Avolites

Avolites Avolites is a lighting and video control manufacturer based in West London.
(491)

We manufacture lighting consoles, dimmers and media servers that are used all over the world.

Reminder: the Golden Console Competition closes at midnight on 31st August.Will you be part of the Top 50 leaderboard by...
27/08/2026

Reminder: the Golden Console Competition closes at midnight on 31st August.

Will you be part of the Top 50 leaderboard by next Monday?

If you are, you’ll be entered into our LIVE prize draw at PLASA, where one lucky winner will find out if they are taking home the one-of-kind Golden Console.

This week is your last chance to check the leaderboard, see if you’ve missed any opportunities to earn Tokens, and make sure you’re maximised every opportunity to secure your place in the draw.

Good luck to everyone who has entered – we can’t wait to find out who the winner is on 7th September!

https://avolitesacademy.com/avo50/

We were bowled over by FOLD’s incredible use of Prism for their takeover at Stone Techno Festival, resulting in a “magic...
26/08/2026

We were bowled over by FOLD’s incredible use of Prism for their takeover at Stone Techno Festival, resulting in a “magical experience” for attendees at the electronic music event at Zollverein – a UNESCO World Heritage site in Essen, Germany.

The team’s combined use of lighting and video created an atmospheric and immersive experience, all controlled by Titan and Prism (with Synergy connecting the software together).

In this video, Ryan Ashworth, Head of Lighting at FOLD, and James Newmarch, Technical Manager at FOLD, explain how they achieved a tactile experience by casting media content onto an LED “Vanish” screen, with fixtures behind it to give more depth than a flat video.

Prism is essential to FOLD’s approach, not just at Stone Techno but in all their shows that rely on layering content over fixtures.

As James explains, “[Prism] allows me to do what I want to do in a show from an experiential basis, then getting it into a desk and getting it programmed. For me, having a workflow that works quickly and can adapt is the most important thing.”

FOLD used a D9 alongside a D7, allowing James to pixel map or create fixture orders and groups while Ryan busked, without effecting the live performance. “It enables us to communicate with each other,” says Ryan, “without having to take time off the desk.”

https://youtu.be/TjPsYyXBc4o

We were bowled over by FOLD’s incredible use of Prism for their tak...

What console were you using in the 2010s? Tell us in the comments to add your stories and pictures to the Avo50 Time Cap...
25/08/2026

What console were you using in the 2010s? Tell us in the comments to add your stories and pictures to the Avo50 Time Capsule.

We’re collating fifty years of Avolites history as part of our anniversary celebrations, and we want to see what your desk looked like between 2010-2019.

Did you get your first T1? Use Titan for the first time? Try media control with Ai? We want to know!

Share your photos and stories and become part of the Avolites Time Capsule.

Who’s ready for PLASA London?With less than two weeks to go, here’s a reminder of what will be going on at the Avolites ...
24/08/2026

Who’s ready for PLASA London?

With less than two weeks to go, here’s a reminder of what will be going on at the Avolites stand C28 at Olympia from 6th – 8th September…

- Take part in training led by our Training Coordinator Rebbecca Cadd and Product Specialist Doug Coppell
- See the new Prism in action, with demos from our Media Training specialist Arran Rothwell-Eyre
- Talk to our R&D team about upcoming product developments
- Take home the Golden Console (if you’re lucky). The winner will be announced live from the stand on Monday 7th. Remember the competition closes at midnight on 31st August, so make sure you’ve submitted all your points by next week

https://avolitesacademy.com/avo50/

If you’re coming to PLASA London this year, tell us what you’re most excited to see at this year’s event in the comments.

23/08/2026

Our final reel in the Boomtown Fair series brings together some of the festival's most iconic destinations, from hidden gems to headline stages 🔥

We journey through the woodland wonder of Hidden Woods, the vast spectacle of Grand Central, the underground energy of Acid Leak, the immersive world of Infinity, and the vibrant creativity of Garden Centre, before finishing at the legendary Lion's Den for an epic Andy C closing set.

Hidden Woods - Supplied by Wingnut Lighting
Lighting design by Wingnut.
Programming and operating Clara Beedell and Felix Randle on an Avolites TT2.
Lx crew Dave Kitchker and Tom Lange
Lasers from Reach Lasers

Grand Central
Lighting supply from TSL - Wil Gregory.
Avolites programming - Simon George on D7-215.
House LDs: Simon George and Jack Walsh
Dimmers: Afgan John

Acid Leak
Lighting supply by Striking Lighting and Reach Lasers.
Lighting design and operation by James Harding on Avolites Quart.
Laser operator - Hagop shwaza waza
Lasers supplied by Reach Lasers.

Infinity stage
Lighting design, operation and Lx supply by Lysergic Productions on Avolites Titan Mobile, Resolume and Datapath.
Controlled by Lily Scott, Alfie Love, David O’Hara and Doy.

The Garden Centre
Lighting supplied by Metropolis Production Studio and Lighting designed by Peter Goddard.
Operation Peter Goddard & Steve Wood on Avolites T3 and T3 Wing.

Lion’s Den for Andy C
Lighting supply from TSL - Wil Gregory.
Lasers from Laser Grafix - Toby Macknight with operator Harrison Barker
Lighting design from Simon George on Avolites D7-330
Crew chief Josh Utteridge, Networking & Robospot tech Gareth Weaver, with Angel Gilliar, Nikki Dickinson, Alex Beaven and Hannah Grech.

Site scanning lasers from Laser Grafix - Programmed by Toby Macknight.

Photo Credits 📸🎥:
Steve Warren
Carolina Fajardo

Fantastic to see eleven-year-old Elliot getting behind a D7-215 at Congress Players production of GYPSY with MSL Group L...
22/08/2026

Fantastic to see eleven-year-old Elliot getting behind a D7-215 at Congress Players production of GYPSY with MSL Group LTD this Summer.

With “a real passion (and superb knowledge) of the technical side of theatre”, Elliot took over the lighting controls for the entire second half of the show; a great opportunity for a young theatre tech to get hands-on experience in a live production environment.

A massive well done to Elliot, it’s not easy being responsible for live theatre lighting and it sounds like he did great a job.

A big thank you to the team at MSL, too, for giving a young lighting tech the opportunity to get practical experience with Avolites kit.

21/08/2026

The art, music and mayhem of Boomtown get a serious upgrade at the expanded Spectrum 360 stage 🔥

Next up in our Boomtown series, we head to the raucous Hangar 161, the ever-packed Jägermeister Platz, the elegant Botanica Zoo, the high-octane End of the Line, and the mighty Hydro XL.

From rebellious energy and immersive environments to relentless beats and larger-than-life production, each venue brings its own unique character and visual identity to the Boomtown experience.

Spectrum 360
LX Supplied by Wolf Lighting.
Lighting design, programming and operation from James Gooch.
Lasers from Reach Lasers with programming and operation from Danny Mason and Jon “Bungle” Blackford.
Video supplied by Video Illusions.

Hanger 161
Supplied by Elixir Production Services Ltd.
Lighting design and operation James Dickson on Avolites D9-215
Console operator James Carrington

Jägermeister Platz
Lx supplied by MLC Events.
Lighting design and operation by Chris Gadd

Botanica Zoo - Supplied by Metropolis Production Studio - Lighting design and operation by Peter Goddard and operation by Cranked Soundsystem on an Avolites T2.

End of the Line -
Lx operation by Arien Barley on an Avolites Quartz

Hydro XL - Video and Notch VFX live control from Avolites Titan Mobile by LEDs Akimbo and programmed by Dan Williams and operated by Jack Hollywood.

Photo Credits📸🎥:
Steve Warren
Carolina Fajardo

21/08/2026

Prism highlight: layers

In this video, our Media Product Specialist Arran Rothwell-Eyre talks you through Prism’s layering features.

Arran shows you how you can use the software to layer media and lighting seamless to give more depth to your visuals, and get creative control over the look of your show.

From utilising Prism’s 16 surfaces to pixel map adjustments and time code, find out how Prism gives you intuitive media control that connects with Titan.

20/08/2026

Thiago Bonanato
Lighting Designer, Director of Photography, Lighting Operator, Lighting Programmer and Project Manager
São Paulo, Brazil

Welcome to the Avo50, Thiago Bonanato!

Thiago has been using Avolites for an incredible 31 years, working across touring, corporate and social events as part of Bonnalight Produções and LPL Lighting Productions.

Over that time, his work has included programming and operating lighting and video for major productions, with highlights including the Roberto Carlos tour, the opening and closing ceremonies of Copa America in Brazil, and a TV Globo special with Roberto Carlos at Allianz Parque Stadium.

Avolites has been a constant throughout Thiago’s career. In his own words: “For 31 years, I've only used Avolites at all my shows and events... I'm an Avolites fanatic and want to share this passion with everyone.”

With a wealth of experience in programming, operation and Titan Software, Thiago is a brilliant addition to the Avo50 community.

If Boomtown Fair has a beating heart, it's Grand Central. Home to some of the festival's biggest artists, biggest crowds...
20/08/2026

If Boomtown Fair has a beating heart, it's Grand Central.

Home to some of the festival's biggest artists, biggest crowds and biggest moments, it's the stage that defines the Boomtown experience.

Lighting Designer Simon George was tasked with bringing that environment to life, creating looks that worked from daylight sets through to headline performances long into the night.

Supplied by TSL, the stage lighting was controlled from a pair of Avolites D7-215 consoles running as main and back-up, ensuring every cue landed exactly where it needed to across the weekend.

Another huge year for one of the UK's most iconic festival stages. Great work from Simon and the entire team involved.

Photo credit - Ange Elliott and Sarah O'Gorman

Address

184 Park Avenue
London
NW107XL

Opening Hours

Monday 9am - 5:30pm
Tuesday 9am - 5:30pm
Wednesday 9am - 5:30pm
Thursday 9am - 5:30pm
Friday 9am - 5:30pm

Telephone

+442089658522

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