What are the opening hours?

Saturday 9am - 5pm Sunday 9am - 5pm

http://www.delaneyantiqueclocks.com/

Delaney Antique Clocks, 435 Main Street, West Townsend, MA (2026)

06/03/2026

This monumental and rare classical wall clock was made in Vienna circa 1810 by Johann Vellauer, one of the distinguished makers in the imperial capital during the late 18th and early 19th centuries. Johann Vellauer the younger (1748–1819) produced clocks of remarkable sophistication, and this example ranks among the finest surviving Viennese giltwood craftsmanship.

The towering ebony case is 45 inches long and lavishly adorned with carved ornaments finished in gold leaf. At the base is an elaborately carved and gilded drop-style ornament. Above this, on the front of the case's bottom, is an acanthus carving and frame. The window to view the pendulum's brass bob is framed by acanthus foliage and clusters of berries. A pair of carved urns flanks this opening. Above is the dial and dial bezel, framed with carved cascading bellflowers. Above these are carved compotes overflowing with foliage and fruit. Above the dial is a carved wreath and ribbon detail. The cornice features board molding with dentil details. A majestic spread-winged eagle crowns the composition, clutching foliage and berries in its powerful talons, a dramatic symbol of imperial authority and neoclassical grandeur.

The convex enamel dial, signed “Johann Vellauer a Wienne,” is set within a deeply carved giltwood bezel and protected by convex glass. The dial displays Roman numerals for the hours, with Arabic numerals for the five-minute markers along the outer segmented minute track. Elegantly pierced and engraved brass hands indicate both the time and date.

Particularly unusual is the clock’s “blind-man” striking system. The mechanism announces the quarters progressively: one strike for the first quarter, two for the second, and three for the third. At the hour, the clock strikes four times on one bell to mark the completion of the fourth quarter, then strikes the hour count on a second bell with a distinctly different tone. This sophisticated arrangement creates an especially rich and layered audio presentation befitting the clock's imposing visual presence.

Height 45" Width 23" Depth 6.75".

Inventory number 225154.

06/01/2026

Re-visiting an old friend. This B.D. The Bingham wall regulator is featured in a contemporary home in Worcester, MA. Bingham regulators are of the finest quality. This one, made in Nashua, NH, is 4 feet 2 inches long and dates to the 1830s.

Love antique clocks? Visit our website and subscribe to our bi-weekly newsletters: https://www.delaneyantiqueclocks.com.

06/01/2026

This is the Seth Thomas Arch Top clock, also known as the Club Foot or Eyebrow model. It has a distinctive look and is desirable to many collectors today. This model was made around 1880.

The case is veneered in figured walnut, selected for its rich grain. Applying veneer to curved surfaces can be challenging. Many examples have damaged veneers. This case is in good stable condition. Its modern finish is clean and enhances the wood's rich chocolate-brown tones. The front of the case serves as a door. It locks with the same key used to wind the mechanism.

The dial is painted on tin, with Roman numerals marking the hours along a closed minute ring. The dial plate behind the hour ring is slightly convex. The hour and minute hands are original. The minute hand ends with an “S” and the hour hand with a “T” for Seth Thomas.

The eight-day movement behind the dial is brass. It is a time-and-strike design powered by coil springs. It also includes a Geneva Stop Winding mechanism, a countwheel striking arrangement, and a coil wire gong. This movement has proven reliable.

The clockmaker’s original label is attached to the backboard inside the case. It has minor losses in some areas.

The case measures 15.5 inches tall, 10.5 inches wide, and 4.75 inches deep.

Inventory number 226038.

05/28/2026

We recently delivered this E. Howard Model No. 6 Figure Eight Wall Clock to a customer in Worcester, MA. The collector, celebrating a milestone birthday today, was thrilled to welcome this regulator to his collection.

If you love antique clocks, take a look at what we have on our website at www.delaneyantiqueclocks.com. You can also sign up for our bi-weekly newsletter while you’re there.

05/13/2026

This attractive skeleton clock is a true miniature, standing just 10 inches tall to the top of its glass dome. Its base measures 6 inches wide by 4.25 inches deep, making it both compact and visually impressive.

This popular model was originally designed in 1850 and showcased at both the 1851 Crystal Palace Great Exhibition in Hyde Park, London, and the 1855 Paris Exhibition. The bottom plate bears the inscription, “Ms. Honorable EXP Paris London.” This skeleton clock quickly gained acclaim for its innovative design and exceptional craftsmanship, reportedly selling thousands of units during these renowned exhibitions.

The oval-shaped wooden base is veneered in ebony and inlaid with two brass parallel lines. The platform is elevated on three wooden, bracket-style feet. A small stepped platform is covered in white cloth. The glass dome sits atop this. This dome serves as a dust cover, protecting the mechanism from dust and other contaminants. It also lets one view the clock and its movement from all angles.

A-shaped brass plates frame movement and are secured to the base platform. The front plate is beautifully engraved with floral motifs. The frame supports the hardened-steel shafts and brass gearing. This is a single-train design that also features an alarm. The alarm is located under the base and is wound by pulling on the cord on the right side of the case. You set the alarm by turning the alarm disk in the center of the dial with the pull cord on the base's right side. This is a twelve-hour alarm, meaning it must be set once daily. The pendulum swings behind the movement. A silk-thread escapement supports the pendulum at the back of the works. The base bob is decorated with an engraved detail. The adjustment for the pendulum rate is located at the top of the front frame. The adjustment is made by turning the wheel in the appropriate direction.

The enamel time dial features Roman-style hour numerals and a minute ring segmented by dashes. The center of this is the location of the alarm disk. The hands are made from steel and are well-formed.

This clock was made circa 1885 and will run for eight days when fully wound.

Inventory number 225166.

05/11/2026

This is a fine Federal Massachusetts Timepiece, or "Banjo clock," made by William Cummens of Roxbury, Massachusetts, circa 1810. Simon Willard received a patent for his ”Improved Timepiece” in 1802. This clock style was a revolutionary and truly American design.

This clock case is constructed of mahogany and features flat cross-banded frames. The front surfaces are veneered with two bands of exotic wood, she-oak and rosewood. Their grain patterns are laid at right angles. The innermost band of she-oak veneer runs linearly along the length of the frame. The outer band of rosewood is positioned at a ninety-degree angle to the inner band. This formatting is the early case design. These frames are fitted with eglimoise tablets.

The colorfully painted tablets are in excellent original condition. The throat tablet is decorated with a traditional timepiece theme. A lowing pattern of acanthus leaves is finished and gilt. Behind them, splashes of red and blue add depth to the design. The banner in the lower glass reads “PATENT” over a green field. “Patent” refers to Simon’s patent for this form. The lower tablet depicts an allegorical scene, perhaps of Aurora in her chariot. Aurora is the goddess of the dawn. In mythology, she renews herself daily as she flies across the sky, announcing the sun's arrival. Her fanciful chariot is pulled by two white horses. In the center of the tablet is a small, undecorated area. Through this opening, one can view the pendulum's motion. The brass-faced bob crosses behind this opening as it swings. Painted gold radiants originate from this spot. This scene is framed with a multi-colored border.

The enameled dial features a closed minute ring. Short, stout Roman-style numerals mark the hours. The inner border of the time ring is framed with a gilt band. The center of this dial is signed, “Warranted by Wm Cummens.” The hour and minute hands are well-formed and feature arrow pointers at their ends. Behind the dial is the clock's mechanism.

The movement is a single-train, time-only design. It is driven by a lead weight that descends below the works.

This timepiece was made circa 1810.

Inventory: DG26-1.

05/06/2026

John Brogan remains an elusive figure in horological literature, with his name recorded in A LIST of IRISH WATCH and CLOCK MAKERS by Geraldine Fennell, M.A. Due to the lack of biographical information, analysis must rely on the clock and its case. This signed Brogan clock represents a form popular in Dublin during the 1750s and 1760s. Several similar examples exist with dials signed by more prominent clockmakers, such as John Reilly and Charles Morgan.

This case form originated in Dublin and subsequently gained significant popularity. The bonnet is slightly oversized to accommodate the larger 13-inch dial.

The case stands on applied bracket feet, and the base features an applied rectangular panel. Each of the four corners displays inverse cutaways, while the perimeter is trimmed with a molded edge. The panel was selected for its superior grain pattern. Complex ogee moldings provide a transition from the base to the long, narrow waist section, which centers a well-shaped door. This door is crafted from mahogany, exhibiting a vibrant crotch pattern. Affixed to the back of the door is a label reading, “William Miltom / Watch and Clock Maker / 64 Upr Stephen St. / Dublin.

William Milton is documented as working at various addresses in Dublin from 1829 to 1849, with his initial location on Great Ship Street, behind Dublin Castle. As a watch and clockmaker, he produced clocks for Her Majesty's Board of Ordnance and the Bank of Ireland. Several shelf clocks are also known. It is possible that his business serviced or resold this clock at some point.

This clock, produced circa 1760, stands slightly over 92 inches tall. The upper bonnet molding measures 22 inches wide and 10 inches deep.

Irish tall-case clocks, such as this example, are currently experiencing a resurgence in popularity. Consequently, they have become increasingly rare and difficult to locate and inventory. Ownership of this clock serves as a testament to the enduring influence of Irish immigrants on the finest forms of American furniture.

Inventory number 225170.

05/04/2026

This is an outstanding reproduction of a Girandole Timepiece. This form was made famous by the Concord, Massachusetts, Clockmaker Lemuel Curtis.

Lemuel Curtis began as an apprentice to the Willards in Boston in 1802. By 1811, he was working as a journeyman and moved to Concord, Massachusetts, where he opened his own shop specializing in timepieces. Over time, he improved Simon Willard's original design, such as introducing a single screw movement mounting system and making changes to the clock's suspension. His most notable achievement was designing the elegant Girandole form. Although it was not a financial success and only a small number were made, many of these original clocks are now in top museum collections. Since then, both individuals and companies have reproduced this style, including The Waltham Clock Company, Elmer Stennes, and Foster Campos.

This beautiful mahogany case was made around 1920 and is modeled after the Lemuel Curtis Girandole clocks from the 1820s. The woodwork and finish have been carefully treated to give it the appearance of an antique. As a result, it looks much older than it actually is.

James Edward Conlon (1880–1948) was an antique dealer and clockmaker-restorer who worked in Boston from the 1910s to the 1940s. He was skilled with his hands and enjoyed studying the work of clockmakers from a century earlier. Conlon was well respected among collectors and liked to share his research. He gave talks on New England clockmaking history at local historical societies and at the Boston Clock Club, a group for enthusiasts. In addition to his practical experience, he has, in years past, devoted a great deal of time and energy to consideration of the origin and history of New England clockmakers." Today, it is believed that he made several museum-quality copies of early American clock styles, though he rarely signed his own name. Collectors have attributed out-of-period Willard timepieces, wall primitives, and Curtis-style Girandole clocks to Conlon. This reputation has continued over the years. After closely examining this clock, it seems likely that it could be one of his works.

For more information, please visit our website.

226035

05/01/2026

This impressive E. Howard & Co. Model #1 wall regulator clock showcases the elegant simplicity and precision craftsmanship that make it one of the most sought-after timepieces on the market. Its clean lines and timeless banjo form appeal to modern and traditional tastes, making it a perfect addition to any home or office. Initially marketed as a watchmaker's regulator in the late 19th century, this clock was advertised as “well adapted for banks, insurance offices, and large rooms,” reflecting its superior functionality and reliability.

At 4 feet 2 inches in length, this is the largest of Howard’s five banjo-form models. The 12-inch dial, signed “E. Howard & Co. / BOSTON,” features a subsidiary seconds dial unique to the Model No. 1 within the banjo series. The weight-driven movement incorporates a Graham dead-beat escapement, Geneva stop winding, and maintaining power, features associated with high-grade regulators and designed to ensure stable amplitude and consistent timekeeping. The gilded cherry pendulum rod, visible through the clear waist glass, reinforces the clock’s mechanical integrity.

The cherry case is finished with a faux rosewood grain executed in India ink, a characteristic Howard treatment that elevates the otherwise restrained form. The surface remains in remarkable original condition. Restored reverse-painted tablets in black, gold, and red complement the richly patterned case. Below, the brass pendulum bob is finely engraved with concentric rings and luminous behind the lower tablet, introducing a note of ornament within an otherwise purpose-driven design.

Produced circa 1880, this clock stands as a testament to E. Howard’s legacy of quality and innovation. The harmonious blend of beauty, precision, and historical relevance makes it a commanding centerpiece. Far more than a timekeeper, this clock promises to become the heartbeat of any space it graces.

Height 49 1/2" Width 19 1/2" Depth 6 1/2"

Inventory #225167

Delaney Antique Clocks

06/03/2026

06/01/2026

06/01/2026

05/28/2026

05/13/2026

05/11/2026

05/06/2026

05/04/2026

05/01/2026

Address

Opening Hours

Telephone

Website

Alerts

Shortcuts

Share

Category