY
Area: 46M2
#室內設計 #向度設計
