05/21/2026
Friday night during NYC Design Week, Johnny Beckmann invited me to meet him at Ace Hotel Brooklyn for the FOR SCALE In Print Issue 3 event. Honestly, I had absolutely no idea what I was walking into. I didn’t even fully understand what the event or publication actually was yet.
I could see well-dressed creative people slowly accumulating outside the hotel, so I knew I was in the right place. The hotel itself immediately caught my attention. Raw concrete, industrial steel windows, low amber lighting, textured surfaces, glowing bottles behind the bar, and these beautiful half-moon windows that softened the harder industrial architectural language of the space.
The building feels less like true Brutalism and more like industrial modernism borrowing pieces of brutalist vocabulary. Real Brutalism, to me, carries a much heavier and more somber psychological weight. This felt warmer, more cinematic, more social, more connected to old industrial New York, 1930s factory buildings, artist lofts, and warehouse culture filtered through contemporary hospitality design.
Johnny arrived a few minutes later wearing a long black AllSaints leather coat that looked almost like some post-updated Matrix silhouette, but with far more style and far less theatrical flash. He jumped out of the car and immediately launched into a karate kick followed by an improvised knife-hand strike in my direction.
We walked into this really interesting environment filled with architecture people, fashion people, PR people, creatives, editors, and well-dressed downtown New York energy. The bartender was excellent, the architecture was excellent, and the entire atmosphere had this warm cinematic quality to it.
Continued in first comment.