BONSELL AMERICANA

BONSELL AMERICANA BONSELL | AMERICANA is the preeminent source for antique flags and political textiles.

Welcome to BONSELL | AMERICANA, the preeminent source for antique flags and political textiles. Working together, Garrett and Heather Bonsell handpick and custom frame every piece they offer, and the results make for true, one-of-a-kind statement pieces. Their offerings hang in beautiful homes, important offices, and noteworthy buildings across the country.

More photos to come, but a peak into our booth yesterday  Thank you to the show promoters and other dealers for a great ...
06/07/2026

More photos to come, but a peak into our booth yesterday Thank you to the show promoters and other dealers for a great day!

Today we honor those that gave the ultimate sacrifice.
05/25/2026

Today we honor those that gave the ultimate sacrifice.

Come find the perfect antique flag at our booth.
05/20/2026

Come find the perfect antique flag at our booth.

Fox Valley Antiques Show information! Click here for everything you need to know about the upcoming Fox Valley Antique Show, presented by CSADA

Rare 35 Star Parade Flag | Folksy Medallion Configuration | Civil War Period | West Virginia Statehood | Circa 1863–1865...
05/17/2026

Rare 35 Star Parade Flag | Folksy Medallion Configuration | Civil War Period | West Virginia Statehood | Circa 1863–1865

Frame Size (H x L): 14.5” x 17.5”
Flag Size (H x L): 6.5” x 9.75”

Offered is a 35-star American national flag, printed on glazed cotton and dating to the height of the Civil War. The stars are arranged in a striking medallion configuration that is among the most visually compelling of all 19th century parade flag designs. At the center of the canton is a large “center star,” canted toward the 11:00 position, representing the newest state admitted to the Union: West Virginia. Encircling the center star are two concentric wreaths of smaller stars, while four additional stars occupy the corners of the canton, framing the design in balanced and highly decorative fashion.

The stars themselves possess an especially memorable appearance. Sharp, elongated points and irregular, hand-drawn geometry lend them a distinctly folksy character, while their tight arrangement within the canton creates a sense of movement and energy uncommon among printed parade flags of the period. Though the maker of this particular example remains unidentified, the unusual star shapes and overall presentation are associated with a very small and recognizable family of flags believed to have originated from the same workshop. Flags of this style are known in just six star counts: 7-star, 13-star, 15-star, 29-star, 33-star, and 35-star varieties.

Each appears to have been produced to commemorate a specific historical milestone or patriotic theme. The 7-star examples celebrated the first seven Southern states to secede from the Union. The 13-star versions paid homage to the original colonies. The 15-star flags were likely produced in conjunction with the centennial celebration of Kentucky statehood. The 29-star, 33-star, and 35-star examples marked the admission of Iowa, Oregon, and West Virginia, respectively, with the oversized center star serving as a visual tribute to the newest state represented on the flag. Among all known examples from this maker, the 35-star variety is by far the rarest. Surviving examples are exceptionally limited, with perhaps fewer than ten presently known.

The 35-star flag officially represents the admission of West Virginia to the Union on June 20th, 1863. In one of the most extraordinary episodes in American political history, West Virginia was formed amid the turmoil of the Civil War itself. Following Virginia’s decision to secede from the Union in 1861, delegates from the northwestern counties opposed the move and established a separate pro-Union government. After a complicated legal and political process, the new state of West Virginia was admitted to the Union under President Abraham Lincoln, becoming the only state created directly out of a Confederate state during the war.

Under the Flag Act of 1818, newly admitted states were officially recognized on the national flag on the July 4th following admission. As a result, the 35-star flag became official on July 4th, 1863, less than two weeks after West Virginia entered the Union. It remained official until July 3rd, 1865, when the 36-star flag succeeded it following Nevada statehood. Because of this narrow official window—approximately two years—and because massive quantities of patriotic textiles had already been produced in 1861 and 1862 at the outbreak of the war, comparatively few 35-star flags were made.

The 35-star count occupies a singular place in American vexillological history. It is the only official star count both added and used entirely during the Civil War itself. As such, 35-star flags hold a special fascination for collectors, combining direct wartime association with great rarity and one of the most attractive medallion configurations encountered in 19th century American flag-making.

Conservation Process: This flag was hand sewn to cotton fabric, and both were hand sewn to a mounting board. To prevent the black dye in the cotton fabric from seeping into the flag, it was first washed in a standard wash and then in a dye setting wash. The flag is positioned behind Optium Museum Acrylic.

Frame: The flag has been placed in an American flame grain painted frame, dating to 1840. The surface displays strong faux-grained decoration with rich tonal variation and a warm, aged patina that pairs well with the Civil War-era textile.

Condition Report: The flag shows moderate to significant wear consistent with its Civil War period origin and use. Most notable is a band of brown discoloration along the fly end, concentrated primarily within the white stripes, likely the result of long-term storage while rolled, where the exposed outer surface absorbed environmental staining over time. There is minor scattered foxing and soiling throughout, accompanied by modest fabric breakdown and edge fraying, all of which contribute to the flag’s authentic early appearance and character.

Collectability Level: The Best – Perfect for Advanced Collectors
Date of Origin: 1863-1865
Number of Stars: 35
Associated War: Civil War (1861-1865)
Associated State: West Virginia

Civil War Veterans of Bartholomew Grand Army of the Republic Post  #136, Nunica, Michigan Taken sometime between 1896 an...
05/17/2026

Civil War Veterans of Bartholomew Grand Army of the Republic Post #136, Nunica, Michigan

Taken sometime between 1896 and 1918, this is a group portrait of Union veterans belonging to Bartholomew GAR Post #136 out of Nunica, Michigan, a small Ottawa County farming community. The men, most with the white beards of old age, pose outdoors beneath tall trees with American flags and what appears to be a post banner behind them. Seated second from right in the front row is Henry E. Plant, who received the Medal of Honor in 1896 for his actions during the Civil War. The Grand Army of the Republic organized thousands of local posts like this one across the country, and Post #136 remained active until 1918, when its dwindling membership finally made continuation impossible.

Unidentified Civil War Veterans in Grand Army of the Republic Uniforms with Unidentified Members of Daughters of Union V...
05/17/2026

Unidentified Civil War Veterans in Grand Army of the Republic Uniforms with Unidentified Members of Daughters of Union Veterans of Denver and Greeley, Colorado

A 1938 group portrait of Civil War veterans in Grand Army of the Republic uniforms alongside members of the Daughters of Union Veterans from Denver and Greeley, Colorado, photographed by Mark D. Miller of Fort Collins. The banners visible in the crowd identify D.U.V. Tent No. 2 from Denver and a delegation from Greeley. By 1938, the surviving Union veterans were well into their nineties, and gatherings like this were becoming increasingly rare. The Grand Army of the Republic, founded in 1866, had once been one of the most powerful veterans organizations in the country, with over 400,000 members at its peak in 1890.

Civil War Camp of the 6th N.Y. Artillery at Brandy Station, Virginia,  April 1864, Brandy Station, Virginia. Union soldi...
05/17/2026

Civil War Camp of the 6th N.Y. Artillery at Brandy Station, Virginia,

April 1864, Brandy Station, Virginia. Union soldiers of the 6th New York Artillery stand outside their log company kitchen at winter camp. The structure is typical of Civil War winter quarters, built from whatever timber was available, with wooden barrel staves and split logs corduroying the muddy ground. Brandy Station was a major Union staging area during the winter of 1863 to 1864, housing much of the Army of the Potomac as it prepared for Ulysses S. Grant's spring Overland Campaign, which would begin just weeks after this photograph was taken.

Rare 38 Star Silk Flag Bandanna | Unusual and Attractive Medallion Star Pattern | Documented in Threads of History | Col...
05/12/2026

Rare 38 Star Silk Flag Bandanna | Unusual and Attractive Medallion Star Pattern | Documented in Threads of History | Colorado Statehood | Circa 1888

Frame Size (H x L): 33” x 32”
Flag Size (H x L): 22.5” x 21”

Offered is a rare and visually compelling 38-star American flag bandanna, produced in silk and rendered in the form of the Stars & Stripes, with the printed flag itself inset within a larger square field. The format possesses exceptional visual balance, with broad margins surrounding the printed design that reinforce its presentation as both a textile and a patriotic object. Two horizontal seams and two vertical seams, all machine-sewn, join the silk panels together, lending the piece a distinctly period method of construction and underscoring its manufacture during the late 19th century.

The star configuration is among the bandanna’s most memorable and attractive features. At its center is a large, canted star representing Colorado, the newest state admitted to the Union at the time the design originated. This oversized center star is encircled by a wreath of eleven smaller stars, creating a medallion-like presentation. Flanking this central device are four additional stars, while linear groupings of stars to the left and right create the impression of enclosing brackets or a squared framework around the central medallion. The arrangement is highly unusual and visually dynamic, balancing formal structure with folk-like irregularity. The stars are canted in various directions rather than mechanically aligned, and their forms vary subtly in proportion and ex*****on, adding both movement and charm. Such variation is highly desirable among collectors, as it reflects the more artistic and less standardized production methods of the period.

The canton is paired with bold red stripes that have mellowed beautifully over time, taking on the warm orange-red cast often encountered in 19th century textiles. This transformation is especially attractive here, contrasting wonderfully against the soft blue canton and creamy silk ground. The resulting palette is considerably more nuanced than the stark primary coloration associated with later printed flags and contributes substantially to the textile’s visual appeal.

This exact variety is illustrated as item number 637 in Threads of History: Americana Recorded on Cloth, 1775 to the Present, the landmark exhibition catalogue produced in association with the Smithsonian Institution. For collectors unfamiliar with the publication, Threads of History is widely regarded as one of the most important references ever produced on American political textiles, parade flags, kerchiefs, and related patriotic cloth objects. Compiled by Herbert Ridgeway Collins and published in conjunction with the Smithsonian’s major bicentennial-era exhibition, the work documented some of the finest and most historically significant textiles known at the time. Inclusion within its pages represents an important point of scholarly recognition.

The catalogue notes that this bandanna was “used in the political campaign of 1888,” and another closely related example is illustrated nearby as item number 636. That counterpart employs a different flag and star configuration, yet shares the same general format, dimensions, and construction, suggesting that the two likely originated from the same manufacturer or workshop. The relationship between the two textiles provides an especially interesting glimpse into the diversity of patriotic printed goods produced during the period. Rather than relying upon a single standardized design, makers experimented with varying star arrangements and visual compositions while maintaining the same overall concept and scale.

The proposed 1888 campaign association places this textile within one of the more contentious presidential elections of the late 19th century. The election pitted incumbent President Grover Cleveland, the Democrat, against Republican challenger Benjamin Harrison. Tariff policy emerged as the defining issue of the campaign, with Cleveland advocating lower tariffs and Harrison supporting protective measures intended to bolster American industry. Although Cleveland won the national popular vote, Harrison secured victory in the Electoral College. The campaign unfolded during a period of rapid industrialization, expanding rail networks, and growing national identity, conditions that fueled demand for patriotic imagery and political textiles alike. Objects such as this bandanna occupied a unique space between political memorabilia and decorative Americana, serving both as expressions of patriotism and as tangible artifacts of campaign culture.

Its square proportions are particularly appealing. Unlike many parade flags and kerchiefs that feel visually elongated, this example possesses a balanced, almost architectural presentation that allows the star configuration to command attention without overwhelming the striped field. The inset format further heightens this effect, creating a framed composition within the textile itself. Combined with the medallion-style arrangement of stars, the result is exceptionally graphic and immediately recognizable from across a room.

The 38-star count on this flag reflects Colorado’s admission to the Union on August 1st, 1876. Known as the “Centennial State,” Colorado earned its nickname for achieving statehood just twenty-eight days after the nation’s centennial celebrations. Colorado’s path to statehood began with the establishment of the Colorado Territory in 1861, spurred by the Pike’s Peak Gold Rush, which brought a dramatic influx of settlers to the region. Early efforts toward statehood met setbacks, including a veto by President Andrew Johnson in the 1860s, but renewed momentum in the mid-1870s ultimately culminated in Colorado’s official admission as the nation’s 38th state.

Although the 38-star flag did not become official until July 4th, 1877, flag makers frequently produced anticipatory examples ahead of official adoption. These flags played a major role during the Centennial celebrations of 1876, alongside revival designs featuring 13 stars in homage to the original colonies. The Centennial year proved to be a defining moment in American visual culture, fostering renewed patriotism and unity following the divisions of the Civil War. Homes, businesses, parade grounds, and public buildings were adorned with red, white, and blue decoration, and flags became the centerpiece of this widespread national expression.

The Centennial International Exposition in Philadelphia served as the focal point of these celebrations, attracting nearly ten million visitors between May and November of 1876. The exposition showcased American innovation on a grand scale, introducing many visitors to technological marvels such as Alexander Graham Bell’s telephone and the enormous Corliss Steam Engine. Within this atmosphere of patriotic enthusiasm and industrial optimism, the production of decorative flag textiles flourished.

The 38-star flag officially served from July 4th, 1877, until July 4th, 1890, spanning the administrations of Presidents Rutherford B. Hayes, James A. Garfield, Chester A. Arthur, Grover Cleveland, and Benjamin Harrison. It represented a nation undergoing dramatic transformation through westward expansion, mining booms, railroad construction, and accelerating industrial growth. In 1890, the admission of North Dakota, South Dakota, Montana, Washington, and Idaho necessitated adoption of the 43-star flag, bringing the 38-star era to a close. Today, surviving textiles from this period remain especially prized among collectors for their inventive medallion configurations, strong folk qualities, and close association with the Centennial era, one of the most visually dynamic and patriotic periods in American flag history.

Conservation Process: This bandanna was hand sewn to cotton fabric, and both were hand sewn to a mounting board. To prevent the black dye in the cotton fabric from seeping into the bandanna, it was first washed in a standard wash and then in a dye setting wash. The bandanna is positioned behind Optium Museum Acrylic.

Frame: This offering is in our Large Distressed Gold Frame.

Condition Report: The silk exhibits modest to moderate age-related wear, accompanied by minor soiling, scattered pigment loss, and areas of thinning consistent with the textile’s age and delicate nature. There is gentle creasing throughout, accompanied by minor irregularities along the edges and at the seams. The printed coloration has softened beautifully over time, with the red pigments mellowing to an especially attractive orange-red tone. Overall, the bandanna presents exceptionally well, with strong visual impact and remarkable survivability for a late 19th century silk textile.

Collectability Level: The Great – Perfect for Rising Collectors
Date of Origin: 1888
Number of Stars: 38
Associated War: The Indian Wars (1860-1890)
Associated State: Colorado

New York Gives Rousing Send Off to Her Sons Leaving for WarAugust 30, 1917. Columns of New York National Guard soldiers ...
05/12/2026

New York Gives Rousing Send Off to Her Sons Leaving for War

August 30, 1917. Columns of New York National Guard soldiers march down Fifth Avenue past the New York Public Library as thousands of civilians pack the sidewalks and viewing stands to see them off. The United States had entered World War I just four months earlier, in April 1917, and the country was still mobilizing. The National Guard was among the first waves of organized troops to deploy, with New York's guardsmen forming the backbone of what would become the 27th Infantry Division.

New York, New York. Flag Raising Ceremony at the Four Freedoms War Bond Show, on the Plaza of the International Building...
05/12/2026

New York, New York. Flag Raising Ceremony at the Four Freedoms War Bond Show, on the Plaza of the International Building at Rockefeller Center

June 1943, Rockefeller Center, New York City. Two men hold a banner reading "Keep the Light of Freedom Burning: Four Freedoms War Bond Show" at a flag raising ceremony on the plaza of the International Building. The Four Freedoms referenced the goals President Franklin Roosevelt laid out in his January 1941 State of the Union address: freedom of speech, freedom of worship, freedom from want, and freedom from fear. Those four principles became central to Allied wartime messaging, most famously through Norman Rockwell's series of paintings published in the Saturday Evening Post in early 1943.

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