Here & Now : екологічна студійна кераміка

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Here & Now : екологічна студійна кераміка Авторський керамічний посуд, дружній до довкілля і спільноти. It is also made without rush or potboiler. Or at least so I aim. International shipping is possible.

Привіт! Мене звати Юлія, і “Тут і Тепер” - це глиняний посуд, що я роблю з думкою про природу і людей.

Ці вироби зручні у щоденному використанні, нешкідливі для довкілля і здоров’я на всіх етапах і робляться без поспіху й халтури. Або принаймні я до цього прагну. Частину матеріалів для посуду і упаковки я використовую повторно, знаходжу під час довгих прогулянок на природі або рятую від смітникі

в у місті.

Цей проект - моя спроба поєднати особисту пристрасть з участю у тих змінах на краще, що так потрібні нашому суспільству. Відсоток прибутку йтиме на підтримку екологічних проектів в Україні, не відмовлюсь і від інших незвичних пропозицій співпраці з громадськими ініціативами.
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Hi! My name is Yuliya, I'm based in Kyiv, Ukraine. 'Here and Now' is clay tableware that I make with nature and people in mind. This pottery is handy in everyday use and does no harm to environment and health at any stage of its lifecycle. Part of the materials are reused, found during long walks in nature or saved from waste in the city. This project is my attempt to combine personal passion with participation in the much needed possitive change in our society. A percentage of profits will go to support environmental projects in Ukraine. I'm also open to various and unusual ideas from grass-roots initiatives.

The island is very small and inhabited mostly by deer, peacocks, and firefighters. The air is filled with the red dust t...
22/07/2026

The island is very small and inhabited mostly by deer, peacocks, and firefighters. The air is filled with the red dust that the dry soil is made of, mixed with dry and salty summer grass, fir trees, and, of course, the sea.

Probably because of my childhood summers in Crimea, this smell always acts like a balm for my soul. The chest expands, and the nerves start to soften. To make the sense of awe even stronger, everything is mysteriously filled with the frankincense aroma. It does feel like being in church, albeit in a bikini. I am very determined to find the Boswellia plant whose resin the incense is made of to prove to myself it’s not a hallucination.

In 5 min we’re about to get on a motorboat to see the Antigone adaptation in a Roman amphitheatre. It is my first day at the artists’ retreat at Mali Brijuni in Croatia.

The project is called the Art Therapy Force and they are supporting Ukrainian artists and cultural workers who work with trauma and take care of their communities. It is my first time with them, I got to the retreat through an open call. There will be some lectures and workshops, but most importantly - 10 days outside the war and inside the Adriatic Sea.

Today I walked into an ancient limekiln in a dense pistachio forest. And checked some of the red soils for clay-likenes. Maybe wetting the dust with one’s saliva is not the best test, but it did make a slippery and sticky mud. Gotta try more later.

Just a snapshot from my very brief and very ceramic visit to Jingdezhen, China. Next time, a residency?
09/07/2026

Just a snapshot from my very brief and very ceramic visit to Jingdezhen, China. Next time, a residency?

We artists should make conscious choices about the materials and methods we use in our processes. That’s why it is so im...
05/07/2026

We artists should make conscious choices about the materials and methods we use in our processes. That’s why it is so important to know and understand where does the ceramics’ carbon footprint come from.

In my presentation at the International Academy of Ceramics Congress in Jingdezhen, China, I talked about the model and real ceramic objects. AIC-IAC

Main output: How we fire and which fuel we use has by far the biggest impact on the artwork’s environmental cost.

Learning about the porcelain tradition of Jingdezhen which dates back to more than 2,000 years ago left me in awe of the ancient mastery. It is here that potters discovered that mixing china stone with kaolin makes an ultra-white semitransparent high firing body that today we call porcelain. The level of technical and aesthetic quality, and the scale of production is unmatched!

Although, some facts were shocking from the modern perspective. For instance, only 1 in 100 items from the Imperial Kiln survived the strict quality control, the rest being intentional broken on site (see large white and blue vase restored from shards of different vessels). In the Dragon Kiln, the rate of success in a firing was 20-30% (long diagonal kiln).

These days, facing the grim realities of climate change, the ceramic art field has to become more and more intentional and reciprocal in its relations with nature. Single firing, renewable energy and quality control *before* firing are some of the priority steps for a low-carbon ceramics.

Proud to be part of the 10th Tseglyna Contemporary Ceramics Festival in Kyiv! Tseglyna  is an independent gallery and an...
31/05/2026

Proud to be part of the 10th Tseglyna Contemporary Ceramics Festival in Kyiv! Tseglyna is an independent gallery and an exhibition led by Olesia Dvorak-Galik, featuring the best artists in Ukrainian ceramic art.
Two pieces from my Hyperaccumulators series are featured alongside dozens masterpieces.
The place has been hit in the recent missile attack on the city. But with the help of the community, the organizers were able to fix everything just in time for the opening. Miraculously, none of the exhibits were damaged.
Thank you, Olesia and everyone who makes art possible in these difficult times.

🎉Dear all! We have reached the fundraising goal for the clay class! Together, you donated $1100 and 14,000 UAH (~$300). ...
24/05/2026

🎉Dear all! We have reached the fundraising goal for the clay class! Together, you donated $1100 and 14,000 UAH (~$300). Massive, massive thanks!

Every time this project needs support, kind-hearted people step in so quickly to help. We now have enough funds to run the hospital art workshops for 2.5 months. Here’s to the art and healing!

We especially want to thank those whose generous donations helped us close this fundraiser so quickly: Karen L. and her students, Alina K., Maija L., Leonard S., and Anna S. It is such an honor and joy to have friends like you.

The winner of the prize — the miniature sculpture from my “Hyperaccumulators” series — has been selected by randomization software. Congratulations, Leonard !

We also decided to add another small prize for our donors from Ukraine: a cozy ceramic house by Polina . It goes to Ivan Tsud!

A special thank-you goes to the Irpin Running Club , who dedicated their latest event to supporting the clay club. You rock!

Yours,�Yuliya and Roksolana

📸Nostalgic film photo by Vadym

‘Self-portrait with Thin Skin’ 65 × 35 х 35 cm 2026In this piece, I worked through some personal stuff, while also tryin...
19/05/2026

‘Self-portrait with Thin Skin’
65 × 35 х 35 cm
2026

In this piece, I worked through some personal stuff, while also trying two new things construction-wise.

First, a new way of connecting the sculpture parts. My kiln is rather small, so in order to make anything taller than 40 cm (16 inches), I have to divide the piece into sections and assemble them afterward. Here, the torso has extra length in its lower part that inserts into the skirt. This creates an easy and reliable connection, much more convenient than gluing layers together.

Second, I was looking for a way to pierce the sculpture from the inside. It was easier with the wider lower section, but to reach every part of the body, I ended up cutting the entire piece open, piercing and deforming it, and then attaching it back together. Doing this with soft, pliable clay was quite a challenge.

I enjoyed working on the sculpture, but it felt like something was missing; it still wasn’t “speaking” to me. Then, at the very last moment and without much thought, I added a small crown to the side of the head. Suddenly, the piece felt complete.

👀So, what do you think of this little princess? I’d love to hear your feedback.

When you donate to Irpin hospital clay class you support creativity, connection, and joy for injured soldiers ❤️‍🩹 Look ...
13/05/2026

When you donate to Irpin hospital clay class you support creativity, connection, and joy for injured soldiers ❤️‍🩹 Look at these lovely plates from the last week!
With your help, we want to ensure continuous weekly classes for veterans with amputations for 2 months.
🏥Donate $10 via PayPal [email protected] to enter the raffle!

06/05/2026

We’ve raised 80% of our goal for 2 months of the hospital clay class! Thank you all ❤️‍🔥 Today Roksolana and I hosted the first workshop for the veterans after the pause in April. Look how talented our participants are!
To support this work, donate to [email protected] and get a chance to win a ceramic prize 🏆

At the recent ‘Blossoming in the dark’ exhibition opening. So friendly and crowded! Great to see people’s reactions to s...
01/04/2026

At the recent ‘Blossoming in the dark’ exhibition opening. So friendly and crowded! Great to see people’s reactions to some of my new works, as I drift further away from functional to installation.

Curators: .naden Place: Photos:

Address

вул.Тімірязєвська, 1
Kyiv

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